Sara penco (13 Ergebnisse)

hardcover. Zustand: Very Good. Mary Magdalene in Michelangelo's Judgement This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

hardcover. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Zustand: New. Special order direct from the distributor.

Zustand: As New. Unread book in perfect condition.

Hardback. Zustand: New. Investigations by Sara Penco stem from the insightful finding of the absence of a key figure in the Sistine Chapel's Last Judgement fresco. Prior to this illuminating research, Mary Magdalene was not unequivocally identified within Michelangelo's masterpiece. Father Pfeiffer, with whom Penco establishes an inescapable dialectic, had already hypothesised the presence of Mary Magdalene in the fresco, but it is the scholar, for the first time in these pages, who convincingly justifies her identification. Mary Magdalene is closely connected to the salient episodes in the life of Jesus. The author rightly wonders, therefore, how it is possible that a figure so central to the biblical narrative and the Christian imagination could have been excluded from the depiction of the Parousia. This observation gives rise to an accurate reflection on the iconography of the saint and the Judgement, in relation to the sacred texts and in relation to Michelangelo's poetics and production. Sara Penco traces Mary Magdalene in the tangle of figures on the wall behind the altar of the Sistine Chapel, contributing to characterise the fresco - one of the best known and most appreciated works in the world - with an unprecedented theological message.Text in English and Italian. …

Zustand: New.

Rilegato. Zustand: new. A cura di Graziano A. Traduzione di Laghi E. Testo Italiano e Inglese. Reggio Emilia, 2024; ril., pp. 280, ill. col., cm 24x29. L'indagine di Sara Penco muove dal perspicace riscontro dell'assenza di una figura chiave nell'affresco del Giudizio Universale in Cappella Sistina. Prima di questa illuminante ricerca, Maria Maddalena non era inequivocabilmente identificata all'interno del capolavoro di Michelangelo. Padre Pfeiffer, con cui la Penco istaura una dialettica imprescindibile, aveva già ipotizzato la presenza della Maddalena nell'affresco, ma è la studiosa, per la prima volta in queste pagine, a motivarne con convinzione l'identificazione. Maria Maddalena è strettamente connessa agli episodi salienti della vita di Gesù. L'autrice si domanda dunque, a ragione, come sia possibile che una figura così centrale del racconto biblico e dell'immaginario cristiano possa essere stata esclusa nella raffigurazione della Parusia. Da questa constatazione, nasce un'accurata riflessione sull'iconografia della santa e del Giudizio, in rapporto con i testi sacri e in relazione alla poetica e alla produzione di Michelangelo. Sara Penco rintraccia nel groviglio di figure sulla parete dietro l'altare della Cappella Sistina, Maria Maddalena, contribuendo a caratterizzare l'affresco - una delle opere più conosciute e apprezzate al mondo - di un inedito messaggio teologico. Libro. …

Zustand: new.

Zustand: NEW. Reggio Emilia: Scripta Maneant, 2024 9791280717498 1808 N vol.: 1, N pag.: 240, Peso: 1808, L: 30.4, W: 24.8, Illustr.: COL L'indagine di Sara Penco muove dal perspicace riscontro dell'assenza di una figura chiave nell'affresco del Giudizio Universale in Cappella Sistina. Prima di questa illuminante ricerca, Maria Maddalena non era inequivocabilmente identificata all'interno del capolavoro di Michelangelo. Padre Pfeiffer, con cui la Penco istaura una dialettica imprescindibile, aveva già ipotizzato la presenza della Maddalena nell'affresco, ma è la studiosa, per la prima volta in queste pagine, a motivarne con convinzione l'identificazione. Maria Maddalena è strettamente connessa agli episodi salienti della vita di Gesù. L'autrice si domanda dunque, a ragione, come sia possibile che una figura così centrale del racconto biblico e dell'immaginario cristiano possa essere stata esclusa nella raffigurazione della Parusia. Da questa constatazione, nasce un'accurata riflessione sull'iconografia della santa e del Giudizio, in rapporto con i testi sacri e in relazione alla poetica e alla produzione di Michelangelo. Sara Penco rintraccia nel groviglio di figure sulla parete dietro l'altare della Cappella Sistina, Maria Maddalena, contribuendo a caratterizzare l'affresco - una delle opere più conosciute e apprezzate al mondo - di un inedito messaggio teologico. L'indagine di Sara Penco muove dal perspicace riscontro dell'assenza di una figura chiave nell'affresco del Giudizio Universale in Cappella Sistina. Prima di questa illuminante ricerca, Maria Maddalena non era inequivocabilmente identificata all'interno del capolavoro di Michelangelo. Padre Pfeiffer, con cui la Penco istaura una dialettica imprescindibile, aveva già ipotizzato la presenza della Maddalena nell'affresco, ma è la studiosa, per la prima volta in queste pagine, a motivarne con convinzione l'identificazione. Maria Maddalena è strettamente connessa agli episodi salienti della vita di Gesù. L'autrice si domanda dunque, a ragione, come sia possibile che una figura così centrale del racconto biblico e dell'immaginario cristiano possa essere stata esclusa nella raffigurazione della Parusia. Da questa constatazione, nasce un'accurata riflessione sull'iconografia della santa e del Giudizio, in rapporto con i testi sacri e in relazione alla poetica e alla produzione di Michelangelo. Sara Penco rintraccia nel groviglio di figure sulla parete dietro l'altare della Cappella Sistina, Maria Maddalena, contribuendo a caratterizzare l'affresco - una delle opere più conosciute e apprezzate al mondo - di un inedito messaggio teologico.…

