Schultz anne catrin (26 Ergebnisse)
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Zustand: Good. Pre-loved books in generally excellent condition. May have minor scuffs consistent with shelf wear. Pages are neat and clean, free from underlining, highlighting and other forms of annotation. Sold by the U.K Charity Kisharon Langdon. Offering Opportunities and Support for People within the Autism and Learning Dis…ability Community.
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Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,950grams, ISBN:9783932565649.
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Zustand: New. 2010. Hardcover. Intent on realising her late husband's vision, Dorothy de Rothschild first offered to provide funding for a new building housing the Supreme Court of Israel in the 1960s. In 1983 the offer was seriously considered and accepted. Num Pages: 56 pages, 60 colour photos. BIC Classification: 1FBH; AMG. C…ategory: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 310 x 290 x 11. Weight in Grams: 804. . . . . . Books ship from the US and Ireland.
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Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1100grams, ISBN:9783930698141.
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Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1200grams, ISBN:9783930698141.
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Zustand: New. Num Pages: 80 pages, black & white illustrations, black & white halftones, colour illustrations. BIC Classification: AMC. Category: (G) General (US: Trade). Dimension: 298 x 244 x 12. Weight in Grams: 698. . 2015. Hardcover. . . . . Books ship from the US and Ireland.
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Zustand: New. pp. 344 152 Illus.
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Hardcover. Zustand: Brand New. new title edition. 148 pages. 11.25x9.25x0.75 inches. In Stock.
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Gebunden. Zustand: New. This book examines the application of the principle of layering in architecture, its mechanics, possible application and meaning. Layering is widely used in the discussions of the 20th and 21st centuries architecture but rarely defined or examined. Layering.
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Hardcover. Zustand: Brand New. new title edition. 148 pages. 11.25x9.25x0.75 inches. In Stock.
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Zustand: New. The condition of fake and real in architectureis rarely publicly discussed nor has it encounteredbroad journalistic or scholarly attention.This book explores the realm of truth, authenticityand fakery in architecture, providing.
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Buch. Zustand: Neu. Neuware - This book examines the application of the principle of layering in architecture, its mechanics, possible application and meaning. Layering is widely used in the discussions of the 20th and 21st centuries architecture but rarely defined or examined. Layering bridges the tectonics of structure and ski…n, offers a system for the creation of different architectural spaces over time and functions as a design principle without hierarchy. Three types of layering are identified: a chronological sedimentation of planes materializing changes over time (temporal layering), the additive sequence of spaces (spatial layering), and the stratification of individual planes (material layering).Like a palimpsest, historic cities frequently reveal temporal layering and aspects of change over time, a condition familiar to archaeologists who study layer upon layer of remnants of civilization, including architectural remains and urban organization. In historic cities, one can read at least the most recent layers to determine a physical chronology of the city's history; contemporary architects add strata of the 21st century. Cities are composed of several layers, offering a complex understanding of time in which a view of the present includes the simultaneous perception of the past.At a building scale, layers can be part of the spatial composition, multiple elements of walls, the skin, the structure or decorative and narrative elements. Just as the position and order of geological stra-ta contain information related to their age, formation, and origin, the position and form of architectural layers come with information about their function, intellectual scope, and provenance. The possible elements of such an architectural strategy include materials, light, water, and color as well as associations, memories, and analogies embedded in the layers or in the voids between them.Material layering is based on a perceived separation of spatial enclosures into floor, wall, and ceiling or roof elements and combinations thereof. Individual elements may consist of multiple planes fulfilling a series of specific functions. The architectural enclosure can represent the physical wrapper of a building and might transport the structure s narrative, tectonic information, cultural expression, the architect s design intent, and other topics that might be embedded.
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Buch. Zustand: Neu. Time, Space and Material | The Mechanics of Layering in Architecture | Anne-Catrin Schultz | Buch | 80 S. | Englisch | 2015 | Edition Axel Menges | EAN 9783936681888 | Verantwortliche Person für die EU: Edition Axel Menges, Esslingerstr. 24, 70736 Fellbach, axelmenges[at]aol[dot]com | Anbieter: preigu.
