Russian painter (84 Ergebnisse)

Zustand: Very Good. Mass market paperback in publisher's original colour illustrated card wrap covers (soft back). 8vo. 8'' x 5''. Contains [xxxv], 201 pp. In Very Good condition, no dust wrapper as issued. Member of the P.B.F.A. RUSSIAN & SOVIET HISTORY.

Zustand: Very Good. First edition thus hard back binding in publisher's original black cloth covered boards, blocked and lettered gilt back. 8vo. 8'' x 5½''. Contains colour frontispiece, 301 pp with monochrome illustrations and colour plates throughout. Fine condition book in Very Good condition dust wrapper with small crease line to the spine. Member of the P.B.F.A. RUSSIAN [Literature].…

ORIGINAL-LINOLSCHNITT (Bütten kl. 8 to) "Winterbei Kiew", am Unterrand mit Bleistift eigenhändig signiert mit Jahr 06 und nummeriert 15/120 - enthalten im Austellungskatalog 190 AKIRA NAKAO 2003 der Galerie Taube in Berlin, Pb. 8 to, VORZUGSAUSGABE, gut erhalten. (dito zum gleichen Preis : Original-Linolschnitt "Über den Onjaga-See" signiert in Katalog 217). …

50 INSTALLATIONEN Katalog des Kunstmuseum Bern, 1. Auflage 2000, ERSTAUSGABE (EA), 120 SS. illustriertes Pb. quer 8°, gut erhalten.

Zustand: Near Fine. First edition hard back binding in publisher's original beige cloth covers, gilt title lettering to the spine, gilt emblem to the front cover. 4to. 11½'' x 9''. Contains 288 printed pages of text with archive monochrome and colour photographs throughout. The text is in Russian, the captions are in English and Russian. Karelin made many innovative contributions to the art of photography (set-up and lighting effects). Through a study of optics, he advanced photographic technique and received a number of awards at Russian and European photography exhibitions. Fine condition book in near Fine condition dust wrapper with small crease lines to the top corners. In original photographic open fronted slip case which has a surface tear to the front cover and squashed corners. Member of the P.B.F.A. ISBN 5876220043 ART [Russian]. …

Zustand: Good. Hard back binding in publisher's original plum cloth covered boards, blocked and lettered dark brown back and front. 4to. 10½'' x 8¼''. Contains frontispiece author portrait, 332 pp Russian text. Age tanning to the text block margins, sun fading to the covers and in Good condition, no dust wrapper. Member of the P.B.F.A. RUSSIAN [Language].…

Zustand: Good. Publisher's original cream card wrap covers (soft back) with central illustration to the front cover. 8vo. 8'' x 5¼''. Contains 300 pp Russian text. Rubbing to the spine and covers, cheap paper browning to the margins and in Good condition, no dust wrapper as issued. Member of the P.B.F.A. RUSSIAN [Language].…

Folio, circa 38 x 28 cm. 33 num Bll. (66 Seiten) Original-Broschur Durchgehend parallel russisch und deutsch. Biographie des russischen Malers Iwanow (1806-1858). - Gut erhalten, Umschlag mit kleinen Randrisschen, aber solide, sauber, ganz unbeschnitten.

DIE 60 er UND 70 er JAHRE Aufzeichnungen über das inoffizielle Leben in Moskau. Passagen Verlag Wien, 1. Auflage 2001, ERSTAUSGABE (dt. EA), 349 SS. Pb. 8°, schön erhalten.