Buch. Zustand: Neu. Neuware - Reveals the fresco of The Last Judgement in every detail thanks to astonishing ultra-high gigapixel photography. The 1:1 ratio to the Chapel's frescoes allows reader to see the work of art as Michelangelo himself would have painted it from the scaffolding at the top of the Chapel. Text in English and Italian.Investigations by Sara Penco stem from the insightful finding of the absence of a key figure in the Sistine Chapel's Last Judgement fresco. Prior to this illuminating research, Mary Magdalene was not unequivocally identified within Michelangelo's masterpiece. Father Pfeiffer, with whom Penco establishes an inescapable dialectic, had already hypothesized the presence of Mary Magdalene in the fresco, but it is the scholar, for the first time in these pages, who convincingly justifies her identification. Mary Magdalene is closely connected to the salient episodes in the life of Jesus. The author rightly wonders, therefore, how it is possible that a figure so central to the biblical narrative and the Christian imagination could have been excluded from the depiction of the Parousia. This observation gives rise to an accurate reflection on the iconography of the saint and the Judgement, in relation to the sacred texts and in relation to Michelangelo's poetics and production. Sara Penco traces Mary Magdalene in the tangle of figures on the wall behind the altar of the Sistine Chapel, contributing to characterize the fresco - one of the best known and most appreciated works in the world - with an unprecedented theological message. Text in English and Italian.…

Hardcover. Zustand: new. Hardcover. Investigations by Sara Penco stem from the insightful finding of the absence of a key figure in the Sistine Chapel's Last Judgement fresco. Prior to this illuminating research, Mary Magdalene was not unequivocally identified within Michelangelo's masterpiece. Father Pfeiffer, with whom Penco establishes an inescapable dialectic, had already hypothesised the presence of Mary Magdalene in the fresco, but it is the scholar, for the first time in these pages, who convincingly justifies her identification. Mary Magdalene is closely connected to the salient episodes in the life of Jesus. The author rightly wonders, therefore, how it is possible that a figure so central to the biblical narrative and the Christian imagination could have been excluded from the depiction of the Parousia. This observation gives rise to an accurate reflection on the iconography of the saint and the Judgement, in relation to the sacred texts and in relation to Michelangelo's poetics and production. Sara Penco traces Mary Magdalene in the tangle of figures on the wall behind the altar of the Sistine Chapel, contributing to characterise the fresco one of the best known and most appreciated works in the world with an unprecedented theological message. Text in English and Italian. AUTHOR: Sara Penco is an art restorer, whose work includes the restoration of the frescoes by Filippino Lippi in the Chapel Carafa in Santa Maria Sopra Minerva, of some of the ceilings in the Chamber of Deputies of the Italian Parliament, restorations in the Villa Algardi, and in the interiors of Villa Pamphili, all in Rome. She is the creator of the Smarticon method, a patented technique for classification, cataloguing, and tracking valuable assets, particularly works from the art world. She has contributed to the preservation of prestigious works and written several unpublished works for the academic world, that were subsequently the subject of further studies, exhibitions, and publications. Sara has participated in numerous national and international conferences focusing on the discovery of newly uncovered works and on innovative technologies for the preservation of Cultural Heritage. SELLING POINTS: . For the first time, scholar Sara Penco traces Mary Magdalene in the tangle of figures on the wall behind the altar of the Sistine Chapel . Sara Penco's persuasive analysis alters the message and characteristics of one of the most famous and well-known frescoes in the world, and highlights a new theological message brought by Michelangelo to millions of visitors across centuries . The author's ground-breaking research forever alters the reading of the fresco and of Michelangelo's own interpretation of biblical passages . The book is written by the restorer Sara Penco, and edited by art historian Asia Graziano, and includes a Preface by Yvonne Dohna Schlobitten, professor at the Gregorian University in Rome and a leading scholar on the theme of the role of women in the Church 100 colour illustrations Reveals the fresco of The Last Judgement in every detail thanks to astonishing ultra-high gigapixel photography. The 1:1 ratio to the Chapels frescoes allows reader to see the work of art as Michelangelo himself would have painted it from the scaffolding at the top of the Chapel. Text in English and Italian. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Hardback. Zustand: New. Investigations by Sara Penco stem from the insightful finding of the absence of a key figure in the Sistine Chapel's Last Judgement fresco. Prior to this illuminating research, Mary Magdalene was not unequivocally identified within Michelangelo's masterpiece. Father Pfeiffer, with whom Penco establishes an inescapable dialectic, had already hypothesised the presence of Mary Magdalene in the fresco, but it is the scholar, for the first time in these pages, who convincingly justifies her identification. Mary Magdalene is closely connected to the salient episodes in the life of Jesus. The author rightly wonders, therefore, how it is possible that a figure so central to the biblical narrative and the Christian imagination could have been excluded from the depiction of the Parousia. This observation gives rise to an accurate reflection on the iconography of the saint and the Judgement, in relation to the sacred texts and in relation to Michelangelo's poetics and production. Sara Penco traces Mary Magdalene in the tangle of figures on the wall behind the altar of the Sistine Chapel, contributing to characterise the fresco - one of the best known and most appreciated works in the world - with an unprecedented theological message.Text in English and Italian. …