Sandqvist tom (65 Ergebnisse)

The title of the exhibition, Combi-Nation, is a play on words and refers to the fact that the artists work with ôimpure strategiesö, (combining diverse elements in the same work); furthermore, in Spanish the word has the connotation of the ôunification of nationsö. The subtitle, imagen sueca, strives to indicate that the artists represented here are all dealing with a common theme: ôThe Image of Swedenö and that image is presented in many different ways., English, Year1993, Illust. B/W7, Illust. Color33, ISBN , Code 3309. Softbound, In Pristine Condition, Location of Exhibition: Helsinki, Finland; Lund & Stockholm, Sweden; Mexico City, Mexico, Cat. of exh. Bios. Bibl. Pages 87, Size 8ösq. …

First Edition. First edition. Oblong softcover. 80 pages. Exhibition catalog for a show that ran March 20 through April 12, 1985 at the Hillwood Art Gallery of the School of the Arts at Long Island University. Features essays by Lawrence Alloway, Frederick Ted Castle, Tom Sandqvist, and curator Judy Collischan Van Wagner. Includes numerous black and white illustrations, brief biographical information, list of previous exhibitions, and a selected bibliography. A very good plus copy in wrappers with some light wear and from the library of Lucas Samaras with estate stamp. A very nice copy with an interesting provenance.…

imo. Zustand: As New.

341 s. Illustrerad. Förlagets illustrerade pappband. Exlibris. Med Torsten Ekboms namnteckning på försättsbladet.

1st edn. Tall 8vo. Original white lettered black cloth (Fine), dustwrapper (Fine in protective cover). Pp. 654, illus with b&w photos (no inscriptions). [Swedish text].

The selection for this exciting exhibition of contemporary art was guided by the ambiguity of the artworks, which oscillate between different meanings, but which have as a common theme the question of individual identity. Working in a variety of media, these talented Scandinavian artists include Ernst Billgren, Dan Wolgers, Raul Grunstein, and others. , Swedish/Finnish/English, Year, Illust. B/W24, Illust. Color13, ISBN 9170570205, Code 1353. Softbound, Not in perfect condition., Location of Exhibition: Nordic Art Centre, Helsinki. Liljevachs Konsthall, Stockholm, Bios. Pages 99, Size 13öx10ö.…

Zustand: Good. *Price HAS BEEN REDUCED by 10% until Monday, Nov. 16 (weekend SALE item)* Hardcover, ex library, else text clean and binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.…

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Zustand: New. Sonia Delaunay is one of the most important artists of the early twentieth century, whose contribution to European Modernism was fundamental, if not always fully acknowledged in its own right. She is known for translating her experiments via painting into the realm of fashion, interior design and crafts and, thus, consciously transcending the boundaries between fine and applied art. The focus within mainstream art history has been her relationship with her husband Robert Delaunay. Tom Sandqvist shifts this focus on her Jewish roots and sheds a light on the influence of growing up in the typical Eastern European shtetl, which has not attracted any special attention in the analysis of Delaunay's art. Tom Sandqvist reflects on the impact of Judaism on Sonia Delaunay's ouvre, with a special focus on her early contributions to Simultanism and Orphism within the interwar Parisian Avant-Garde.…

368 s. Illustrerad. Förlagets pappband med skyddsomslag. Gott skick.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. Sonia Delaunay is one of the most important artists of European Modernism and known for transcending the boundaries between fine and applied art. Tom Sandqvist focuses on the impact of Delaunay's Jewish roots on her /uvre, with a special attention on her early contributions to Simultanism and Orphism within the interwar Parisian Avant-Garde. Num Pages: 164 pages, 37. BIC Classification: AFC; HBG; HD. Category: (P) Professional & Vocational. Dimension: 155 x 215 x 15. Weight in Grams: 316. . 2016. New. hardcover. . . . .…

Zustand: New. In English.

24,5x21,5 cm. 152, 152 pp. + 2 folded plates. Soft cover. With an inscription from the editior Arina Stoenescu. This book arose from the need to try to understand the communist past of Romania and joined historic and artistic efforts from well known Romanian historians Lucian Boia and Adrian Cioroianu, the Swedish theorist Tom Sandqvist and the artists Stefan Constantinescu, Cristi Puiu and Arina Stoenescu. Parallel text in English and Romanian.…

181 s. Illustrerad. Förlagsband. Stämplar på förtitelsidan.

323 s. Häftad. Fint exemplar.

Åhus; Kalejdoskop & Boklaget, 1982. 21x14,5 cm. 113, (1 blank) s. Illustrerad. Häftad med tryckt omslag. Bfint ex. Texter om bl. a. Robert Smithson, Charles Simonds, Alice Aycock Robert Morris, Jan Håfström och Bård Breivik.

380 s. Förlagsband med skyddsomslag. Recensionsexemplar. Nyskick.

125, (1) s. Illustrerad. Illustrerat förlagsband.

