Sandra waters (15 Ergebnisse)

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Zustand: New. &Uumlber den AutorPORPORA MARCASCIANO is a sociologist, activist, writer, and municipal counselor in the city of Bologna, Italy. She is the honorary president of the Trans Identity Movement (MIT) and author of Dawn of the Bad Transwo.

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hardcover. Zustand: As New. no. 2025 sept.

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Gebunden. Zustand: New. KlappentextrnrnThis volume explores the complex horizon of landscapes in horror film culture to better understand the use that the genre makes of settings, locations, spaces, and places, be they physical, imagined, or altogether imaginary. In Th.

Buch. Zustand: Neu. Neuware - This volume explores the complex horizon of landscapes in horror film culture to better understand the use that the genre makes of settings, locations, spaces, and places, be they physical, imagined, or altogether imaginary. In The Philosophy of Horror, Noël Carroll discusses the 'geography' of horror as often situating the filmic genre in liminal spaces as a means to displace the narrative away from commonly accepted social structures: this use of space is meant to trigger the audience's innate fear of the unknown. This notion recalls Freud's theorization of the uncanny, as it is centered on recognizable locations outside of the Lacanian symbolic order. In some instances, a location may act as one of the describing characteristics of evil itself: In A Nightmare on Elm Street teenagers fall asleep only to be dragged from their bedrooms into Freddy Krueger's labyrinthine lair, an inescapable boiler room that enhances Freddie's powers and makes him invincible. In other scenarios, the action may take place in a distant, little-known country to isolate characters (Roth's Hostel films), or as a way to mythicize the very origin of evil (Bava's Black Sunday). Finally, anxieties related to the encroaching presence of technology in our lives may give rise to postmodern narratives of loneliness and disconnect at the crossing between virtual and real places: in Kurosawa's Pulse, the internet acts as a gateway between the living and spirit worlds, creating an oneiric realm where the living vanish and ghosts move to replace them. This suggestive topic begs to be further investigated; this volume represents a crucial addition to the scholarship on horror film culture by adopting a transnational, comparative approach to the analysis of formal and narrative concerns specific to the genre by considering some of the most popular titles in horror film culture alongside lesser-known works for which this anthology represents the first piece of relevant scholarship.…

Final Draft script for the 1993 film. Laid in with the script is a call sheet dated March 1, 1993. An overly aggressive police officer and a homicidal crime lord are both cryogenically frozen in the year 1996, reawakening in 2032 to a futuristic supercity known as "San Angeles." Loosely based on Aldous Huxley's 1932 novel "Brave New World," and on H.G. Wells' 1899 novel "The Sleeper Awakes." Set and shot on location throughout Los Angeles. Self wrappers. Title page present, dated February 1, 1993, noted as FINAL DRAFT, with credits for screenwriters Peter Lenkov, Daniel Waters, and Jonathan Lemkin. 131 leaves, with last page of text numbered 130. Xerographic duplication, rectos only. Pages Very Good plus, bound with two gold brads.…

Gebunden. Zustand: New. Ist die Lyrik in besonderer Weise bildlich verfasst? Haben die sprachlichen Bilder in den Gedichten eine eigenstaendige Charakteristik? Die alte Frage nach der lyrischen Bildlichkeit erhaelt im Rahmen einer bildkritischen Literaturwissenschaft eine neue Deutu.