(Oblong)8vo. 2 pp. With typed address. To Andre de Ridder, a Belgian art critic and strong supporter of Expressionism, whose periodical Selection' published a special Kandinsky issue in July of 1933: Je m'presse de vous dire que j'ai envoié les epreuves à M. Grohmann. Je vous prie bien de lui faire envoyer le plus tôt possible la correction des textes. Il faudra donc qu'il fasse l'ordre des pages. Vous m'enverrez peut être aussi la correction des textes je vous serrais reconnaissant. Il faudra couper les rands du cliché Komposition 4'. Vous le ferrez sur l'épreuve de cette toile (les rands n'appartient pas au tableau!). Ne l'oubliez pas s. v. b.! Ayez la complaisance de faire envyoer un exemplaire du cahier immédiatement après la parition à M. Zervos: il voulait faire une notice sur ce cahier dans le prochain Cahier de sa Revue. Je regrette que les reproductions des grandes toiles (Komposition 4' et Komp. 6') sont si petites: Komp. 6 a trois métres de longeur! [.]". As critic Andre de Ridder prepared the July 1933 Kandinsky issue of his periodical Selection', the artist remained in Berlin to wrap up business as the Bauhaus closed. Facing constant accusations of teaching un-German, degenerate art' and fostering Communism, the school could no longer function under the pressure of the Nazi Party. Kandinsky reviewed de Ridder's pieces from afar and passed them along to his friend and future biographer Will Grohmann. Two decades after their creation, his Compositions continued to spark discussion; his abstract style of painting based on the nonrepresentational properties of color and form, intended to create the same emotional impact that music did, challenged the art world both theoretically and aesthetically. The artist requests that de Ridder send a copy to publisher Christian Zervos, and suggests contacting prominent gallery owners Erhard Weyhe and John Becker, along with Galka Scheyer, the American representative for Die Blaue Vier (a group of Bauhaus artists Kandinsky, Klee, Jawlensky, and Feininger who exhibited and lectured together) to secure orders. This letter, with an abundance of important references to modern art figures as well as its discussion of his famous Compositions, holds spectacular content regarding the groundbreaking artist's life and career. Sprache: fr.…

8vo. 2 pp. on bifolium, in pencil. In Russian, to his third wife, Natalya Andreevna (née Manchenka, 1902-90), about some of his paintings that were sold, his return to Moscow, where everyone is happy to see him, and a presentation he attended there: "[.] Yesterday I went to the Academy to hear a presentation by Shutko on Dziga Vertov. It was quite remarkable, and I also saw three performances by Vertov. Eisenstein sulked like a little girl. There was another presentation held by a German from Dessau, but I left before that. The people from ASNOVA [the Association of New Architects] want me to go to Moscow. Klyun will leave on Wednesday [.]". - Kirill Ivanovich Shutko (1884-1941) was editor-in-chief of the magazine "Soviet Cinema". - Somewhat wrinkled. - Malewitsch über sich. Zeitgenossen über Malewitsch. Briefe. Dokumente. Erinnerungen. Kritik. Bd. 1, Moskau 2004, Nr. 9.…

Oblong 8vo. 1 p. With autograph address. In Russian, to his third wife, Natalya Andreevna (née Manchenka, 1902-90), about his arrival at Moscow and Kirill Ivanovich Shutko (1884-1941), the editor-in-chief of the magazine "Soviet Cinema", who was earmarked as candidate for the office of Director of the GAKhN (State Academy of Artistic Sciences), a meeting place for avant-garde from 1923 to 1929. "[.] I had a long conversation with him and tried to convince him to accept this assignment. At the moment, he is heading for Rome, and will leave on July 27. He is now working on a book called 'Lenin and Culture' [.]". - Trace of vertical fold. - Malewitsch über sich. Zeitgenossen über Malewitsch. Briefe. Dokumente. Erinnerungen. Kritik. Bd. 1, Moskau 2004, Nr. 35.…

