schnittke (142 Ergebnisse)

Soft cover. Zustand: Fine Minus. "The musical energy of the 1960s is the subject of Juilliard's 1989 "Focus!" festival, comprising 6 concerts [including dance and theater] at Alice Tully Hall and the Juilliard Theatre." CONTENTS: Introduction (Sachs); the six concert programs (see my scan images of two of them) - repertoire and extensive program notes. 56 pages. CONDITION: A Fine Minus unmarked, uncreased copy with minimal shelf-wear - now in a clear, protective polypropylene bag with archival backing board.

Paperback. Zustand: Brand New. 7 pages. 12.00x8.00x0.04 inches. In Stock.

hardcover. Zustand: Very Good. Binding tight.Cover clean.Hardcover.Dust jacket included and in fair condition.Minor wear to page edges and corners. No writing, highlighting, or marks in text.

Paperback. Zustand: Brand New. sik8544 edition. 8 pages. 11.75x8.25x0.06 inches. In Stock.

Zustand: Gut. B4012-163 7318590004678 Sprache: Englisch Gewicht in Gramm: 80 Audio CD, Maße: 14.22 cm x 12.45 cm x 1.02 cm.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Zustand: Very Good. Copyright 1977. Piano score and violin part. Slight wear. Only some of my sheet music and scores are listed on ABE, visit my website to view all of my stock.

Zustand: new. Pages: 92 Language: Russian, English. Collected Works. Series VI. Chamber Works. Volume 6. Book 3. 9790352216853.

Zustand: new. Pages: 40 Language: Russian, English. Kontsertnaja polifonicheskaja pesa odnogo iz krupnejshikh kompozitorov vtoroj poloviny KHKh veka, napisannaja v 1965 godu. V nej organichno sochetajutsja dodekafonnaja tekhnika, forma fugi i elementy dzhazovoj improvizatsii. Dlja studentov muzykalnykh uchilisch (kolledzhej) i konservatorij, a takzhe kontsertirujuschikh ispolnitelej. 9790660063842.

Zustand: new. Pages: 48 Language: Russian, English. For students of conservatories and professional performers. 9790660060667.

Softcover. Zustand: Very Good. Octavo. Wrappers. 247 pp. Inscribed by author to musicologist Stanley Boorman.

Zustand: Sehr gut. 1 CD, 48:45 Min. CD sehr gut erhalten. LÄUFT! TOP!! Sprache: Englisch Gewicht in Gramm: 550 14,1 x 12,6 x 1,4 cm, Audio CD.

Zustand: Sehr gut. 1 CD, 62:17 Min. CD sehr gut erhalten. LÄUFT! TOP!! Sprache: Englisch Gewicht in Gramm: 550 14,1 x 12,6 x 1,4 cm, Audio CD.

Zustand: new. Pages: 56 Language: Russian, English. Alfred Schnittke. Collected works on the materials of the composer's archive. Series III. Compositions for solo instruments with an orchestra or instrumental ensemble. Volume 9 The collected works of Alfred Schnittke are a joint project of the publishing house Composer St. Petersburg and the Ivashkin Archive - Schnittke at Goldsmiths College, University of London. The texts of the compositions are verified with autographs and previous editions and edited by leading performers of music by Schnittke. The first violin sonata by Alfred Schnittke was written at the request of Mark Lubotsky in 1963. The premiere took place in the concert hall of the Gnesins State Music and Pedagogical Institute (now the Gnesins Russian Academy of Music) on April 28, 1964 performed by Mark Lubotsky (violin) and author (piano). In May 1969, the sonata was printed on a glass scanner by the Muzfond Production Plant in the amount of forty copies. Later that year, it was released by the Music publishing house in Moscow, and in 1972 by the Peters publishing house in Leipzig. For performers and researchers. Contents I. Andante II. Allegretto III. Largo IV. Allegretto (Scherzando) 9790352211544.

Zustand: new. Pages: 40 Language: Russian, English. Collected Works. Critical edition based on the composer's archive materials. Series VI. Chamber Works. Volume 1. Works for Violin and Piano, Solo Violin and Solo Viola. Part 5. 9790660000786.

Zustand: new. Pages: 68 Language: Russian, English. Collected Works. Critical edition based on the composer's archive materials. Series IV. Works for Choir. Volume 8. Lyrics by Gregory of Narek. Russian translation by Naum Grebnev 9790352211629.

Zustand: new. Pages: 76 Language: Russian, English. Collected Op. Series 4, Volume 9 9790352211636.