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Buch. Zustand: Neu. Neuware -In recent decades, Carlo Scarpa's relevance has been steadily on the rise. At a time when architects have to use existing city and building structures as a point of departure for their work, his uvre remains a source of inspiration. Buildings such as the Castelvecchio in Verona show us that architect…ure is capable of communicating its own history, has meaning, and develops a contemporary dynamic of its own. Scarpa's layered architecture makes visible the process of becoming and the time-related sedimentation of material and meanings. It is especially at points of transition and interface that layering becomes a narrative element that elucidates the tectonic qualities of the building. Overlaying includes leaving a record of how an object came into being - either by means of the sediments of its history or through the intervention of the architect.In this book Anne-Catrin Schultz presents her research about the phenomenon of layering in Carlo Scarpa's architecture. Layering describes the physical composition of layers defining space as well as the parallel presence of cultural referrals and formal associations imbedded in the physical layers.Scarpa's work is an embodiment of multidimensional layeringand, at the same time, a focal point for architectural movements of his time that have stratification as their theme. In most buildings, the principle of layering may be regarded as something that is part of the nature of building. Functional conditions call for planes, elements, or 'layers' to provide the supporting structure, and others to protect from rain, cold or the heat of the sun. However, architectonic layering goes beyond merely fulfilling technical requirements the principle of layering may be used as a formative method that allows elements of different origins to be combined into a nonhierarchical whole. Layering exists in a realm of complexity and implies a capacity of being interpreted that goes beyond itself and creates references to the world at large.The first part of the book examines Scarpa's fields of influence and intellectual roots and puts them in perspective with former theories and their interpretation of architecture as layered, for example Gottfried Semper's theory of clothing. The second part displays an analysis of three major projects, Castelvecchio and Banca Popolare in Verona and the Querini Foundation in Venice.Anne-Catrin Schultz studied architecture in Stuttgart and Florence, and earned a Ph.D. in architecture theory at the University of Stuttgart. Following post-doctoral research at the MIT, she relocated to the San Francisco Bay Area and worked for several years with Turnbull Griffin Haesloop and Skidmore Owings & Merrill. She has taught as a lecturer at the University of California in Berkeley and is currently teaching at the California College of the Arts andat the San Francisco City College.Edition Axel Menges GmbH, Esslinger Straße 24, 70736 Fellbach 152 pp. Englisch.
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Buch. Zustand: Neu. Carlo Scarpa - Layers | Anne-Catrin Schultz | Buch | 152 S. | Englisch | 2022 | Edition Axel Menges GmbH | EAN 9783930698141 | Verantwortliche Person für die EU: Edition Axel Menges, Esslingerstr. 24, 70736 Fellbach, axelmenges[at]aol[dot]com | Anbieter: preigu.
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Buch. Zustand: Neu. Neuware - In recent decades, Carlo Scarpa's relevance has been steadily on the rise. At a time when architects have to use existing city and building structures as a point of departure for their work, his oeuvre remains a source of inspiration. Buildings such as the Castelvecchio in Verona show us that archit…ecture is capable of communicating its own history, has meaning, and develops a contemporary dynamic of its own. Scarpa's layered architecture makes visible the process of becoming and the time-related sedimentation of mater- ial and meanings. It is especially at points of transition and interface that layering becomes a narrative element that elucidates the tectonic qualities of the building. Overlaying includes leaving a record of how an object came into being - either by means of the sediments of its history or through the intervention of the architect. In this book Anne-Catrin Schultz presents her research about the phenomenon of layering in Carlo Scarpa's architecture. Layering describes the physical composition of layers defining space as well as the parallel presence of cultural referrals and formal associations imbedded in the physical layers. Scarpa's work is an embodiment of multidimensional layering and, at the same time, a focal point for architectural movements of his time that have stratification as their theme. In most buildings, the principle of layering may be regarded as something that is part of the nature of building. Functional conditions call for planes, elements, or 'layers' to provide the supporting structure, and others to protect from rain, cold or the heat of the sun. However, architec- tonic layering goes beyond merely fulfilling technical requirements the principle of layering may be used as a formative method that allows elements of different origins to be combined into a nonhierarchical whole. Layering exists in a realm of complexity and implies a capacity of being interpreted that goes beyond itself and creates references to the world at large. The first part of the book examines Scarpa's fields of influence and intellectual roots and puts them in perspective with former theories and their interpretation of architecture as layered, for example Gottfried Semper's theory of clothing. The second part displays an analysis of three major projects, Castelvecchio and Banca Popolare in Verona and the Querini Foundation in Venice. Anne-Catrin Schultz studied architecture in Stuttgart and Florence, and earned a Ph.D. in architecture theory at the University of Stuttgart. Following post-doctoral research at the MIT, she relocated to the San Francisco Bay Area and worked for several years with Turnbull Griffin Haesloop and Skidmore Owings & Merrill. She has taught as a lecturer at the University of California in Berkeley and is currently teaching at the California College of the Arts and at the San Francisco City College.