8vo. 3 pp. on bifolium. Page 4 written by his daughter Una. In Russian, to his third wife, Natalya Andreevna (née Manchenka, 1902-90), about fighting against the AKhRR (Assotsiatsia Khudozhnikov Revolutsionnoi Rossii - Association of Artists of Revolutionary Russia), appointments with Kirill Ivanovich Shutko (with whom he talked about Dziga Vertov), Archangelski, M. P. Kristi, and Aleksei Gan, who wished to publish two essays by him. "A new AKhRR campaign against the new artistic currents has begun here, but it's their bad luck that now my camp is gaining the upper hand, and so they haven't a leg to stand on. I went to the Tretyakovka gallery and saw Kristi; on Friday I will be back there speaking about the new department and possibly about my works [.] I think I have already mentioned everything. I will receive my payment on Monday and then go and buy the tickets; I expect to be in Leningrad on Wednesday [.]". - In her postscript, Malevich's daughter Una (then aged nine) reports how happy she was that her father had come to celebrate Christmas with her. - K. I. Shutko (1884-1941) was editor-in-chief of the magazine "Soviet Cinema". - Malewitsch über sich. Zeitgenossen über Malewitsch. Briefe. Dokumente. Erinnerungen. Kritik. Vol. 1 (Moscow 2004), no. 8.…

4to and 8vo. Altogether 4 pp. on 2 ff. With two typed envelopes. To John Schikowski (1867-1934), editor of the Berlin magazine "Vorwärts", about hostility toward abstract art: "Various opponents who remained silent for several years have become courageous again by various processes and are happy about the almost universal reaction that overwhelmed the arts. But mostly they are happy because they can again write about the arts in their ancient, superficial tone [.] The attitude that abstract art has value merely as arts and crafts and can produce only pure ornamentation has become the received point of view. The latter, for example, was claimed by Carl Einstein in the 'Propylaea Art History' where he discussed my work [.]" (15 May 1926; transl.). In his letter of 13 October, Kandinsky discusses Schikowski's book on modern dance in detail. - At the time John Schikowski was considered one of the best critics of modern art and modern dance.…

4to. ½ p. To "Dear Mr. Nicholson", agreeing with him and his colleagues Messrs. Gabo and Martin, promising to send a photograph of his work "Developpement en brun," requesting that the other photos be returned, asking when the first issue of the magazine is expected, expressing interest in an essay entitled "Constructive Point of View," and objecting that the author might too readily associate: "[.] Si vous m'avez pas besoin de mes autres photos, je vous prie bien de me les retourner - je vous serais très reconnaissant. On me demande assez souvent des photos et mon 'dépot' est as[s]ez modeste. Quand pensez vous de faire parraitre le premier numéro de votre revue? [.]". - Folds.…

Paper wraps. Zustand: Good. none. 1st Paris. Paris, Art Editions "The Target", 1920. Goncharova Natalia (1881-1962) and Mikhail Larionov [Russian Cubist Painter, (1881-1964). Khudojestvienoe izdatelstvo "Michen". [Art Editions "The Target"]. 13, rue Bonaparte. Paris. 1920. 8vo (24 x19,5 cm), (27) ff. : flexible printed card covers. Two plates by Gontcharova, six plates and a small illustration by Larionov, refined typography. Natalia Gontcharova (1881-1962) was one of the most famous artists of the Russian Avant-garde. Trained in Moscow where she met Larionov (1881-1964), he was to become her life companion. She contributed to a great number of important exhibitions and both Gontcharova and Larionov played a crucial role in the development of Russian art. They settled down in Paris shortly before the present edition, became French citizens in 1938 and got married in 1955. Larionov exhibited his Rayonnist works at The Target exhibition in 1913 in Moscou. . The illustrations by Larionov showed his freedom in changing from one style to another within the same book as he liked to do in 1912-1913. Name chosen by the bookseller Jacques Povolozky for his publishing house. The most striking work of the symbolist poet Alexandre Blok (1880-1921), the twelve red guards representing the new world. Printed by "Union", The most outstanding work of the poet ALEXANDRE BLOK (1880-1921), the 12 red guards are comparative with the Les Scythes are also a poem announcing the revolution. Also the production of the plates reflect on the loss of his brother, a soldier in the red army. The illustrations of Larionov showed his freedom in changing from one style to another within the same book as he liked to do in 1912-1913. The style of Goncharova is more conventional and more assured than her previous illustrations. Originally published by the ÃÂ ditions of d'art La Civile 1923 at the Union Printing House. Moscow. Goncharova, Larionov. Centre Pompidou. Paris. 1995. The most outstanding work of the poet ALEXANDRE BLOK. Gontcharova and Larionov (illustrator). …

