sally yard (50 Ergebnisse)

Zustand: Good. First Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good.

paperback. Zustand: Very Good. Pencil on cover. Otherwise unused.

0 72 p. Includes illustrations. Very good. light shelfwear, ex museum stamp on blank flyleaf.

Zustand: Very good. - Small oblong quarto [9 inches high by 10-1/2 inches wide], softcover bound in color pictorial wrappers. The wraps are lightly bumped & rubbed with the remnants of a sticker on the front wrap & with a crease to its bottom corner. There is a small area of white staining to the rear wrap. 80 & [4] pages, with the text printed on light gray stock. 1 color illustration & profuse illustrations in black & white. Very good. In his 1974 Oceanfront Project, Christo covered the King's Beach cove in Newport, Rhode Island, with 150,000 square feet of polypropylene fabric floating on the sea, attached to the shore by 42 anchors. This book was published in conjunction with an exhibition organized by the Art Museum of Princeton which documented the project and which was presented at the museum from April 6 to June 29, 1975.The text includes an introduction by Sam Hunter and an interview with Christo by Sally Yard.

Softcover. Zustand: Fine. First Edition. Lengthy, engaging, double-column text of Introduction by Sally Yard. Sterling condition softcover copy, with unfurled tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear beyond light sunning along edges, and with reinforcing tape to spine. Complete also with biographies, interviews, collected writings by the artist, list of exhibitions. Sumptuous photography printed on high-gloss paper, captioned opposite. Unpaginated, but roughly 24 pp. Fourteen plates including two in fold-out.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Paperback. Zustand: Very Good.

Softcover. Annotated. 128 p. Good condition. Reading pages are clean and without markings. Light signs of storage and use. Spine slightly light-margined. Spine edges slightly bumped. Otherwise a decent copy. 9781558592452 Sprache: Englisch Gewicht in Gramm: 660.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. Color Plates (illustrator). Jacket has minor edge wear, rubbing and a large closed tear to the front jacket. Binding tight, pages clean and free of marks. Willem de Kooning arrived in the United States in 1926 as a twenty-two-year-old stowaway from Holland, soon to become a leading figure in the emergence of abstract expressionist painting in New York. This volume presents over 100 illustrations of every phase of de Kooning?s artistic evolution, and explains the personal and art historical background behind his groundbreaking work and its critical reception.Author Sally Yard details the progress of de Kooning?s career, from his brief stint as a WPA painter, to his first one-person exhibition of abstract work in 1948, Five years later, an exhibition of women painted in aggressive, lashing gestures stunned contemporaries, not only for the vehemence of the artist?s attack, but also for the reversal of direction from abstraction to figuration. The alternation and intertwining of these two genres remained fundamental to de Kooning?s work over six decades.Lavish illustrations and Sally Yard?s accessible scholarly discussion make this book invaluable for anyone seeking to understand the work and impact of this twentieth-century master.

Zustand: Good. Paperback, illustrations in colour and b/w, 4to.; Cut slightly foxed.

Paperback. Zustand: Good. Zustand des Schutzumschlags: No Dust Jacket. Paperback.Text is in English and Spanish. Covers are worn and scuffed, with several surface scratches and small indentations. One or two small abrasions just below upper edge of front cover. Upper corners of front cover are a little dented. Spine is rather worn and rubbed. Moderate wear to leading corners. Binding is sound, pages are tight and contents are clear throughout. AF.

Soft cover. Zustand: Near Fine. 1st Edition. First edition, first printing. Soft cover. Photographically illustrated stiff wrappers; no dust jacket as issued. Paintings by Francis Bacon. Text by Hugh Davies and Sally Yard. Includes artist's statements, notes on technique, chronology, exhibitions, public collections, selected bibliography and an index. Designed by Florence Mayers. 128 pp., with 40 four-color and 74 black-and-white illustrations. 11 x 8-1/2 inches. Near Fine (moderate surface wear, else Fine).

Soft cover. Zustand: Very Good. No Jacket. 1st Edition. Examination of the importance of figurative imagery in the works of Irish-born painter Francis Bacon. 128pp with index and 116 illustrations, 46 in full colour. Minor creasing to corners and minimal surface scuffing to cover, otherwise very good copy with no inscriptions. Size: 4to - over 9¾ - 12" tall. Book.

