santoro alberto (19 Ergebnisse)

Zustand: COME NUOVO USATO. ITALIANO Volume editoriale, astuccio in cartone e sovraccoperta illustrata in eccellente stato, copertina telata e fogli allo stato di nuovo; contiene un saggio di Gianfranco Ravasi, poesie dello scrittore indiano e 70 riproduzioni a colori di opere pittoriche indiane su tavole fuori testo. N. pag. 184.

Zustand: BUONO USATO. ITALIANO Monografia arricchita da corpus iconografico composto di grandi tavole pittoriche a colori, saggio di G. Ravasi. Legatura in ottime condizioni complessive, interno conservato allo stato del nuovo, fogli solo un minimo ossidati ai margini, copertina in cartonato verde senza danni minime le mende alle cuffie, sovraccoperta illustrata da composizione grafica, segnata da sfregamento e manipolazione maggiormente in quarta e al bordo. N. pag. 184.

Zustand: Buone. italiano Condizioni dell'esterno: leggermente logorata Condizioni dell'interno: Sottolineato a biro.

Zustand: New. In.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Molto buono (Very Good). Con un saggio di Gianfranco Ravasi. Con 70 illustrazioni a colori . 4to. pp. 190. . Molto buono (Very Good). . . . Rilegato, sovracoperta (hard cover, dust jacket). Book.

Hardcover. Zustand: Brand New. 194 pages. 9.25x6.25x0.75 inches. In Stock.

Zustand: New. In.

Hardcover. Zustand: Brand New. 300 pages. 9.25x6.25x0.75 inches. In Stock.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. 1st Edition. xvii + 989 p. Higher postage because book will be shipped as parcel (Weight is over 2 Kgs).

Bergamo, Bolis, 1995, 4to (cm. 30 x 26,5) tutta tela editoriale con sovraccoperta illustrata a colori, pp. 185 con 70 tavole (riproduzioni di opere pittoriche indiane) a colori nel testo. Con un saggio di Gianfranco Ravasi.

Hardcover. Zustand: Very Good. Signed and dedicated by Roberto Salmeron. signed and dedicated.

Volume: 1 29,5x25,5 cm., legatura in piena tela con sovraccoperta illustrata a colori, astuccio, pagg. 184(6), 70 stupende illustrazioni a colori, prima edizione, in italiano, buone condizioni. Premio Nobel 1913 - Tagore poeta universale: egli era "tutto nostro per l'Oriente ove l'albero della sua poesia e del suo pensiero era profondamente radicato ed era "tutto nostro" anche per l'Occidente nel cui cielo si erano espansi i rami del suo canto e della sua ricerca spirituale.

Hardcover. Zustand: Very Good. 1st Edition. Inscribed by the author on the front end paper. Inscribed by Author.

Volume: 1 29 x 25 cm., legatura tutta tela con sopraccoperta illustrata a colori, pagg. 190, 70 illustrazioni a colori, edizione prima non sponsorizzata, in italiano, come nuova. " Il Nobel che gli venne consegnato nel 1913 all' età di 52 anni non faceva che consacrare una definizione ormai comune: Tagore era un Bisso Kobi, cioè un poeta universale: Oriente e Occidente l'avrebbero considerato totus noster. per l'Oriente ove l'albero della sua poesia e del suo pensiero era profondamente radicato ed era tutto nostro anche per l'Occidente nel cui cielo si erano espansi i rami del suo canto e della sua ricerca spirituale".

Encuadernación de tapa blanda. Zustand: Muy bien. In-8º. #1 August 1963 - #12 Sept 1966 Second period Año V #1 1968 (#14) Año XII #1 1974 (#15). Plus Cinco Poetas #1, Suplemento Imprescindible 1967, Informe sobre Santo Domingo & Informe sobre Discepolo. Wrappers. One of the literary processes that accompanied most of Santoro's life was wielded by the air and was, according to the wind, evolving to where the reality was blowing. Barrilete was named, and it was a magazine published intermittently between 1963 and 1974. The idea was to revolutionize the forms and content of the letters, give rise to cultural expressions that - until then - were shown as differentiated, excluded, or 'popular' but were not considered artistic. Barrilete is, basically, one of the most fruitful literary experiences in the history of the country, and - as such - in the same way no one. The predominant logic was to give space and possibility of production to a host of authors who began to explore literature. The aim was to publish, publish and distribute poems in the form of brochures, a magazine or whatever could be economically available at the time, which were relevant to popular culture. This is how it became the first place to give space to authors or tango lyricists who today seem indispensable but who had no place in the media like Enrique Santos Discépolo or Homero Manzi. In 1963 the first five issues came out and their production varied depending on the current situation the country was going through. The premise with which El Barrilete was drawn was simple: the poetry had to stop being of the privileged and leave. The slogan, as well as the editorial, went through not self-advertising or self-publishing (even Santoro just published a poem of hers in the last issue of the magazine), poets, in different meetings, proposed topics and problems, others wrote. Magazines and brochures were distributed in improvised recitals in factories, promotion societies and strategic points of the different neighborhoods of Buenos Aires and Buenos Aires and then sold or given to those who attended, encouraging debate and constant interaction. The dictatorship of Ongania, in 1966, resulted in a break for Barrilete. Many members left for Cuba or Vietnam while the other, Santoro included, radicalized the proposal and the speech, continuing it with different variants. In the first period 13 numbers were published, between August 1963 and December 1967. The first five, appeared monthly between August and December 1963, were called El Barrilete. We left to go back and were directed and edited by Roberto J. Santoro, while his mother Emilia de Santoro occupied the position of Secretary of Writing. Each of the first five deliveries consisted of eight pages and its preparation was carried out by Santoro at his home, with the help of his mother and his sister. From number six, February 1964, the publication adopts the name Barrilete and its cover is modified, while pages are added to colors and new sections. His address is now headed by a Editorial Board composed of Daniel Barros, Ramón Plaza, Miguel Ángel Rozzini, Horacio Salas, Marcos Silber and Rafael Alberto Vásquez, as well as Santoro. From this number six, it is published with a bimonthly frequency, except for numbers 12 and 13, from August-September 1966 and December 1967, respectively. The number 12 is directed by Alberto Costa, Carlos Patiño, Felipe Reisin and Rafael Vásquez: the number 13, is in charge of Costa and Patiño, who then published the only number of the second time (Second period Año V No 1). Collaborators : Rodolfo C. Ramirez, Ramon Plaza, Horacio Salas, Carlos Enrique Urquia, Martín Campos, Atilio Luis Viglino, Alberto Szpunberg, Daniel Barros, Natalio Kisnerman, Alberto Luis Ponzo, Hector Yanover, Enrique Wernicke, Roberto J. Santoro, and others. Provenzano p279. Tarcus p52. W19.

Original-Broschur. XV, 270 Seiten. Gutes Exemplar mit nur leichten Gebrauchsspuren. Stempel in der Titelei, ansonsten textsauber. Buch aus einem Nichtraucherhaushalt. // Original paperback. Stamp in the title page, otherwise this is a clean book in good condition. Book from a non smoking environment. Sprache: Italienisch.

Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Italienisch | Produktart: Bücher | Keine Beschreibung verfügbar.