Schneideman alex (21 Ergebnisse)

Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Zustand: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Zustand: New. Num Pages: 144 pages, 100 colour illustrations. BIC Classification: AJB. Category: (G) General (US: Trade). Dimension: 252 x 209 x 18. Weight in Grams: 858. . 2015. hardcover. Not a first edition copy. . . . Books ship from the US and Ireland.

paperback. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

paperback. Zustand: Acceptable. Water damage to book. Please see the condition note after this for details, if this is missing please consider Acceptable to mean poor quality that could include major staining, water damage, writing, missing dustjacket, etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Very Good. Signed by the author. 1st edition. VG condition book with dust jacket. DJ is clean, has fresh colours and has little wear to edges. Book has clean and bright contents.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Brand New. 142 pages. 10.00x7.00x1.00 inches. In Stock.

Hardcover. Zustand: Brand New. 104 pages. 11.54x9.09x0.67 inches. In Stock.

Hardcover. Zustand: Brand New. 142 pages. 10.00x7.00x1.00 inches. In Stock.

Buch. Zustand: Neu. Neuware - Positioned somewhere between documentary and art photography, Want More is a stark and hard-hitting portrayal of twenty-first-century capitalism in action. In a series of arresting, atmospheric and beautiful black-and-white images, London-based photographer Alex Schneideman captures the alienating, numbing and denaturing effects of mass consumerism by photographing shoppers in stores, at the mall and on the street. Despite the instant beauty of each frame, tedium, misery, anxiety, frustration and occasional anger seem to be the dominant emotions experienced by these subjects - most of whom are unaware of the photographer's lens - as they appear ground down by their duty as drone-like consumer-citizens to spend, spend, spend. Very few of the pictures make any reference to their location. Instead, they have a universality that extends beyond the specific time and place, reflecting the nullifying homogeneity that characterizes the consumerist society itself. Confronting us with the lived reality and implications of the 'have-it-all' culture - of needing the latest products and the coolest brands - Want More shows us how the contemporary world works - and works on all of us. A text considers Schneideman's photographs as demonstrations of the social and psychological effects of boundless consumerism, and the addictive and herd-like behaviour it demands, and evidence that as we become richer, we do not necessarily become happier. A conversation with the artist considers some of the aesthetic and philosphical issues raised by the work and its place in the history of photography.…

Zustand: New. KlappentextrnrnA stunning volume of powerful photography produced to the highest production standards by the best printers of black-andwhite photographs in the world.

Hard Cover. Zustand: Very Good. Limited. Hardback, bound in the full-calf of the deluxe copies, but with the contents of one of 75 standard copies. Not numbered, out of series. 32.5cm x 37cm. No slipcase or portfolio. Unpaginated. Illustrated throughout. This book is a collaboration between three artists - the wood engraver and printer Gaylord Schanilec, the photographer and printer Alex Schneideman and the designer and printer Patrick Randle. The photographs have been printed by the photographer using his carbon archival technique at Flow Photographic on Zerkall 902 AS paper, machine flattened on both sides. The wood engravings have been printed by the engraver and Patrick Randle on Naturalis paper at The Whittington Press. The letterpress sections have been printed on Shoji-i-Tanaka using Walbaum type at The Whittington Press. Top edge of front board very slightly discoloured. Otherwise, a lovely clean copy. A heavy book, additional postage may be required for orders outside the UK.…

Hard Cover. Zustand: Near Fine. Limited. Hardback, pressed half-leather, covered in printed papers by Patrick Randle, in a slipcase. Bound by The Fine Book Bindery. 32.5cm x 37cm. Unpaginated. Illustrated throughout. One of 75 copies from a total edition of 90, not numbered out of series. This book is a collaboration between three artists - the wood engraver and printer Gaylord Schanilec, the photographer and printer Alex Schneideman and the designer and printer Patrick Randle. The photographs have been printed by the photographer using his carbon archival technique at Flow Photographic on Zerkall 902 AS paper, machine flattened on both sides. The wood engravings have been printed by the engraver and Patrick Randle on Naturalis paper at The Whittington Press, with 15 sets for the specials printed on Oxford India paper. The letterpress sections have been printed on Shoji-i-Tanaka using Walbaum type at The Whittington Press. An excellent clean copy. A heavy book, additional postage may be required for orders outside the UK.…

Hardcover. Zustand: Fine. Hardcover. Number 27 of 75 copies within a slipcase, covered in printed papers by Patrick Randle, and finished in a pressed half leather. An additional 15 copies were issued with an editioned set of engravings and photographs in a portfolio and bound in full leather. This remarkable book is about the collaboration of three master artists, Schanilec, Schneideman, and Randle. It was printed at Randle's Whittington Press for Golborne Editions. The idea for this work first appeared in 2010 during conversations between Schanilec and Schneideman on consumerism and its effects on people and society. The photographs were taken over several years and images were regularly sent to Schanilec to create his redefining of the documetary photograph with his marvelous wood engravings of the photos. The result was a total of 13 photographs decided upon to use and the resultant engravings. The book's format for each is an image of Schanilec's interpretation of the photograph followed by the black and white photograph itself. Interspersed are texts by Schneieman and Schanilec with their thoughts about the project and some of the communications they exchanged. The result is a fascinating yet troubling discourse on consumerism and commercialism. Scheideman's photographs were printed by him using his carbon archival technique on Zerkall 902AS paper. Schanilec and Randle printed the wood engravings on Naturalis paper at The Whittington Press. The letterpress sections of the book were printed by Randle on Shoji-i-Tanaka paper using Walbaum type. All copies were bound by The Fine Book Bindery, Finedon. The book's striking cover is an enlarged photgraph of a young boy's face. Housed in a bright yellow cloth slipcase. In fine condition. Measures 12,59 x 14.25 inches. Unpaginated [about 40 pages] PRI/110724.…

