Sanders bob ray (9 Ergebnisse)

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. First Edition. Dust jacket in good condition. First edition. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. CLEAN COVER AND CONTENT PAGES. New protective mylar applied to dust jacket before shipping. Secure packaging for safe delivery.…

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: Brand New. 264 pages. 9.01x6.01x0.88 inches. In Stock.

Zustand: As New. Unread book in perfect condition.

Zustand: New. In 1934, the year Calvin Littlejohn came to Fort Worth, the city was a sleepy little burg. In Fort Worth, Littlejohn began what would become a life-long career of documenting the black community. This book features more than 150 shots Littlejohn captured over the course of his career. Num Pages: 216 pages, 178 b&w photos, photography. BIC Classification: 1KBBSX; AJB; AJC. Category: (G) General (US: Trade). Dimension: 216 x 279 x 23. Weight in Grams: 1361. . 2009. Hardcover. . . . . Books ship from the US and Ireland. …

Hardcover. Zustand: Brand New. 201 pages. 8.50x11.00x1.00 inches. In Stock.

Zustand: New. pp. 216.

Buch. Zustand: Neu. Neuware - In 1934, the year Calvin Littlejohn came to Fort Worth, the city was a sleepy little burg. This was the Jim Crow era, when mainstream newspapers wouldn't publish pictures of black citizens and white photographers wouldn't take pictures in black schools. In Fort Worth, Littlejohn began what would become a life-long career of documenting the black community. And there would be nothing remotely related to the white culture's depictions of Amos 'n' Andy or black kids grinning over a slice of watermelon in Littlejohn's portrayal of his adopted home and the people he came to appreciate and love. Littlejohn's natural aptitude for drawing had been honed by correspondence courses in graphic design and a stint in a photo shop where he learned about the camera, lighting, and the use of shadows. When Littlejohn was assigned to be the official photographer at I. M. Terrell - the city's only black high school at the time - his professional career was launched. Unlike many segregated cities, where blacks lived only in one section, blacks in Cowtown lived in every quadrant of the city. There was a thriving black business district, with hotels, restaurants, a movie theater, a bank, and a major hospital, pharmacy, and nursing school. And of course, there were the schools and churches. All would eventually be seen through Littlejohn's lens. Although he never set out to be the documentarian of Fort Worth's black community, he did what he set out to do: to capture the best of a community, focusing on its good times. This book features more than 150 shots Littlejohn captured over the course of his career. …