Schoen max (44 Ergebnisse)

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Fair. No Dust Jacket. 156 pages. Some wear and staining to the blue covers; pages yellowed; cracked hinge; a reading copy overall. No jacket. Quantity Available: 1. Category: Theology & Religion; Inventory No: 208285.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Fair. 258 pages. Pages yellowed; a sound binding; very good otherwise. The jacket is yellowed, chipped and torn; trimmed flaps. Illustrator: . Quantity Available: 1. Category: Music, Opera, Ballet, Dance; Inventory No: 199266.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Very Good. Hardcover. No dust jacket. Pages are clean and unmarked. Covers show very minor shelving wear. Binding is tight, hinges strong.; 100% Satisfaction Guaranteed! Ships same or next business day.

Zustand: New. pp. 293.

paperback. Zustand: Fine.

Zustand: New. pp. 293.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Good. 1927. No Edition Remarks. 273 pages. No dust jacket. Green cloth covered boards. Pages with some foxing and tanning, particularly to endpapers and textblock edges. Some cracking to gutters with exposed netting. Binding slightly loose. Boards have moderate shelf wear with mild bumping and fraying to corners and crushing and fraying to spine ends. Some marks and staining to surfaces. Gilt lettering remains bright and clear. Book has slight backwards lean.…

ISBN 3 512 00535 7 376 S 21,5x12cm, illuastr. Leinenstruktur, SW-Abbildungen im Text, sehr guter Buchzustand.

Zustand: Good. Good condition. Good dust jacket. In protective mylar cover. (art criticism, aesthetics ) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

gebundene Ausgabe. Zustand: Gut. 312 Seiten; Neben dem oben aufgeführten Aufsatz befinden sich auch weitere Beiträge auch anderer Autoren in dem Werk. Das hier angebotene Buch stammt aus einer teilaufgelösten wissenschaftlichen Bibliothek und trägt die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich. Leichte altersbedingte Anbräunung des Papiers. Einbandkanten sind bestoßen. Sprache: Deutsch Gewicht in Gramm: 400. …

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Original Cloth. Zustand: Very Good. Edition unclear.

Zustand: Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDFirst edition. Spine letters faded, some underlining in pencil else good no dust jacket.

Zustand: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDsmall chip to head of spine.

Hardcover. Zustand: Fair. Zustand des Schutzumschlags: Not applicable. VINTAGESTAN BOOKS Title: The Effects of Music by Max Schoen Author: Max Schoen Publisher: Kegan Paul, Trench, Trubner & Co Ltd. New York Year Published: 1927 Edition: Original Dimensions: 22cm x 14cm Binding type: Hardcover ISBN: Notes: Inscribed by previous owner on front sheet SKU: VSS / 227 / G / 5634 / 4211 / C Condition Dust Jacket Condition: Not applicable Book condition: Fair. Bumps, age toning, foxing, handling marks, marks Binding: Intact Pages: 273 pages. …

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Softcover, Heft. Seiten 33-40 Nur Folge 6. Zustand: keine Beschädigungen, keine Eintragungen. Rücken, Ecken, Kanten gut. Sprache: Deutsch Gewicht in Gramm: 100 Auflage 24 000 / Folge 6 Der Bauberater, Werkblatt des Bayer. Heimatbundes.