One of only 15 deluxe copies, of a total edition of 90 including 15 special copies. 13 wood engravings by Gaylord Schanilec with 13 photographs by Alex Schneideman. he special copies have an extra suite of wood engravings printed by Patrick Randle on the last sheets of Brittain's Oxford India Bible paper stored at the Whittington Press, plus an extra suite of signed photographs, printed by Alex Schneideman using his unique primitve carbon technique at Flow Photographic on special Zerkall 902 AS paper. The book was designed and printed by Patrick Randle, the text on Shoji-i-Tanaka using Walbaum type at The Whittington Press. Oblong folio, bound by The Fine Bindery in rich citron and grey full morocco in a W M design for the title of the book, housed in a clam shell box with a full spine grey morocco label lettered in silver and with two grey cloth portfolios inside containing the extra suites of signed wood engravings and photographs. 13 wood engravings interpreting 13 photographs with a conversation with Schanilec and Schneideman about the creative process and the differences between two mediums. The book is a collaboration between three artist printers. For the first time a work of photographic documentary - an important observational look at our consumerist environment and culture - has been examined and developed by a wood engraver. In images and collaborative text the two artists examine their specialist mediums - discussing the differences between them in creative process, temperament and thought, each creating very different atmospheres, thoughts and images from the same source. The book is a collaboration between three artist printers as it was woven together with the printing skill, eye and design of the master printer Patrick Randle at the Whittington Press in a glorious celebration of art, letterpress printing and typographic design.…

One of 75 copies, only 55 for sale, of a total edition of 90 including 15 special copies. 13 wood engravings by Gaylord Schanilec with 13 photographs by Alex Schneideman. The photographs have been printed by Alex Schneideman using his unique primitve carbon technique at Flow Photographic on special Zerkall 902 AS paper, the wood engravings were printed by the engraver and Patrick Randle on Naturalis paper at The Whittington Press. The book was designed and printed by Patrick Randle, the text on Shoji-i-Tanaka using Walbaum type at The Whittington Press. Oblong folio, bound by The Fine Bindery in rich grey half morocco with special hand printed paper sides by Alex Schneideman and Patrick Randle, silver lettering on spine, all housed in a suitably desirable gold cloth slipcase. 13 wood engravings interpreting 13 photographs with a conversation with Schanilec and Schneideman about the creative process and the differences between two mediums. The book is a collaboration between three artist printers. For the first time a work of photographic documentary - an important observational look at our consumerist environment and culture - has been examined and developed by a wood engraver. In images and collaborative text the two artists examine their specialist mediums - discussing the differences between them in creative process, temperament and thought, each creating very different atmospheres, thoughts and images from the same source. The book is a collaboration between three artist printers as it was woven together with the printing skill, eye and design of the master printer Patrick Randle at the Whittington Press in a glorious celebration of art, letterpress printing and typographic design.…

15/75 COPIES (from an edition of 90 copies), initialled by the printer, Patrick Randle, the photographs printed on Zerkall paper, the engravings responding to each on Naturalis paper, the interleaving captions to each on Shoji-i-Tanaka paper, those to photographs printed in grey, the title-page likewise, large 4to, original quarter grey morocco with matching fore-edges, the upper board with a photographic design by Schneideman, the lower with its wood-engraved counterpart by Schanilec (both from details of an example within), backstrip lettered in silver, edges untrimmed, yellow cloth slipcase, fine. A superbly conceived project, with Schneideman's photographs of fast consumerism on Oxford Street joined by the necessarily more meditative medium of Schanilec's wood-engraved depictions of the same scenes - the echoes and contrasts beautifully held in dialogue by Patrick Randle's printing and design.…

London: Golborne Editions, 2019 [2020]. Large 4to, 13 x 14 1/2 inches, 13 b/w photographs and 13 wood-engravings interleaved with printed text by Schneideman and Shanilec. Grey half morocco with covers by Schneideman and Shanilec, in a yellow cloth slipcase. New. § Limited to 55 copies for sale. This dramatic artist's book explores the connection between photography and wood-engraving by two of the best artists in their genre. The deeply personal and haunting photographs are mirrored by astonishing wood-engravings capturing the mood of the photo through the image transferred to wood. It was designed and printed by Patrick Randle at the Whittington Press. "An important observational look at our consumerist environment and culture" (Sophie Schneideman). …