Sarah greifenstein (22 Ergebnisse)

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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. pp. 158.

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Paperback. Zustand: Brand New. 158 pages. 9.05x6.10x0.39 inches. In Stock.

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Paperback. Zustand: Brand New. illustrated edition. 296 pages. 9.05x6.10x0.79 inches. In Stock.

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Zustand: New. 2020. Paperback. . . . . . Books ship from the US and Ireland.

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Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Over centuries, scholars have explored how metaphor contributes to thought, language, culture. This collection of essays reflects on Müller, Kappelhoff, and colleagues' transdisciplinary (film studies and linguistics) approach formulated in 'Cinematic Metaphor: Experience - Affectivity - Temporality'. The key concept of cinematic metaphor opens up reflections on metaphor as a form of embodied meaning-making in human life across disciplines. The book documents collaborative work, reflecting intense, sometimes controversial, discussions across disciplinary boundaries. In this edited volume, renowned authors explore how exposure to the framework of Cinematic Metaphor inspires their views of metaphor in film and of metaphor theory and analysis more generally. Contributions include explorations from the point of view of applied linguistics (Lynne Cameron), cognitive linguistics (Alan Cienki), media studies (Kathrin Fahlenbrach), media history (Michael Wedel), philosophy (Anne Eusterschulte), and psychology (Raymond W. Gibbs, Jr.). …

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Zustand: New.

Hardcover. Zustand: Brand New. 150 pages. 9.05x6.10x1.00 inches. In Stock.

Taschenbuch. Zustand: Neu. Cinematic Metaphor in Perspective | Reflections on a Transdisciplinary Framework | Sarah Greifenstein (u. a.) | Taschenbuch | ISSN | Einband - flex.(Paperback) | Englisch | 2020 | De Gruyter | EAN 9783110709100 | Verantwortliche Person für die EU: De Gruyter [9], Genthiner Str. 13, 10785 Berlin, orders[at]degruyter[dot]com | Anbieter: preigu.…

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Over centuries, scholars have explored how metaphor contributes to thought, language, culture. This collection of essays reflects on Müller, Kappelhoff, and colleagues' transdisciplinary (film studies and linguistics) approach formulated in 'Cinematic Metaphor: Experience - Affectivity - Temporality'. The key concept of cinematic metaphor opens up reflections on metaphor as a form of embodied meaning-making in human life across disciplines. The book documents collaborative work, reflecting intense, sometimes controversial, discussions across disciplinary boundaries. In this edited volume, renowned authors explore how exposure to the framework of Cinematic Metaphor inspires their views of metaphor in film and of metaphor theory and analysis more generally. Contributions include explorations from the point of view of applied linguistics (Lynne Cameron), cognitive linguistics (Alan Cienki), media studies (Kathrin Fahlenbrach), media history (Michael Wedel), philosophy (Anne Eusterschulte), and psychology (Raymond W. Gibbs, Jr.).…

Zustand: New. 2018. Hardcover. . . . . . Books ship from the US and Ireland.

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Over centuries, scholars have explored how metaphor contributes to thought, language, culture. This collection of essays reflects on Müller, Kappelhoff, and colleagues¿ transdisciplinary (film studies and linguistics) approach formulated in "Cinematic Metaphor: Experience ¿ Affectivity ¿ Temporality". The key concept of cinematic metaphor opens up reflections on metaphor as a form of embodied meaning-making in human life across disciplines. The book documents collaborative work, reflecting intense, sometimes controversial, discussions across disciplinary boundaries. In this edited volume, renowned authors explore how exposure to the framework of Cinematic Metaphor inspires their views of metaphor in film and of metaphor theory and analysis more generally. Contributions include explorations from the point of view of applied linguistics (Lynne Cameron), cognitive linguistics (Alan Cienki), media studies (Kathrin Fahlenbrach), media history (Michael Wedel), philosophy (Anne Eusterschulte), and psychology (Raymond W. Gibbs, Jr.). …

Zustand: New. Wie ist die zeitliche Gestaltung audiovisueller Bilder mit den verschiedenen Modi des Zuschauergefuehls verbunden? Am Gegenstand der Screwball Comedy wird diese Frage eroertert: Die Filme des klassischen Hollywood-Genres der 1930er und 1940er praesentieren .

Buch. Zustand: Neu. Neuware - How is the temporal composition of audiovisual images linked to different modes of affectivity This volume examines this question with reference to screwball comedy. Films belonging to this classical Hollywood genre from the 1930s and 40s present fast-paced conversations full of repartee, wordplay, and linguistic acrobatics. Comedy and exhilaration are primarily shaped by how gestures, facial expressions, voices, and speech acts are embedded temporally in the cinematic image. In screwball comedies, the act of sensing is often fashioned in a contrastive-comical manner: interactions rife with strife and anger are made perceptible as the elegant dance of a couple's movement. From such a perspective, Greifenstein inquires into the pivotal connection between movement and affectivity and fundamentally interrogates the relationship between speech acts, acting, and the film image. The book shows that the spectators' feeling of elation and enjoyment in experiencing screwball comedies is tied less to narrative action than to the films' aesthetic-expressive orchestration, timing, and embodied meanings. ; Wie ist die zeitliche Gestaltung audiovisueller Bilder mit den verschiedenen Modi des Zuschauergefühls verbunden Am Gegenstand der Screwball Comedy wird diese Frage erörtert: Die Filme des klassischen Hollywood-Genres der 1930er und 1940er präsentieren rasante Gespräche, Schlagabtausch, Wortwitz und Sprachakrobatik einer Paarinteraktion. Komik und Heiterkeit werden in erster Linie dadurch gestaltet, wie Gesten, Mimiken, Stimmen und Redeäußerungen zeitlich in das filmische Bild eingebettet sind. Vor diesem Hintergrund wird erörtert, welcher grundsätzliche Zusammenhang zwischen Bewegungsqualitäten und Affektivität besteht bzw. wie die zeitliche Gestaltung audiovisueller Bilder mit den verschiedenen Modi des Zuschauergefühls verbunden ist. In den Screwball Comedies ist das Empfinden oftmals kontrastiv-komisch gestaltet: Interaktionen von Streit und Wut werden als eleganter Tanz einer Paarbewegung wahrnehmbar. Durch diese Perspektive wird das Verhältnis von Sprachäußerung, Schauspiel und Filmbild sehr grundsätzlich befragt. Das heitere Zuschauergenießen ist weniger an narrative Handlungen gebunden als an ästhetisch-expressive Orchestrierungen, Taktungen und verkörperte Bedeutungen. ; Dissertationsschrift.…

Buch. Zustand: Neu. Tempi der Bewegung - Modi des Gefühls | Sarah Greifenstein | Buch | XII | Deutsch | 2020 | De Gruyter | EAN 9783110486919 | Verantwortliche Person für die EU: Walter de Gruyter GmbH, De Gruyter GmbH, Genthiner Str. 13, 10785 Berlin, productsafety[at]degruyterbrill[dot]com | Anbieter: preigu.…