Zustand: new. Pages: 52 Language: Russian, English. Collected Works. Critical edition based on the composer's archive materials. Series VI. Chamber Works. Volume 1. Works for Violin and Piano, Solo Violin and Solo Viola. Part 4. The publication of Alfred Schnittke's Collected Works is a joint project of the Compozitor Publishing House Saint-Petersburg and the Alfred Schnittke Archive at Goldsmiths College, University of London. This critical edition is intended for performers, scholars and music lovers interested in Schnittke and his music. Its main purpose is to provide them with access to his scores, which are not readily available in Russia or elsewhere. All the scores have been checked against Schnittke's manuscripts and existing publications of his music and have been edited by leading performers who collaborated with the composer. Schnittke's late compositions - both chamber and orchestral - represent a search for a new style, in which a limited lexicon of musical elements is used with utmost economy. The composer reappraises the nature and meaning of intervals, chords and clusters. He also comes to a new understanding of how diatonic, chromatic and quarter-tone intervallic structures can function as primary resources for musical language and form. The emotional level, always significant in Schnittke's music, is here expressed through the deep meaning afforded to very simple musical ideas as they appear in various incarnations. The composer invites us to watch and to listen as these musical elements are "cleaned" and presented anew through radical decontextualisation. Schnittke took a great interest in the music and ideas of Josef Matthias Hauer (1883-1959), who devised a twelve-tone technique that pre-dated Schoenberg's and that worked in a different way. Hauer's music has a clear, crystalline quality that is also apparent in the musical textures of Schnittke's final works including: Violin Sonata No. 3, Cello Sonata No. 2, Piano Sonata No. 3, Variations for String Quartet, Symphony No. 9 and Concerto No. 2 for viola and orchestra. Schnittke wrote of his first impressions of Hauer's music: ".I had a feeling that I had encountered - in a different way - something that is also found in Webern's music. I encountered a sense of calm, organic in nature and based on the music's crystallized and well-balanced structure. there is, of course, something symbolic about this music, it lives on the border between the real and the unreal, the point at which positive and undoubtedly real things. meet those that cannot be implemented in the real world." 9790352205093.

Zustand: new. Pages: 44 Language: Russian, English. Collected Works. Critical edition based on the composer's archive materials. Series VI. Chamber Works. Volume I. Works for Violin and Piano, Solo Violin and Solo Viola. Part 1. 9790660000762.

Zustand: new. Pages: 48 Language: Russian, English. Sonata No. 1 for violin and piano. Piano score and part 9790352211490.

Zustand: new. Pages: 44 Language: Russian, English. Schnittke A. Collected Works. Critical edition based on the composer's archive materials. Series VII. Works for Keyboard Instruments. Volume I. Piano Sonatas. Part 2. Sonata No. 2 9790660000557.

Zustand: new. Pages: 56 Language: Russian, English. Collected Works. Series VI. Chamber Works. Volume 1. Works for Violin and Piano, Solo Violin and Solo Viola. Part 7. Works for solo violin and solo viola Critical edition based on the composer's archive materials. Contents A page from the autograph of Madrigal in Memoriam Oleg Kagan Preface Editorial Notes Legend Fugue for solo violin A Paganini for solo violin Madrigal in Memoriam Oleg Kagan for solo violin or cello. Violin version Cadenzas for Beethoven's Violin Concerto Cadenza for the First Movement for solo violin and timpani Cadenza for the Second Movement for solo violin Cadenza for the Third Movement for solo violin, ten violins and timpani. First version Cadenza for the Third Movement for solo violin, ten violins and timpani. Second version Herrn Alfred Schlee zum 90. Geburtstag / For the 90th Birthday of Alfred Schlee for solo viola Comments 9790660000977.

Zustand: new. Pages: 32 Language: Russian, English. Alfred Schnittke. Collected Works. Series VI. Chamber Works. Volume 2. Works for Cello and Piano and for Solo Cello. Part 2. 9790352207936.

Zustand: new. Pages: 36 Language: Russian, English. Stille Nacht / Silent Night. Arrangement of a melody by Franz Xaver Gruber Polka from the music for the play "Revision's Tale" (after Gogol) 9790660000915.

Zustand: new. Pages: 44 Language: Russian, English. Collected Works. Critical edition based on the composer's archive materials. Series VII. Works for Keyboard Instruments. Volume I. Piano Sonatas. Part 1. 9790660000533.

Paperback. Zustand: Brand New. 16 pages. 11.75x8.75x0.25 inches. In Stock.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: new. Pages: 48 Language: Russian, English. Alfred Schnittke. Collected Works. Series VI. Chamber Works. Volume 2. Works for Cello and Piano and for Solo Cello. Part 1. The publication of Alfred Schnittke's Collected Works is a joint project of the Compozitor Publishing House Saint-Petersburg, the Schnittke family archive and the Alfred Schnittke Archive at Goldsmiths College, University of London. This critical edition is intended for performers, scholars and music lovers interested in Schnittke and his music. Its main purpose is to provide them with access to his scores, which are not readily available in Russia or elsewhere. All the scores have been checked against Schnittke's manuscripts and existing publications of his music? nd have been edited by leading performers who collaborated with the composer. Contents: A page from the autograph of the Sonata No. 1 Preface Editorial Notes SONATA No. 1 I. Largo II. Presto III. Largo 9790660000953.