104 pp.; 26.4 x 24.1 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 6 of the periodical Neue Bildende Kunst, published in 1995. Contents include "Editorial;" "In Bewegung," by András Zwickl; "Zsigmond Károly, György Jovánovics, Imre Bukta, Csaba Nemes, Róza El-Hassan;" "Berlin-Moskau/Moskau-Berlin," by Hiltrud Ebert; "Erhard Monden," by Eugen Blume; "Jana Milev," by Bernd Rosner; "Wolfram Adalbert Scheffler," Künstlerseiten; "Jürgen Schön," by Ralph Lindner; "Maria Eichhorn," by Annelie Lütgens; "Paul Thek," by Friedrich Meschede; "Hadrian Pigott," by Michael Freitag; "John Latham," by Hans-Ulrich Obrist; "Cy Twombly," by Peter Herbstreuth; "Verdorrt die ostdeutsche Museumslandschaft?," by Anke Petermann; "Wovon lebt der Künsterler?," by Olaf Zimmermann; "Der Österreich-Schwerpunkt auf der Frankfurter Buchmesse," by Verena Kuni; "Subrealismus: Eine neue Kunstgattung aus dem Osten," by Viola Michely; "Open House 1995 in Marfa," by Sabine Russ; "Herbstsaison in New York," by Paul Dickerson/Bettina Munk; "Sehnsucht nach dem Paradies," by Peter Nesweda, Sandra Crawford; "Jana Sterbak in Saint-Etienne," by Anna Mohal; "Grenzenlos - Polnische Kunst in Berlin," by Andreas Quappe; "Fragen an die Malerei in der Galerie Wohnmaschine, Berlin," by Nikola Henze; "Martin Rosz im 'Museum," by Karin Bettina Müller; "Clownpower im Haus der Kunst, München," by Michael Glasmeier; "James Lee Byars in Bremen," by Katrin Wittneven; "Pina/Via Lewandowsky: Die Krise als Material in Leipzig," by Meinhard Michael; "Eine Sculptur von Magdalena Jetelová," by Pavel Liska; "Kunst und Gedächtnis: Sarkis in der Bundeskunsthalle," by Thomas Fechner-Smarsly; "Beate Terfloth," by Peter Herbstreuth; "Geschichte en détail. Der Fotograf Stefan Hunstein; "All Work and No Play: Eine Gruppenausstellung im Festspielhaus Hellerau," by Gerrit Gohlke; "Bildsturz und Sequenz: Fotografie im Kunstverein Elsterpark," by Peter Herbstreuth; "Max Matter im Aargauer Kunsthaus," by Annelise Zwez; "Verkehrte Welt: Peter von Wattenwyl in Burgdorf," by Christoph Doswald; "Der Intime Blick: Frauenporträts von Katrin Freisager," by Annelise Zwez; "Schluß mit.," by Marius Babias; Rezensionen; Impressum; Nachrichten and Galerienkalender. Text in German. Good. Rubbing of cover edges, light scratching of covers, 2.5 cm. mark from removed sticker on recto, and 2 mm. tear to top edge of spine. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders. …

Hardcover. Zustand: Brand New. 166 pages. German language. 12.00x9.50x0.83 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - 'The Beautiful in Music' is a profound exploration of the psychological and aesthetic foundations of musical appreciation. Written by Max Schoen, a distinguished figure in the study of the psychology of music, this work investigates the complex relationship between the listener and the art form, seeking to define the essence of beauty within musical structures. Schoen moves beyond mere technical analysis to examine how melody, harmony, and rhythm evoke specific emotional and intellectual responses.The text addresses fundamental questions regarding the nature of musical meaning and the subjectivity of taste. By synthesizing early 20th-century psychological insights with classical aesthetic theory, Schoen offers a comprehensive framework for understanding why certain works resonate as masterpieces. 'The Beautiful in Music' serves as an essential resource for musicians, critics, and students of aesthetics, providing a rigorous yet accessible inquiry into the evocative power of sound. This study remains a significant contribution to the field of musicology, highlighting the enduring human quest to articulate the intangible qualities of artistic excellence and the intrinsic value of the musical experience.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Buch. Zustand: Neu. Neuware - 'The Beautiful in Music' is a profound exploration of the psychological and aesthetic foundations of musical appreciation. Written by Max Schoen, a distinguished figure in the study of the psychology of music, this work investigates the complex relationship between the listener and the art form, seeking to define the essence of beauty within musical structures. Schoen moves beyond mere technical analysis to examine how melody, harmony, and rhythm evoke specific emotional and intellectual responses.The text addresses fundamental questions regarding the nature of musical meaning and the subjectivity of taste. By synthesizing early 20th-century psychological insights with classical aesthetic theory, Schoen offers a comprehensive framework for understanding why certain works resonate as masterpieces. 'The Beautiful in Music' serves as an essential resource for musicians, critics, and students of aesthetics, providing a rigorous yet accessible inquiry into the evocative power of sound. This study remains a significant contribution to the field of musicology, highlighting the enduring human quest to articulate the intangible qualities of artistic excellence and the intrinsic value of the musical experience.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Zustand: New. pp. 286.

Buch. Zustand: Neu. Neuware - 'Human Nature: A First Book in Psychology' is a foundational exploration into the complexities of the human mind and the mechanics of behavior. Written as an accessible introduction to the field, Max Schoen examines the psychological principles that govern how individuals perceive, think, and interact with the world around them. The work delves into essential topics such as consciousness, sensory perception, the development of personality, and the intricate relationship between biological impulses and social environments.By synthesizing the psychological insights of the early 20th century, Schoen provides a comprehensive overview of the factors that shape human identity and conduct. The book serves not only as a textbook for the student of psychology but also as a guide for any reader seeking to understand the underlying motivations of the self and others. With its clear prose and structured approach, 'Human Nature: A First Book in Psychology' remains a significant historical document in the evolution of psychological study, capturing the transition of the discipline into a more rigorous behavioral science. It emphasizes the importance of objective observation and the desire to uncover the universal patterns that define the human experience.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…