Schmucler (31 Ergebnisse)

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Softcover. Zustand: Très bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Softcover. Zustand: Bon. Ancien livre de bibliothèque avec équipements. Livre reconditionné de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Refurbished library book. Ammareal gives back up to 15% of this item's net price to charity organizations. …

Softcover. Zustand: Très bon. Ancien livre de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Zustand: New. In English.

Blanda. Zustand: Buen Estado.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Blanda.

Paperback. Zustand: Brand New. 348 pages. Spanish language. 7.80x5.47x0.87 inches. In Stock.

Cloth with Board Slipcase. Zustand: Fine Condition. Fine Condition. 226 pages. Oblong format hardcover, bound in black paper covered boards, wrapped in a stiff illustrated paper dustjacket, and cased in a printed paper covered board slipcase. There is a very slight bump to the foot of the spine. Else, the binding is tight and sharp, with equally sharp edges and corners, bright dustjacket, and clean, unmarked interior. Texts in English, French, and Spanish. Lavishly illustrated with the artist's photographs. Book. …

Hardcover. Zustand: Très bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Ammareal gives back up to 15% of this item's net price to charity organizations.

1997 Editorial Biblos. Comunicación medios de cultura. 302 pp. 23x16 cm. Enc. en rustica edit. Envejecido. Para ver o recibir fotografías de los libros puede ir a nuestra web o solicitarlas.

Hardcover. Zustand: Very Good. Hardcover. 4to. Akian Grafica Editora, Buenos Aires, Argentina. 2014. 226 pgs. Illustrated with Color Plates. Text in Spanish. First Edition/First Printing. 2014. 226 pgs. Illustrated with Color Plates. First Edition/First Printing. Slipcase with light shelf-wear present. DJ has light shelf-wear present. Bound in cloth boards. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. He studied Physics and History of Art in the UBA. Interested in light as a phenomenon, drift in photography. Go to the camera as a possible expressive tool that allows you to investigate the phenomenon of light, but from another place. E-23; 4to 11" - 13" tall; 226 pages.…

Encuadernación de tapa dura. Zustand: Muy bien. Folio. #1 Jul 1969 - #44 Jan/Feb 1976. (Complete set). Bound in full green cloth. Collaborators : Santiago Funes, Horacio Ciafardini, Oscar Terán, Eliseo Verón, Guillermo Schavelzon, Cristina López Meyer, Isabel Carballo, Marcelo Díaz, Manuel Amigo, Jorge Brega, Among others.Los Libros was a key forum in the dispute over the ways of the revolution and above all for the university transformation in the midst of what was considered as the crisis of the Argentine and Latin American universities. Regarding the importance assigned to the university, Carlos Altamirano, one of the directors of Los Libros, underlines in a note that the number dedicated to the university quickly ran out and that in it Beatriz Sarlo had written an article about Argentine literature programs, which helped the students of Philosophy and Letters to challenge, argue, and get involved. Unlike the magazine Crisis, Los Libros produced articles or papers or dossiers that were used for university debate, the magazine is a "criticism of ideology". This will be the framework from which it promotes the systematic criticism of bibliographic novelties - especially, the renewal of Marxist readings according to the structuralist matrix -, deals with the problems of literary criticism that emerged in those years and attends to the agenda of problems pointed out by the national left. Los Libros was addressed to a university reader, not only because of the titles it reviewed but also because of the books it published and the style of the advertisements. The numerous advertisements from printers, paper companies and distributors, such as Librecol and DER, were joined by central publishers of the new Argentine left, such as Jorge Álvarez, Tiempo Contemporáneo and Galerna -the publishing house that also financed Los Libros- and advertisements from large publishers, such as Sudamericana, Monte Avila and Amorrurtu. As the numbers went by, important announcements from the university publishers of Chile, Venezuela and Mexico were added, as well as correspondents in several countries. Undoubtedly, the Argentine and Latin American readers of Los Libros had gone through the university or studied there. Both that readership and the collaborating team were made up of university women. And although Los Libros did not allocate a space for reflection to the problem of women, they participated alongside men - whose firms were the majority -, as correspondents, literary critics and editors of political, sociological and psychoanalytic articles. The magazine is raided and closed in May 1976 by the military government. Tarcus p56. CodZ. …

