Schutz dana (20 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

First Edition. First edition and first printing. Hardcover. 199 pages. Exhibition catalog for a show that ran November 2 through December 16, 2023. Features text by Jarrett Earnest. Includes numerous color illustrations and a checklist. A clean very near fine copy in cloth boards with color image inset into the front cover. No dust jacket as issued.…

Zustand: New.

Zustand: New. In English.

Zustand: Very Good. Very Good+ in a Very Good+ dust jacket; Hardcover; Dust jacket is clean and glossy with no tears, and has not been price-clipped (Now fitted with a new, Brodart jacket protector); Light wear to the boards; The textblock edges are unblemished; The endpapers and all text pages are clean and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Medium-Large Format (Quatro, 9.75" - 10.75" tall); 2.2 lbs; Black dust jacket with painting illustration, and title in white lettering; 2015, Walther König Publishing; 162 pages; "Dana Schutz: Demo," by Dana Schutz, et al.…

Hardcover. Zustand: Brand New. 200 pages. 13.01x10.76x13.00 inches. In Stock.

Zustand: NEW.

SOFTCOVER. Zustand: AS NEW. Zustand des Schutzumschlags: Issued without a dustjacket. 1st Edition. 4to in hook stapled stiff card covers, unpaginated, approx. 32pp, colour plates, etc . [CONDITION: An AS NEW unmarked copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Encuadernación de tapa blanda. Zustand: Muy bien. Zustand des Schutzumschlags: Aceptable. Kai Althoff, Glenn Brown, and Dana Schutz invite us with deliberate guile to enter into highly idiosyncratic personal worlds and wide-ranging universes of their own creation. They put their faith in the power of the imagethough, as Oliver Koerner von Gustorf observes, there is talk at times of a framework that is not interdisciplinary, but rather antidisciplinary. Glenn Brown and Dana Schutz apply themselves to the "master discipline" of oil painting with bravura but only as a platform for corrosive flights of fancy that transport it into another dimension. Glenn Brown burrows into "the genre of painting" in order to embark on what might be called a subcutaneous journey into his Musée Imaginaire. His steady companion is a great delight in deception of all kinds: travesties of eras past and present, trompe l'oeil in the perfectly flat rendition of pastose brushstrokes, or the gradual liquefaction of false trails. The neo-rococo excrescence on the cover is the quintessential embodiment of all heads that have ever taken up residence on a cover or a canvas, and which now dissolves before our very eyes into a froth of saturated colors. The implications of a treatment of time that borrows from the workings of fairy tales and casually unites centuries, decades, and generations is fleshed out in Veit Loers essay on the work of Kai Althoff. All three collaboration artists share an aspect aptly described in Jan Avgikos' analysis of the work of Dana Schutz. Her painting is, as she puts it, an "almost encyclopedic archive of nightmarish and sensational imagery" that nonetheless shows a "life-enhancing optimism" in its "fictional post-apocalyptic setting". While Schutz's images graphically lay bare existential extremes in the life situations of society's castaways, Kai Althoff accosts us with other extremes, backdrops of gloom, such as the diabolical dimensions of German history. As in science fiction, Glenn Brown operates on a more concentrated level of materiality in his deliciously uncanny, liquefied world. The obvious, self-evident presence of the Apocalypse in the work of these three artists is, paradoxically, what makes their projects so exhilaratingly inviting and, indeed, liberating. Also in this volume an Insert by Balthasar Burkhard. Table of Content Tea with Grayson Perry by Duncan Fallowell Between the Book and the Lamp: Four Projects by Rémy Markowitsch by Angelika Affentranger-Kirchrath Dana Schutz Welcome to Neverland by Karin Wittneven Monster Mash by Jan Avgikos Under Close Observation by Brian Sholis Kai Althoff The Ties that Bind by Jordan Kantor With Bellbottoms to the Underworld by Veit Loers Super Creeps: Cruising the Work of Kai Althoff by Oliver Koerner von Gustorf Glenn Brown He Paints Paint by Jennifer Higgie New Worlds for Old by Trevor Smith Master and Minion by Jörg Heiser Balthasar Burkhard, Insert Sturtevant: Inappropriate Appropriation by Michael Lobel Real Cheating: A Conversation with Seth Price, by Daniel Baumann Pun to Paradox, Bas Jan Ader Revisited, Cumulus from Overseas by Rachel Kent Experiencing Duration. The 2005 Lyon Biennial, Cumulus from Europe by Gianfranco Maraniello Goodbye Johnny, Johannes Gachnang, 1939 2005 by Rudolf Schmitz.…

Buch. Zustand: Neu. Neuware - Viscerally evocative, Dana Schutz's newest paintings and sculptures depict allegorical scenes in which often grotesque characters negotiate their subjecthood. >Published on the occasion of the 2023 exhibition at David Zwirner, New York, this catalogue features a long-form essay by Jarrett Earnest, who chronicles Schutz's artistic process as she creates her most ambitious sculpture to date, Sea Group. Earnest explores the interconnections between Schutz's long-standing painting practice and her more recent engagement with sculpture, offering a fascinating reflection on the artist's thematic explorations, artistic inquiry, and the conceptual underpinnings of her work. The text is also accompanied by behind-the-scenes photography by Jason Schmidt, which offer an intimate view of the artist at work.…

Hardback. First Edition. 22 x 30cm 100pp near fine hardback exhibition catalogue in dust jacket. Features several fold-out colour reproductions. Dana Schutz is an American artist who lives and works in Brooklyn, New York. Schutz is known for her gestural, figurative paintings that often take on specific subjects or narrative situations as a point of departure. Near fine in near fine dustjacket.…

Lousiana, Humlebæk 2023. 96 sider. Rigt illustreret i farver. Orig. omslag. Pæn.

Lousiana, Humlebæk 2023. 96 sider. Rigt illustreret i farver. Heftet med orig. omslag. Pæn.

Lousiana, Humlebæk 2023. 96 sider. Rigt illustreret i farver. Heftet med orig. omslag. Pæn.

Hardcover. Zustand: VG+. VG + small quarto hardcover, no dj as issued. Top edge just a bit darkened from the 2019 fire at the home of Peter Schjeldahl on Saint Mark's Place, New York. Exhibition held at the neuberger Museum of Art, Purchase, NY, 2011 & other venues. Uncommon.

Softcover. Zustand: gut. 2005. Teeth dreams and other supposed truths (CFA, Berlin, 2005) In deutscher Sprache. pages.

Zustand: gut. 2014. Demo Anlässlich der Ausstellung .Kestnergesellschaft, Hannover, 25. Juli - 26. Oktober 2014. Deutsch/Englisch. In deutscher Sprache. pages.

gebundene Ausgabe, Leinen. Zustand: Sehr gut. 157 S., mit zahlr. farb. Abb., 27cm x 22cm hellblauer ill. GLn mit farb. ill. OU, dieser mit minimalen Gebrauchs- u. Abriebspuren, ansonsten Ex. in sehr gutem Zustand. Sprache: Deutsch Gewicht in Gramm: 1000.