128 S. : zahlr. Ill. (z.T. farb.) ; 28 cm . Orig.-Kart. (Namensschildchen auf Vortitel, sonst gut erhalten).

First Edition. First edition. Oblong softcover. Printed in conjunction an exhibition that ran April 6 through June 29, 1975 at the Art Museum, Princeton University and then traveled to two other locations for additional dates. Features a preface by Peter C. Bunnell, an introduction by Sam Hunter and text by Sally Yard with an interview of Christo. Includes numerous illustrations, biographical information, and a selected bibliography. A very good copy in wrappers with some light wear and laid in errata sheet. Internally a clean copy.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Good. 1st Edition. First edition hardcover, sewn-bound in black cloth, with name "Bacon" blind-stamped on cover, and with silver lettering on spine, is in NF condition, having a tiny nick at bottom on spine. Dust jacket, enclosed in protective mylar (mylar not pictured), is in G condition, having some wear to edges, a wrinkle on front, overall light surface wear, and former owner's name written in ball-point pen ink at top of front flap. The book, part of the "Abbeville Modern Masters" series, is INSCRIBED BY AUTHORS HUGH DAVIES AND SALLY YARD on half-title page. A look at the paintings of Francis Bacon, with biographical background. Art. Painting. British. 20th Century. Inscribed by Author(s).

Zustand: Good. First Edition. Boek is in goede staat.

Zustand: Good. Paperback, veel illustraties in kleur, 4to.

Hardcover. Zustand: Brand New. 01 edition. 159 pages. 10.00x8.00x0.50 inches. In Stock.

4°,boards. First edition (fifth printing). 128 pages with 113 illustrations. Case at the back not colourfast,else good copy. Sprache: Englisch Gewicht in Gramm: 700.

Zustand: Very good.

Wrappers. Zustand: Fine Condition. 239 pages 175 illustrations 114 plates in full color. Published on the occasion of the exhibition from the Yale Center for British Art, New Haven CT January 25-March 21, 1999, The Minneapolis Institute of Art, Minneapolis MN April 8-May 27, 1999, The Fine Arts Museums of San Francisco, San Francisco CA June 13-August 2, 1999 and the Modern Art Museum of Fort Worth, Fort Worth TX August 20-October 15, 1999. Selected Bibliography. Notes and Index.

SOFTCOVER. Zustand: As New. 1st Edition. Large Quarto size (4to). in colour printed stiff glossy card covers, 48pp, colour plates, etc. PLUS 4 colour slides of neon artworks in pockets at rear (as issued and all called for) . [CONDITION: An extremely well preserved AS NEW unmarked copy ] . __To see more of our Art Monographs etc type DBBARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Abbeville Press Inc. 1992. Reprint. Paperback, NO DW. Modern Masters Series Volume 9. Contents illustrated in b/w, with 46 in full colour. Covers lightly marked, spine sunned. Page contents lightly marked in places. Page edges browning, o/w contents clean and sound.

Zustand: Good. 8vo. Soft cover. 178 pp. Good, with some water damage and dent in cover. Color and B&W plates. Provenance: Richard A. Lorenz (1952-2001), author, art conservator, curator and artist, Berkeley, California. As a trustee of The Imogen Cunningham Trust, Mr. Lorenz organized and curated exhibitions of Cunningham's photographs.

Zustand: Good. 4to. [40 pp]. Soft Cover. Fine. Color Photographs & Plates. 15 full color plates, some fold out. Exhibition catalogue with an essay by Sally Yard.

Cloth. Zustand: Fine Condition. Zustand des Schutzumschlags: No Jacket, As Issued. Unpaginated (40 pages), 15 illustrations in full color, 1 black and white photograph of the artist. Gray canvas boards with black stamped letters to the spine and cover. Published on the occasion of the exhibition from September 27-November 12, 1994.

hardcover. Zustand: fine. Twombly, Cy (illustrator). 15 full-page color plates, 1 black-and white photograph. Tall thin, 4to, silver cloth. New York: C&M Arts, (1994). A fine copy.

Please note: below is a general description of how we classify our condition types. If you would like a closer look or have any specific questions, please feel free to send us a message, and we will gladly check it for you. Condition descriptions: UsedlikeNew: Barely any signs of use, almost like new. UsedGood: May show some light signs of use, such as slight discoloration or a name written on the front endpaper, but generally no markings or notes in the text. UsedAcceptable: Book in acceptable condition. May show signs of use, such as some discoloration, reading creases in the spine, underlining, notes, slight dirt on edges, dog-eared pages, or a bent spine. New: Book is new. Z 64-14 210718 EA.