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Buch. Zustand: Neu. Real and Fake in Architecture | Close to the Original, Far from Authenticity | Anne-Catrin Schultz | Buch | 232 S. | Englisch | 2020 | Edition Axel Menges | EAN 9783869050188 | Verantwortliche Person für die EU: Edition Axel Menges, Esslingerstr. 24, 70736 Fellbach, axelmenges[at]aol[dot]com | Anbieter: preig…u.
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Buch. Zustand: Neu. Neuware - The condition of 'fake' and 'real' in architectureis rarely publicly discussed nor has it encounteredbroad journalistic or scholarly attention.This book explores the realm of truth, authenticityand fakery in architecture, providinga timely collection of analytical essays and projects.Photographers,…writers and architectsshare their understanding and speculationsabout a broad range of spaces and concepts -all searching for common ground between realand imagined, function and story.The authors challenge our perception of 'authenticity' through the examination of built andsimulated environments, architectural fiction,theatric illusions and mannerist trickery. Theyexamine the notion that the principle of Sullivan's'form follows function' contains a paradoxcaused by the ambiguity and complexity of architecturalexpression. Buildings are perceivedthrough an individual's personal experienceswhile also being interpreted along broader culturalvalues. The works shown reveal that underscrutiny, any built environment harbors both, revealsmoments of truth, deception and ambiguity- all of it partially in the eye of the beholder.The diverse contributions shed light on unexpectedidentities in architecture inviting criticalthought about our built environment - analogand digital.The goal of this publication goes beyond unmaskingdeception in architecture, it aims atunfolding time-lines and revealing the layerednature of people and places. The images andessays reveal our contemporary condition andlet collective and individual narratives unfold, arange of truths in themselves. Expanding fromthe discussion about truthful materiality and tectonics,this book provides an understanding ofreal, authentic, and fake in urbanism and architecture.
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Buch. Zustand: Neu. Neuware -In recent decades, Carlo Scarpa's relevance has been steadily on the rise. At a time when architects have to use existing city and building structures as a point of departure for their work, his ¿uvre remains a source of inspiration. Buildings such as the Castelvecchio in Verona show us that architec…ture is capable of communicating its own history, has meaning, and develops a contemporary dynamic of its own. Scarpa's layered architecture makes visible the process of becoming and the time-related sedimentation of mater- ial and meanings. It is especially at points of transition and interface that layering becomes a narrative element that elucidates the tectonic qualities of the building. Overlaying includes leaving a record of how an object came into being - either by means of the sediments of its history or through the intervention of the architect. In this book Anne-Catrin Schultz presents her research about the phenomenon of layering in Carlo Scarpa's architecture. Layering describes the physical composition of layers defining space as well as the parallel presence of cultural referrals and formal associations imbedded in the physical layers. Scarpa's work is an embodiment of multidimensional layering and, at the same time, a focal point for architectural movements of his time that have stratification as their theme. In most buildings, the principle of layering may be regarded as something that is part of the nature of building. Functional conditions call for planes, elements, or 'layers' to provide the supporting structure, and others to protect from rain, cold or the heat of the sun. However, architec- tonic layering goes beyond merely fulfilling technical requirements the principle of layering may be used as a formative method that allows elements of different origins to be combined into a nonhierarchical whole. Layering exists in a realm of complexity and implies a capacity of being interpreted that goes beyond itself and creates references to the world at large. The first part of the book examines Scarpa's fields of influence and intellectual roots and puts them in perspective with former theories and their interpretation of architecture as layered, for example Gottfried Semper's theory of clothing. The second part displays an analysis of three major projects, Castelvecchio and Banca Popolare in Verona and the Querini Foundation in Venice. Anne-Catrin Schultz studied architecture in Stuttgart and Florence, and earned a Ph.D. in architecture theory at the University of Stuttgart. Following post-doctoral research at the MIT, she relocated to the San Francisco Bay Area and worked for several years with Turnbull Griffin Haesloop and Skidmore Owings & Merrill. She has taught as a lecturer at the University of California in Berkeley and is currently teaching at the California College of the Arts and at the San Francisco City College. 152 pp. Englisch.
