Schenk kim (7 Ergebnisse)
- Softcover
Anbieter: BooksRun, Philadelphia, PA, USABooksRun
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Paperback. Zustand: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.
- Hardcover
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Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
- Softcover
Anbieter: Kennys Bookstore, Olney, MD, USAKennys Bookstore
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EUR 73,18
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Zustand: New. Num Pages: 360 pages, 195 colour illustrations. BIC Classification: ACV; AFF. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 304 x 255 x 35. Weight in Grams: 2428. . 2005. Paperback. . . . . Books ship from the US and Ireland.
- Softcover
Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books
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EUR 60,84
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Paperback. Zustand: Brand New. 389 pages. 11.50x9.75x1.50 inches. In Stock.
- Softcover
Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books
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EUR 96,96
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Paperback. Zustand: Brand New. 389 pages. 11.50x9.75x1.50 inches. In Stock.
- Softcover
Anbieter: moluna, Greven, Deutschlandmoluna
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EUR 74,15
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Zustand: New. Many patrons of the arts in 19th-century America collected paintings and sculpture from England or Italy. Collectors in Baltimore looked to France for models of culture and assembled extensive collections of drawings by French masters. This is a discussion .
- Softcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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EUR 100,19
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Taschenbuch. Zustand: Neu. Neuware - Many patrons of the arts in nineteenth-century America built collections of paintings and sculpture imported primarily from England or Italy. Collectors in Baltimore--William Walters, George Lucas, the famous Cone sisters, among others--stand out in this milieu for having developed a striking…ly different aesthetic for their homes and newly founded public institutions. These collectors looked to France for models of culture and, acting upon a remarkable understanding of the educational needs and working methods of artists, assembled extensive collections of drawings by French masters, from David to Daumier, Degas, and Cézanne. The Essence of Line offers the first comprehensive discussion of the formation of these collections and their significance for the history of French art. The book begins with essays by Jay M. Fisher, William R. Johnston, and Cheryl K. Snay that trace the history of collecting in Baltimore and afford new insights into the acquisition, display, and interpretation of drawings. In her essay, conservator Kimberly Schenck bridges the worlds of the collector and of the artist by examining the production and the use of drawing materials in an epoch of radical changes as much in technique as style. This book also provides a fully illustrated, scholarly catalogue for one hundred of the most important of the nineteenth-century French drawings now held by The Baltimore Museum of Art, The Walters Art Museum, and the Peabody Art Collection.Published on the occasion of an exhibition jointly organized by The Baltimore Museum of Art and The Walters Art Museum, this book presents a brilliant panorama of sketches, watercolors, and presentation drawings, many of them little known outside a small circle of experts. It is correlated with an online archive of the entire corpus of nineteenth-century French drawings in the holdings of these Baltimore museums.This volume has been published in conjunction with the exhibition The Essence of Line: French Drawings from Ingres to Degas, organized by The Baltimore Museum of Art and the Walter Art Museum, Baltimore, Maryland, and held at: The Baltimore Museum of Art, 19 June-11 September 2005The Walters Art Museum 19 June-4 September 2005Birmingham Museum of Art, 19 February-14 May 2006Tacoma Art Museum, 9 June-17 September 2006.
