schrader robert (25 Ergebnisse)

Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

1983. North America, Native Americans. University of New Mexico Press. 364p., very good cloth and dust jacket.

Zustand: very good. Rev/Updated Edition. First Printing. 366, wraps, glossary, indexNow completely revised and updated with more than 75 percent new material, this invaluable book presents a proven hypertension treatment plan based on nutrition, herbal and alternate therapies, and lifestyle changes.

Paperback. Zustand: Brand New. 146 pages. 9.00x6.00x0.37 inches. In Stock.

Paperback. Zustand: Brand New. revised updated edition. 368 pages. 9.00x6.00x1.00 inches. In Stock.

Zustand: Good. Good condition. (Book collections, Bibliography, Manuscripts, Catalog) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Single Issue Magazine. Zustand: Good. Cover shows moderat wear, tear, chipping, and tape repair. Pages tanned.

Paperback. Zustand: Brand New. 227 pages. 7.25x5.25x0.75 inches. In Stock.

Originalbroschur. Zustand: Gut. XII, 429 S. Papierbedingt leicht gebräunt. - The discussion of a nuntoer of questions concerning the problem of the foundation of statistical mechanics were proposed. A process of approaching to the state of statistical equilibrium was analyzed from a general point of view, for both classical and quantum dynamical systems. It is shown that the mixing property arising in ergodic theory is not necessary for statistical systems for any finite volume and number of particles. Of importance is only the appropriate behaviour of the limiting average values of the macroscopic quantities at t to infinity after the transition to the limit of statistical mechanics has been performed. So the fact that ergodic theory in its standard form is not sufficiently established. In order to explain this idea, some model systems were investigated, i.e. the problem of interaction of the particle with quantum field. The open mathematical questions in this field were announced and it was especially stressed that one has not succeeded yet in rigorous proving the properties of irany-particle systems which is required by the basic postulate of statistical mechanics. ISBN 9783540111924 Sprache: Englisch Gewicht in Gramm: 720.

Zustand: New.

Zustand: New.

Gebunden. Zustand: New.

Taschenbuch. Zustand: Neu. Neuware.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 310 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Unpaginert (18 Bl.). Geheftet. Mit Holzschnitt-Bordüre und Schlussvignette. Papier altersbedingt gebräunt und durchgehend leicht braunfleckig, sonst ein sehr gut erhaltenes Exemplar. Sprache: Latein.

Couverture rigide. Zustand: Bon. Edition originale. Hildesheim, Gerg Olms, Studien und materialien zur geschichte der philosphie (39), 1995. In-8, VIII+313pp. Plein cartonnage de l'éditeur. 1 planche hors texte. Cartonnage très légèrement défraichi. Bel exemplaire.

Taschenbuch. Zustand: Sehr gut. Dt. Ausg. Dieses Buch befindet sich in einem sehr guten Zustand. Es zeigt minimale Gebrauchsspuren und wirkt insgesamt hervorragend gepflegt. Der Einband ist nahezu makellos, ohne nennenswerte Kratzer oder Abnutzung an den Ecken. Der Buchrücken ist stabil und frei von Lesefalten oder anderen Anzeichen von Abnutzung. Die Seiten sind sauber, ohne Risse, Flecken oder Vergilbungen, und erscheinen nahezu unberührt. Auch die Ecken und Kanten des Buches sind scharf und ohne sichtbare Abnutzung. Falls ein Schutzumschlag vorhanden ist, ist dieser ebenfalls in einem sehr guten Zustand, mit höchstens minimalen Spuren der Handhabung, wie kleinen Knicken, die kaum ins Auge fallen. Insgesamt präsentiert sich das Buch in einem Zustand, der es fast wie neu erscheinen lässt, ideal für Sammler oder als Geschenk.(Mehr Informationen den Bildern entnehmen)---. nein.