Zustand: new. Pages: 40 Language: Russian, English. Collected Works. Critical edition based on the composer's archive materials. Series VI. Chamber Works. Volume 3. Duets for two violins and for violin and cello. Full score The publication of Alfred Schnittke's Collected Works is a joint project of the Compozitor Publishing House Saint-Petersburg and the Alfred Schnittke Archive at Goldsmiths College, University of London. This critical edition is intended for performers, scholars and music lovers interested in Schnittke and his music. Its main purpose is to provide them with access to his scores, which are not readily available in Russia or elsewhere. All the scores have been checked against Schnittke's manuscripts and existing publications of his music ?nd have been edited by leading performers who collaborated with the composer. Contents: A page from the autograph of Prelude in Memoriam Dmitri Shostakovich Preface Editorial Notes Prelude in Memoriam Dmitri Shostakovich for two violins (or violin and tape) Moz-Art (an attempt at a reconstruction of a half-lost work). 1783/1976. For two violins Minuet from Suite in the Old Style. Arrangement by the composer for two violins Stille Musik for violin and cello Comments 9790660040775.

Zustand: new. Pages: 28 Language: Russian, English. Critical edition based on the composer's archive materials. Collected Works. Series VI. Chamber Works. Volume 2. Part 3 The publication of Alfred Schnittke's Collected Works is a joint project of the Compozitor Publishing House * Saint-Petersburg and the Alfred Schnittke Archive at Goldsmiths College, University of London. This critical edition is intended for performers, scholars and music lovers interested in Schnittke and his music. Its main purpose is to provide them with access to his scores, which are not readily available in Russia or elsewhere. All the scores have been checked against Schnittke's manuscripts and existing publications of his music and have been edited by leading performers who collaborated with the composer. Musica Nostalgica for cello and piano is Schnittke's arrangement of the Minuet from his Suite in the Old Style for violin and piano (1972), made for Mstislav Rostropovich in 1992. There is another arrangement by Schnittke of the same music for two violins, in which the composer also gives some indications implying the possibility of performance by violin and cello. Musica Nostalgica was premiered by Rostropovich in 1992 in Tokyo and recorded for compact disc by Alexander Ivashkin and Irina Schnittke in 1998 on the Chandos label. Klingende Buchstaben / Sounding Letters was written in one day in September 1988 as a birthday present for Alexander Ivashkin. As the title suggests, letters of the alphabet take on an important symbolic role in the work. Schnittke uses musical monograms based on his own name (A. Schnittke) and that of the dedicatee (Alexander Wassiljewitsch Iwaschkin) as the main material for the piece. Klingende Buchstaben was premiered by Alexander Ivashkin at the "Alternativa" Moscow Festival on 28 December 1988 in the Glinka Museum Concert Hall and recorded by him in 1990 for a compact disc on the Melodiya label. Madrigal in Memoriam Oleg Kagan was composed in 1990, the year of the violinist's death. Schnittke collaborated with Oleg Kagan (1946-1990) on many occasions, most notably on the Violin Concerto No. 3, which was written for Kagan, and the Concerto Grosso No. 2, written for Kagan and his wife, the cellist Natalia Gutman. Madrigal exists in two versions. In the composer's own words, "it should ideally be played twice in the same concert: the violin version at the beginning and the cello version at the end." The piece is based on a range of musical oppositions, each alluding to the concepts of "alive" and "dead". The cello version of Madrigal was premiered by Natalia Gutman on 13 July 1991 in Kreut (Germany). In 1995 it was recorded by Alexander Ivashkin for a compact disc on the Ode label. Improvisation for solo cello (1993) was commissioned by the Fifth Rostropovich International Cello Competition in Paris (1994) at the initiative of Rostropovich himself, who also edited the piece for the competition. This virtuoso piece is typical of Schnittke's later work, in that it is built around contrasts between different types of musical material: quarter-tones, chromatic and whole-tone movement, passages and chords based on open fourths, and also music based on wide intervals and on long, ascending passages. These different musical types are often presented in their most basic form, as musical "elements". The piece takes the form of a set of free variations, moving further and further from the original theme. However, it is also possible to read the structure as an interaction between two musical ideas. The first idea is made up of active and rhetorical music, such as the long, continuous passages and the nervous, dissipated phrases. These are contrasted by a second idea comprising passages of apparent stasis formed with double-stopped notes in sevenths and ninths, repeating like Morse code. Improvisation was premiered by Mstislav Rostropovich on 19 June 1994 in Paris. The first recording was made by Alexander Ivashkin in 1995 for the Ode label. Alexander Ivashkin, 2011 Contents: A sketch for Klingende Buchstaben / Sounding Letters Preface Editorial Notes Legend Musica Nostalgica for cello and piano Klingende Buchstaben / Sounding Letters for solo cello Madrigal in Memoriam Oleg Kagan for solo violin or cello. Cello version Improvisation for solo cello Comments 9790660049303.