sage sohier (12 Ergebnisse)

Hardcover. Zustand: Brand New. 01 edition. 107 pages. French language. 10.75x11.75x0.75 inches. In Stock.

Hardcover. Zustand: Brand New. 144 pages. 9.45x11.81x0.67 inches. In Stock.

Zustand: New. 2021. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

First Edition. First edition. Oblong softcover. 64 pages. A paperback original. Features an afterword by John Beardsley. A fascinating collection of color photographs of "people's private passions and obsessions." Includes 58 color images. A fine copy in wrappers. Signed by Sohier on the front free endpaper. A very fresh copy. Signed.

Hard Cover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. First Edition. This is a fine hardcover copy with a near fine dust jacket. The jacket rear panel has several tiny dents to the surface. SIGNED by the photographer, Sage Sohier, in ink on the title-page. Not inscribed to anyone, just signed. Sage Sohier's mother, Wendy Morgan, was a model who was photographed by Richard Avedon and Irving Penn for various magazines, once she was on the cover of Life magazine in January 1948. Sage Sohier photographed her mother throughout her life documenting her life and career. Also a number of photographs by Avedon, Penn, Horst, etc. Essay by Marvin Heiferman. 11" high X 12" wide, 107 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. Signed by Artist.

Gebunden. Zustand: New. Die Fotografin Sage Sohier zeigt uns die einzigartige Bindung zwischen Tieren und ihren MenschenSage Sohier fotografierte in Rettungsstationen fuer exotische Tiere oder fuer Wildtiere, die wieder ausgewildert werden, in Tierheimen fuer Hunde und Katzen oder au.

hardcover. Zustand: Gut. 112 Seiten; 9783969000281.3 Gewicht in Gramm: 2.

Buch. Zustand: Neu. Neuware - Die Fotografin Sage Sohier zeigt uns die einzigartige Bindung zwischen Tieren und ihren MenschenSage Sohier fotografierte in Rettungsstationen für exotische Tiere oder für Wildtiere, die wieder ausgewildert werden, in Tierheimen für Hunde und Katzen oder auf Gnadenhöfen für Farmtiere. In ihren Bildern steht die Bindung zwischen Mensch und Tier immer im Mittelpunkt: »Viele der Porträtierten haben den Großteil ihres Erwachsenenlebens der Rettung von Tieren gewidmet. Was die Tiere angeht, so beeindrucken sie durch Liebenswürdigkeit, Widerstandskraft, Lebenswillen und die Gabe, den Menschen zu verzeihen, mit ihnen zusammenzuleben und dabei häufig aufzublühen. Das mag ihre einzige Rettung sein.« (S.Sohier)Sohier hat sechs Fotografiebücher veröffentlicht und ihre Arbeiten sind in vielen wichtigen Sammlungen, etwa im Museum of Modern Art, New York, und im Museum of Fine Arts, Boston.Sy Montgomery ist Autorin zahlreicher international erfolgreicher Sachbücher, darunter Rendezvous mit einem Oktopus.

Buch. Zustand: Neu. Sage Sohier | Peaceable Kingdom. The Special Bond between Animals and their Humans | Sage Sohier | Buch | 112 S. | Englisch | 2021 | Kehrer Verlag /Kehrer Design | EAN 9783969000281 | Verantwortliche Person für die EU: Kehrer Verlag /Kehrer Design Heinsteinwerk, Klaus Kehrer, Mannheimer Str. 175, 69123 Heidelberg, contact[at]kehrerverlag[dot]com | Anbieter: preigu.