Encuadernación de tapa blanda. Zustand: Muy bien. In-8. #1 Jul 1973 - #4 1975. (Complete set of first stage). Wrappers.The magazine Comunicación y cultura was a mass communication magazine founded in 1973 in Santiago de Chile. Hector Schmucler, Armand Mattelart and Hugo Assmann were its directors, the first two continuing later.1 Its initial number was written and published in Chile. After Pinochet's coup, Mattelard went into exile in France and Schmucler moved the magazine's headquarters to Buenos Aires, Argentina, where that first issue was reissued and the next three were edited. In 1976, a new civil-military coup d'état, this time in Argentina, forced Schmucler into exile in Mexico, where he continued to edit the magazine until 1985.The magazine was born in a socio-historical context in which all of Latin America was involved in a political effervescence that permeated all areas of society.2 They were moments of much political and economic dispute and the incipient Latin American communication studies were inserted in these discussions, the central theme was the social struggle against imperialist domination. This is clearly reflected in the following statement corresponding to the editorial of Number 1 of the magazine: "The function that Communication and Culture intends to fulfill is to establish itself as an organ of linking and expression of the various experiences that are taking place in Latin American countries, in the field of mass communication. Obviously, it is not about assuming any experience, but rather those that favor the processes of total liberation of our dependent societies. This norm of political priority will be the demarcation line that the magazine will draw to collect its themes, its centers of interest, its readers and collaborators. Tarcus P65. CodZ. …

Encuadernación de tapa blanda. Zustand: Muy bueno. Folio. #1 Jul 1969 #44 Jan/Feb 1976. (Complete set). Wrappers. Collaborators include Santiago Funes, Horacio Ciafardini, Oscar Terán, Eliseo Verón, Guillermo Schavelzon, Cristina López Meyer, Isabel Carballo, Marcelo Díaz, Manuel Amigo, Jorge Brega, among others. Founded by Héctor Schmucler in the wake of the Cordobazo uprising and initially modeled after the French La Quinzaine Littéraire, Los Libros was a decisive forum for the intellectual New Left. It introduced structuralist readings (Barthes, Lévi-Strauss, Lacan) to the local Marxist tradition, debating the path to revolution and, above all, the transformation of the university during the crisis of Argentine and Latin American higher education. The publication evolved through two distinct phases: a first period focused on modernizing literary criticism and theory, and a second, more radicalized phase led by Ricardo Piglia, Carlos Altamirano, and Beatriz Sarlo, which prioritized political intervention. Altamirano noted that issues dedicated to university debates sold out quickly; specifically, Beatriz Sarlos articles on literature curriculums became essential tools for students at the Faculty of Philosophy and Letters to challenge established canons. Unlike the magazine Crisis, which had a broader appeal, Los Libros positioned itself as a "critique of ideology," producing dossiers explicitly designed for academic and militant debate. Its target audience was reflected in its advertising: alongside ads for distributors like Librecol and DER, the magazine featured major publishers of the new Argentine left (Jorge Álvarez, Tiempo Contemporáneo, and Galernawhich initially financed the magazine) as well as academic powerhouses like Siglo XXI, Sudamericana, and university presses from Chile and Mexico. While the readership and editorial team were predominantly university-educated, the list of contributors remained majority male, despite the central role of female intellectuals like Sarlo and Miriam Chorne in its direction. In May 1976, shortly after the military coup, the magazines offices were raided and closed by the military government, leaving issue #45 unpublished. (Reference: Tarcus, p. 56). CodZ. …