Satb and orchestra (8 Ergebnisse)

Notenblatt. Zustand: Neu. Neuware - Magnificat for mixed choir and orchestra by Domenico Cimarosa. Vocal score and piano reduction by Theo Molich. Edited by Johannes Wojciechowski.

Notenblatt. Zustand: Neu. Neuware - Hugo Wolf's Feuerreiter/The Firerider from Mörike-Lieder, for voice and piano. Contains the vocal score, arranged for Choir and Orchestra by the composer.

Notenblatt. Zustand: Neu. Neuware - Salieri's Requiem in C minor for 4 soloists, choir and orchestra, edited by Johannes Wojciechowski.

Notenblatt. Zustand: Neu. Neuware - for SATB and piano or orchestraDances of Time is a diverse collection of five choral songs addressing different aspects of time. Texts ranging from biblical through to the twentieth century are set to Chilcott's attractive and characterful music, drawing on elements of dance forms in various styles.…

Buch. Zustand: Neu. Neuware - for soprano and baritone soloists, SATB chorus, and orchestraThis significant work from Cecilia McDowall presents an imaginative pairing of the Latin Requiem text and extracts from the Not Elektronisches Buch of Leonardo da Vinci, with contrasting solo and chorus movements creating an effective dramatization.…

Notenblatt. Zustand: Neu. Neuware - for T. solo, SATB (with divisions), and orchestra This spiritual work draws its evocative texts from diverse sources ranging from a hymn by St Ambrose to contemporary poems by Doris Kareva and Kenneth White. Profound words by Wallace Stevens draw this monumental work to a close, with wind and strings leading us to a final chord resounding with quiet optimism to end this transformative musical experience.…

Taschenbuch. Zustand: Neu. Neuware - The oratorio 'A Child of Our Time' was Tippett's artistic and emotional response to the events that led to the 'Kristallnacht' pogrom of November 1938. For his oratorio Tippett used as his formal and historical models the Bach Passions and Handel's Messiah which share with this contemporary morality the subject of the death of an individual set against the universal background of human suffering. Tippett's use of the spiritual as a contemporary equivalent for the Lutheran chorale of the Bach settings draws his audience more closely into the drama through the spirituals' 'unique verbal and musical metaphor'.By 1941, when Tippett had completed the composition of his oratorio, the practicalities of staging a performance during wartime were difficult to say the least. It was, however, through the direct agency of his lifelong friends and professional colleagues, Benjamin Britten and Peter Pears, that the work was first performed in London on 19 March 1944 under the direction of the former Schoenberg pupil Walter Goehr, and with Pears himself as the tenor soloist.Instrumentation:mixed choir (SATB/SATB), soloists (SATB) and orchestra; Das Oratorium 'A Child of Our Time' war Tippetts künstlerische und emotionale Antwort auf die Ereignisse, die zur 'Reichskristallnacht' im November 1938 geführt hatten. Als formale und historische Vorbilder für sein Oratorium verwendete Tippett die Bach-Passionen und Händels Messias, die sich mit dieser zeitgenössischen Moralität das Thema des Todes eines Menschen vor dem allgemeinen Hintergrund menschlichen Leidens teilen. Tippetts Verwendung des Spirituals als zeitgenössisches Gegenstück zum lutherischen Choral der Bachschen Sätze zieht sein Publikum durch die 'einzigartige verbale und musikalische Metapher' der Spirituals enger ins Drama.Im Jahre 1941, als Tippett die Komposition seines Oratoriums beendet hatte, war es sehr schwierig eine Aufführung auf die Bühne zu bringen. Der direkten Vermittlung seiner lebenslangen Freunde und Berufskollegen Benjamin Britten und Peter Pears ist es zu verdanken, dass das Werk am 19. März 1944 unter der Leitung des ehemaligen Schönberg-Schülers Walter Goehr und unter der Mitwirkung von Pears als Solotenor in London uraufgeführt wurde.Schwierigkeitsgrad: 3.…

Notenblatt. Zustand: Neu. Neuware - Handel's Israel in Egypt (HWV 54), a biblical oratoiro with the libretto believed to have been prepared by Charles Jennens, who compiled the biblical texts from Handel's Messiah. It is composed entirely from selected passages from the Old Testament, mostley from Exodus and the Psalms.…