Buch. Zustand: Neu. Neuware - Witness to Beauty is Sage Sohier's series about her mother, a glamorous ex-fashion model, as she confronts the challenge of aging. Both funny and moving, the book addresses changing realities between generations in a visually captivating life of privilege. Images of Sohier's mother in her youth, posing as a model for renowned fashion photographers such as Irving Penn and Richard Avedon, provide a poignant contrast with Sohier s photographs of her mother as time passes. Sohier has exhibited widely and her works are in collections including the Museum of Modern Art, New York.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. PRICING & EDITION NUMBER: The price of this set of six titles reflects a 40% discount compared to purchasing titles individually ($150 per title compared to $250 per title). DISCOUNT ON SET 3 SPECIAL EDITIONS: Customers who purchase this set of six titles also qualify for a $150 discount off the price of a special limited edition from Set 3 (with print) of one of the six titles from the set (you will receive a second copy of the slipcased book with the special limited edition). SHIPPING NOTE: due to size and weight (e.g., multi-volume sets), additional shipping fees apply (calculated at checkout). First edition, first printing. Limited edition of 350 copies. Each of the six volumes is numbered on the colophon page and signed by the artist on a label tipped in to the back cover. Each volume in the set shares the following characteristics: Hardcover. Silk cloth-covered boards; with photographically illustrated dust jacket and silk cloth-covered slipcase. 15 x 12 inches. New in publisher's packaging. From the publisher: "We are excited to announce the NZ Library, a new series of limited edition, highly collectible artists' books. Printed on Japanese art paper using our exclusive 'Daido black' inks, all books in the NZ Library have certain aspects in common: each title is produced using the highest material and production values; each is limited to 350 numbered and signed copies; each is bound in silk cloth and individually slipcased. Each book in the series is uniform in height, with a slipcased format of 15 x 12 inches. The NZ Library will be built six titles at a time, with groupings curated to balance and play off of past, present and future titles in the series. While copies will be available to purchase individually, a generous discount is extended for orders of all six titles in any given set." VOLUME ONE: Bevan Davis: New York. ISBN 978-1-59005-450-5. 48 pp., with 20 duotone plates. From the publisher: "Bevan Daviesâs second monograph in the NZ Library Series, New York, 1975 is a powerful companion book to Los Angeles, 1976 (published in NZL Set 1). Both volumes present comprehensive important bodies of work that was influential, widely exhibited and collected at the time it was made; but not published in book form until now. New York, 1975 opens with an insightful essay by Joshua Chuang, The Miriam & Ira D. Wallach Associate Director for Art, Prints and Photographs, and The Robert B. Menschel Senior Curator of Photography at The New York Public Library Bevan Davies's work is included in many major public and private collections, including those of the J. Paul Getty Museum, Los Angeles; Art Institute of Chicago; Metropolitan Museum of Art, New York; Center for Creative Photography, Tucson; and Nelson Atkins Museum, Kansas City. " NOTE: A SPECIAL EDITION (WITH ONE PRINT) IS ALSO AVAILABLE. VOLUME TWO: Katy Grannan: Hundreds of Sparrows: Volume 1. ISBN 978-1-59005-451-2. 48 pp., with 33 four-color plates. From the publisher: "Hundreds of Sparrows is a two-volume set of books by contemporary artist and filmmaker Katy Grannan. Volume One (NZL Set 3), and Volume Two (NZL Set 4, forthcoming) both function as stand-alone books; together, they tell a deeper story, playing off of each other and delving deeper into the lives and surroundings of their subjects. The photographs in Hundreds of Sparrows were made in the Central Valley, in particular, the sprawling cities of Modesto, Fresno, and Bakersfield that sit within this vast agricultural region in the geographical center of California. This location also served as the setting for Grannan's debut feature film, "The Nine", which premiered to wide critical acclaim in 2016. Throughout the works, the artist explores the significance and complexity of the seemingly ordinary, the mundane and the overlookedâ"anonymous strangers, familiar gestures and interactionsâ"the soundscape and theatre of nowhere. This is the other side of the American Dream. Katy Grannan's work has been featured in exhibitions worldwide and is included in many permanent collections, including those of the Museum of Modern Art, New York; the Solomon R. Guggenheim Museum, New York; the Whitney Museum of American Art, New York; The National Gallery of Art, Washington, D.C.; the San Francisco Museum of Modern Art; and The LA County Museum of Art." VOLUME THREE: Anthony Hernandez: Discarded. ISBN 978-1-59005-452-9. 68 pp., with 35 four-color plates. From the publisher: "The title of Anthony Hernandez's monograph takes its name from our collective penchant for discarding what we no longer find useful; in this case, unfinished houses and the land on which they sit, to the east and northeast of Los Angeles. The project arose from the 2008 recession, which hit California particularly hard, when homebuilders and owners faced loans and mortgages that were worth more than their properties. Comprising 35 photographs made in desert and high desert cities such as Riverside, Salton City, Lancaster and Palmdale, Discarded opens with an essay by John Rohrbach, Senior Curator of Photography at the Amon Carter Museum where the work was first exhibited in 2016. Of the photographs, Rohrbach writes: "Where through the 1970s and 1980s the 'New Topographics' generation led by Robert Adams and Lewis Baltz drew photographic attention to the expansion of suburbia across the open West, Anthony Hernandez now asks us to take account of the failures, the pulling back from over-exuberant expectation. Capitalism, of course, is built on optimism and growth, but just as central to its being is failure. We can't all be winners; bust inevitably follows boom. While some initiatives survive, others go under, abandoned to the banks and discarded to the scourges of time and happenstance. The subject offers pathos and an enticing undercurrent of violence. But where others generally embrace the romance of the struggle against the harsh climate, emphasizing isolation and self-sufficiency, Hernandez reminds us of the.