Schum gerry (14 Ergebnisse)

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: NEW.

Zustand: New. In.

Soft cover. Zustand: Fine. 80 pp., paperboard wrappers. Age toning at edges, fine copy. Illustrated in black-white. 27 x 21 cm. Text in Dutch and English.

Soft cover. Zustand: Very Good. Text in dutch and english, 4to, soft cover, 80 pages, illustrated, very good to fine copy.

317 pp.; 30 x 22.5 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Kunsthalle Düsseldorf, Germany, December 14, 2003 ? March 14, 2004. Traveled to the Casino Luxembourg - Forum d'art contemporain, March 27 ? June 6, 2004; the Museu de Arte Contemporânea de Serralves, Porto, July 23 ? October 3, 2004; the Musée d'Art moderne de la Ville de Paris, October 23 ? November 28, 2004; the Norwich Gallery, Norwich School of Art and Design, January 12 - February 26, 2005 and to the Centro Andaluz de Arte Contemporáneo, Sevilla, April - June 2005. Essays by Gerry Schum, Barbara Hess, Ursula Wevers, Charles Harrison, Jean Leering, Eric de Bruyn, Ulrike Groos and Beatrice von Bismarck. Includes chronology, list of publications, list of monographs, monographs of general interest, featured publications and reviews. Text in English. Fine. In publisher's shrink wrap. Due to size and weight additional shipping charges may be required.…

Zustand: gut. Fernsehgalerie Gerry Schum, Videogalerie Schum. Ready to Shoot: () In deutscher Sprache. pages.

80 pp.; 27.5 x 20.8 cm.; sewn bound; black-and-white; edition size 3500; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the Stedelijk Museum, Amsterdam, December 21, 1979 - February 10, 1980. Traveled to Museum Boymans van Beuningen, Rotterdam, February 29 - April 13, 1980 Kölnische Kunstverein, Köln, April 30 - June 1, 1980 and Museum voor Hedendaagse Kunst, Gent, June 15 - August 30, 1980. With a foreword by Edy de Wilde, and texts by Dorine Mignot, Ursula Wevers, and the artist. Profusely illustrated in color and black-and-white, featuring many video stills. Artists include Giovanni Anselmo, Keith Arnatt, John Baldessari, Joseph Beuys, Alghiero Boetti, Marinus Boezem, Stanley Brouwn, Daniel Buren, Pierpaolo Calzolari, Jan Dibbets, Gino De Dominicis, Ger van Elk, Barry Flanagan, Gilbert & George, Wolf Knoebel, Gary Kuehn, Richard Long, Walter de Maria, Mario Merz, Dennis Oppenheim, Klaus Rinke, Ulrich Rückriem, Richard Serra, Robert Smithson, Franz Erhard Walther, Lawrence Weiner, Gilberto Zorio. Includes statements and descriptions of works, biography, and bibliography. Texts in Dutch and English. Very Good / Fine. Light cover wear. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders. …

Zustand: New.

Zustand: Sehr gut. 4°. 30 x 22,5 cm. 317 Seiten. Original-Klappenbroschur. 1. Auflage. Katalog anlässlich der Ausstellungen in der Kunsthalle Düsseldorf, 14. Dezember 2003 - 14. März 2004; im Casino Luxembourg, Forum für Zeitgenössische Kunst 27. März - 6. Juni 2004 und im Museu de Arte Contemporanea de Serralves, Porto 23. Juli - 10. Oktober 2004. Mit zahlreichen Abbildungen. Sehr gutes Exemplar.…

Soft cover. Zustand: Very Good. 1st Edition. Sm.8° - 80pp - B/w reproductions. Exhibition Catalogue: Gerry Schum (1938-1973) German cameraman, filmmaker and Video artist. The TV-exhibitions he produced for his Fernsehgalerie Gerry Schum around 1970 were among the first art programs without any explanation or commentary to be broadcast on television. First edition, text in Dutch and English.…

schwarzer OU mit Rückentitel. 333 S. : zahlr. Ill. ; 30 cm Gut erhalten Sprache: Deutsch Gewicht in Gramm: 1746.

Amsterdam: Stedelijk Museum: 1980. Quarto (27.5 × 20.7 cm). Original pictorial card wrappers; 80 pp. with numerous reproductions of photographs and video stills. Spine and wrappers lightly sunned; still about very good. Catalog of the exhibition of the oeuvre of the video and television art pioneer Gerry Schum, who coined the term "Land Art" with an episode of his series "Television Exhibition." In it, Schum showed land art works by Marinus Lambertus van den Boezem, Walter De Maria, Jan Dibbets, Barry Flanagan, Michael Heizer, Richard Long, Dennis Oppenheim, and Robert Smithson without commentary. In another episode of his "television exhibition" he showed works by Joseph Beuys, Daniel Buren, and Mario Merz. These experimental video works were televised on public service broadcasting. A third episode with the project title "Artscapes" fell through due to a shortage of funding. This was followed by further television projects. However, Schum's idea of using television as a democratic medium independent of the art market for the direct presentation of artworks failed. The main reason for this was the refusal of the broadcasters to finance further projects. (Cf. Helmut Kronthaler, in: AKL CII, 2019, 285). As of September 2025, KVK, OCLC locate seven copies worldwide, none of them in North America.…

Berlin: n.p., 1969. Octavo (21 × 15 cm). Pictorial leaflet with inserted, folded transparent glassine sheet, printed with artist and work details of the reproduced works and video stills; [8] pp. Very good. Rare leaflet for the first "Television Exhibition" by Gerry Schum, through which he coined the term "Land Art." In this broadcast, Schum presented land art works by Marinus Boezem, Walter De Maria, Jan Dibbets, Barry Flanagan, Michael Heizer, Richard Long, Dennis Oppenheim, and Robert Smithson - all shown without commentary. With this and subsequent films, Schum did not seek to create documentaries about contemporary art or artists. Rather, his intention was to allow the artworks to speak for themselves through the medium of film. Schum's television gallery can be seen as a further development of André Malraux's concept of the Musée Imaginaire. Land art, in particular, seemed to call for this new medium, as it enabled the simultaneous experience of works created in remote locations - despite their spatial separation and site-specific character. The film was not only broadcast on television but was also screened on a large projection at the Berlin Academy of the Arts. A catalog was published concurrently. (Cf. Dorine Mignot, "Gerry Schum. Die Idee einer Fernsehgalerie," in: Videokunst in Deutschland 1963-1982, ed. by Wulf Herzogenrath, Stuttgart 1983, pp. 44-67). In another episode of his "television exhibition", he showed works by Joseph Beuys, Daniel Buren, and Mario Merz. A third episode with the project title "Artscapes" fell through due to a shortage of funding. This was followed by further television projects. However, Schum's idea of using television as a democratic medium independent of the art market for the direct presentation of artworks failed. The main reason for this was the refusal of the broadcasters to finance further projects. (Cf. Helmut Kronthaler, in: AKL CII, 2019, 285). The front and back of the leaflet show video stills taken from the sections about the works "A Hole in the Sea" by Barry Flanagan and "12 Hours Tide Object with Correction of Perspective" by Jan Dibbets. Opened, additional video stills are revealed, accompanied by information about artists and works on the printed glassine sheet.…