320 s. Illustrerad. Häftad.

hardbound. Zustand: Very Good. Illustrated study of the origins of Dadaism, arguing that the movement did not begin in Zurich, but grew out of an already vibrant artistic tradition in Eastern Europe - with particular focus on Romania, and on the activities there of Tzara, the Jancos (Jules, Marcel, and Georges), and Arthur Segal, this energy then being shifted to the Cabaret Voltaire; b&w and colour illustrations throughout; half-cloth with printed illustrated sides, no dustwrapper (as issued); Very Good and clean throughout; boards lightly rubbed, lightly sunned to edges. no dustwrapper. 433pp. large 8vo. Very Good. colour and b&w illustrations (illustrator). …

Why do we consider a dirty, broken coffee cup ugly when compared with a whole, round cup? How do we actually define what is ugly? Beautiful things have always been the objects for an aesthetic discussion in past decades, but the ugly has always been relegated to the background, existing simply as a negation of beauty, or its complete opposite. Sandqvist initiates a discussion concerning the concept of ugly as he sees the once definitive borders between ugly and beautiful become blurred in contemporary art and society. Beginning with StockholmÆs Modern Museum, he describes the evolution of the idea of beauty. In the end, Sandqvist wonders if ugliness will find its own unique place in our aesthetic, without any reference to concepts of beauty., Swedish, Year1998, Illust. B/W, Illust. Color, ISBN 9187214857, Code 3757. Softbound, Not in perfect condition., Bibl. Pages 133, Size 7öx 5 1/2ö.…

Förlagsband, dek. skyddsomslag. Nyskick. Lund, Signum, 2005. 8:o. 368 sid. + 8 planschblad med illustrationer i färg. Om Tristan Tzara och hans dada-vänner i ljuset av ny information som framkommit i och med att arkiven öppnats i Rumänien: - - - "Dada - kanske den mest kända och skandalomsusade av modernismens konströrelser - sägs ha börjat på Cabaret Voltaire då en litterär afton iscensattes på restaurang Meierei i Zurich den 5 februari 1916. Kvällens huvudnummer bestod i att aktörerna stampade, röt och bankade på kastrull- och grytlock och läste upp obegripliga 'poèmes simultané'. Hur kunde en sådan konst- och kulturrevolution ha börjat på en schweizisk restaurang? I Dada öst visar Tom Sandqvist att Dada inte uppstod fullt utvecklad utan växte fram ur en levande konstnärlig tradition i Östeuropa - särskilt i Rumänien - och spreds till Schweiz när en grupp rumänska modernister slog sig ner i Zurich. Bukarest och andra städer i Rumänien hade varit scenen för dadaliknande poesi, prosa och spektakel under åren före första världskriget. Förgrundsgestalt var Tristan Tzara. Redan som femtonåring började han sin karriär i den avantgardistiska litteraturen när han tillsammans med bröderna Jules och George Janco grundade tidskriften Simbolul. Tzara, som själv myntade begreppet 'Dada', inspirerad av sin egen födelsedag och ett ortodoxt helgon, befann sig på Cabaret Voltaire den där kvällen tillsammans med bröderna Janco och Arthur Segal, alla rumäner. Det är ingen tillfällighet, menar Tom Sandqvist, att så många av de första dadaisterna var rumäner. Han spårar dadaismens ursprung i källor som symbolism, futurism och folklore. Han betonar sammanhanget mellan modernistiska rumäner och Östeuropas jiddisch-tradition. Tristan Tzara, bröderna Janco och Arthur Segal växte upp i judisk kultur och tradition. l åratal förnekade och undertryckte den kommunistiska regimen rumänernas avantgardistiska rörelser. Nu, när arkiven har öppnats, kan Tom Sandqvist berätta den okända historien bakom Dadas rumänska rötter.".…

Zustand: New. Sonia Delaunay is one of the most important artists of European Modernism and known for transcending the boundaries between fine and applied art. Tom Sandqvist focuses on the impact of Delaunay's Jewish roots on her /uvre, with a special attention on her early contributions to Simultanism and Orphism within the interwar Parisian Avant-Garde. Num Pages: 164 pages, 37. BIC Classification: AFC; HBG; HD. Category: (P) Professional & Vocational. Dimension: 155 x 215 x 15. Weight in Grams: 316. . 2016. New. hardcover. . . . . Books ship from the US and Ireland.…

464 s. Illustrerad. Häftad. Första blanka sidan med liten recensionsstämpel.

Brutus Östlings Bokförlag Symposion, Stockholm 1994. 323 sidor. Häftad. Gott skick.

Åhus; Kalejdoskop Förlag, 1988. Diss. 21x16,5 cm. 464 s. Häftad med tryckt omslag. Fint ex. Dissertation in Swedish with an English summary.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Sonia Delaunay is one of the most important artists of the early twentieth century, whose contribution to European Modernism was fundamental, if not always fully acknowledged in its own right. She is known for translating her experiments via painting into the realm of fashion, interior design and crafts and, thus, consciously transcending the boundaries between fine and applied art. The focus within mainstream art history has been her relationship with her husband Robert Delaunay. Tom Sandqvist shifts this focus on her Jewish roots and sheds a light on the influence of growing up in the typical Eastern European shtetl, which has not attracted any special attention in the analysis of Delaunay's art. Tom Sandqvist reflects on the impact of Judaism on Sonia Delaunay's oeuvre, with a special focus on her early contributions to Simultanism and Orphism within the interwar Parisian Avant-Garde.…

Carlsson Bokförlag, Stockholm 1995. 416, (8) sidor. Häftad. Mycket gott skick.

Signum, Lund 2005. 368 sidor. Förlagsband med skyddsomslag. Illustrerad. Gott skick.