First edition of Caro's Pulitzer-Prize winning work on Robert Moses. Thick octavo, original black cloth, cartographic endpapers, illustrated with numerous photographs and maps, top stain red. Association copy, inscribed by the author on the half-title page, "For Paul Schrader - with best wishes Robert A Caro." The recipient, Paul Schrader, is a screenwriter, director, and critic, has built a body of work defined by his preoccupation with moral crisis, alienation, and the psychological burdens of modernity. Drawing from his Calvinist upbringing and influenced by existential and transcendental philosophy, Schraderâs cinema often examines individuals estranged from society yet driven by an austere inner logicâ"figures such as Travis Bickle in Taxi Driver (1976), Julian Kaye in American Gigolo (1980), and Reverend Ernst Toller in First Reformed (2017). These characters, shaped by guilt, repression, and obsession, embody Schraderâs recurring interest in the intersection of faith, violence, and the search for redemption. His stylistic restraint and focus on interior states reveal a fascination with the cost of moral conviction in a secular world, where the pursuit of order and purity often collapses into self-destruction. This fascination with the nature and consequences of control finds a compelling parallel in Robert Caroâs The Power Broker (1974), a monumental study of New York urban planner Robert Moses and his accumulation of political authority. Like Schraderâs protagonists, Moses emerges as a man consumed by his own vision of orderâ"one that transforms civic idealism into domination through bureaucratic and infrastructural power. Caroâs analysis of how moral purpose becomes corrupted by the mechanisms of influence resonates with Schraderâs cinematic meditation on obsession and isolation: both artists explore how the will to impose structure on chaosâ"whether through architecture, policy, or personal disciplineâ"can erode empathy and moral clarity. The Power Broker and Schraderâs films share a thematic concern with the paradox of power as both a creative and destructive force, revealing how ambition, when untampered by humility, leads not to transcendence but to alienation and decay. Near fine in a near fine price-clipped dust jacket. Jacket design by Paul Bacon. From the collection of Paul Schrader. An exceptional associaton. One of the most acclaimed books of our time, winner of both the Pulitzer and the Francis Parkman prizes, the Power Broker tells the hidden story behind the shaping (and mis-shaping) of twentieth-century New York and makes public what few have known: that Robert Moses was, for almost half a century, the single most powerful man of our time in New York, the shaper not only of the city's politics but of its physical structure and the problems of urban decline that plague us today. "Surely the greatest book ever written about a city" (David Halberstam). Theodore H. White called it "A masterpiece of American reporting. It's more than the story of a tragic figure or the exploration of the unknown politics of our time. It's an elegantly written and enthralling work of art.".

Vintage photograph of a relaxed director Martin Scorsese and actor Robert De Niro "conferring in the ring" on the set of the 1980 film. Based on the 1970 memoir by former middleweight champion Jake LaMotta, about his struggles in and outside the ring. Nominated for eight Academy Awards, including Best Picture, Best Director, Best Supporting Actor for Joe Pesci, and Best Supporing Actress for Cathy Moriarty, winning two, including De Niro's first and only Best Actor statuette (after previously winning Best Supporting Actor for "The Godfather Part II"). Set in predominantly in New York City, shot on location there. 10 x 8 inches. Faint diagonal scratch, else Near Fine. National Film Registry. Ebert. Spicer US Neo-Noir.

Vintage reference photograph of actor Robert De Niro on the set of the 1980 film. United Artists label on the verso. Based on the 1970 memoir by former middleweight champion Jake LaMotta, about his struggles in and outside the ring. Nominated for eight Academy Awards, including Best Picture, Best Director, Best Supporting Actor for Joe Pesci, and Best Supporting Actress for Cathy Moriarty, winning two, including De Niro's first and only Best Actor statuette (after previously winning Best Supporting Actor for "The Godfather Part II"). Set and shot on location in New York City. 8 x 10 inches. Near Fine. National Film Registry. Ebert. Spicer US Neo-Noir.

Vintage reference photograph of actor Robert De Niro, director Martin Scorsese, and crew members on the set of the 1980 film. Based on the 1970 memoir by former middleweight champion Jake LaMotta, about his struggles in and outside the ring. Nominated for eight Academy Awards, including Best Picture, Best Director, Best Supporting Actor for Joe Pesci, and Best Supporting Actress for Cathy Moriarty, winning two, including De Niro's first and only Best Actor statuette (after previously winning Best Supporting Actor for "The Godfather Part II"). Set and shot on location in New York City. 10 x 8 inches. Near Fine. National Film Registry. Ebert. Spicer US Neo-Noir.

Vintage oversize matte-finish photograph of actors Robert De Niro and Jodie Foster at a press conference for the 1976 Cannes Film Festival, where "Taxi Driver" would win the Palme d'Or. Mimeo snipe in French on the verso. A landmark release that would prove to be the turning point in the careers of director Martin Scorsese, screenwriter Paul Schrader, and actors De Niro and Foster, and one that has only gained significance with the passage of time. Nominated for four Academy Awards, including Best Picture. Set and shot on location in New York City. 12 x 7.75 inches. Near Fine. National Film Registry. Cannes Palme d'Or 1976. Ebert I. Grant US. Penzler 101. Schrader 36. Silver and Ward Neo-Noir. Spicer US Neo-Noir.

Glossy color photograph of the iconic Columbia Pictures Taxi Driver movie poster signed by Martin Scorsese, Harvey Keitel, Jodie Foster, Albert Brooks, Peter Boyle, Cybil Shepherd, Vincent Argo, and screenwriter Paul Schrader. In fine condition. The photograph measures 8 inches by 10 inches. A desirable assemblage of autographs from Scorsese's seminal film. Widely considered one of the greatest films ever made, Martin Scorsese's 1976 American neo-noir psychological vigilante film Taxi Driver was theatrically released by Columbia Pictures on February 8, 1976, and was a critical and commercial success despite generating controversy for its graphic violence in the climactic ending and the casting of then 12-year-old Foster in the role of a child prostitute. The film received numerous accolades including the Palme d'Or at the 1976 Cannes Film Festival and four nominations at the 49th Academy Awards, including Best Picture, Best Actor (for De Niro), and Best Supporting Actress (for Foster).