Paper wraps. Zustand: Good. Zustand des Schutzumschlags: Paper wraps. 1st. Paris, Mishan Publishing Co. Editions d'art "La Cible., 1920. Khudojestvienoe izdatelstvo "Michen". [Art Editions "The Target"]. 13, rue Bonaparte. Paris. 1920. 8vo (24 x19,5 cm), (27) ff. : flexible printed card covers. This book contains the two most famous poems of Alexander Block, One of Russia's most famous poets. Two plates by Gontcharova, six plates and a small illustration by Larionov, refined typography. Natalia Gontcharova (1881-1962) was one of the most famous artists of the Russian Avant-garde. Trained in Moscow where she met Larionov (1881-1964), he was to become her life companion. She contributed to a great number of important exhibitions and both Gontcharova and Larionov played a crucial role in the development of Russian art. They settled in Paris shortly before the present edition, became French citizens in 1938 and were married in 1955. Larionov exhibited his Rayonnist works at The Target exhibition in 1913 in Moscow. . The illustrations by Larionov showed his freedom in changing from one style to another within the same book as he liked to do in 1912-1913. Name chosen by the bookseller Jacques Povolozky for his publishing house. The most striking work of the symbolist poet Alexandre Block (1880-1921), the twelve red guards representing the new world. Printed by "Union", The most outstanding work of the poet ALEXANDRE BLOCK (1880-1921), were The TWELVE Red Guards and THE SCYTHIANS Both are poems announcing the revolution. Goncharova, Larionov. Centre Pompidou. Paris. 1995. Goncharova, Mikhail Larionov (illustrator).…

SHEK Nr. 8, BAUMANN-BEZIRK, STADT MOSKAU Hrsg. Günter Hirt und Sascha Wonders. Reclam Verlag Leipzig, Reclam-Bibliothek Band 1489, 1. Auflage 1994, ERSTAUSGABE (EA), TB, 203 SS., Bibl--Expl. mit kl. Gebrauchsspuren.

Zustand: Fine. First edition in publisher's original colour illustrated card wrap covers (soft back). 4to. 10¼'' x 9''. Contains 224 pp French text with with colour and archive monochrome illustrations and photographs throughout. In Fine condition, no dust wrapper as issued. Unused new book. Loosely inserted French | English Exhibition Flyer. Member of the P.B.F.A. ART [French].…

°°° FIRST EDITION, CLOTHBOUND ORIGINAL WITH DUSTJACKET. - Dustjacket somewhat used; the book very good.

MAX-BECKMANN-PREIS 1993 der Stadt Frankfurt am Main ILYA KABAKOV (Kunstkatalog, Softcover, ca. 4° quer) 34 SS. Pb. mit s/w und farbigen Abbildungen. - vom Künstler eigenhändig signiert.

SERGE POLIAKOFF (Kunstkatalog, Pb. 8°) Katalog 5 der Kestner-Gesellschaft Hannover zur Ausstellung 12. Juni bis 24. Juli 1963. Hannover 1. Auflage 1963, Pb. 8° + grosser Anzeigenteil, mit farbigen und s/w-Abbildungen, ordentlich erhalten - auf Titelseite verso seinem Fotoportrait eigenhändig signiert.…

SERGE POLIAKOFF (Kunstkatalog, Pb. 8°) Städtische Kunstsammlungen Bonn, 24. März bis 19. April 1964, 51 SS. Pb. 8° + grosser Anzeigenteil, mit farbigen und s/w-Abbildungen, gut erhalten - mit eigenhändiger Widmung, Ort, Datum, Unterschrift signiert "pour Friedrich Schmitz SERGE POLIAKOFF 17-3-64 Bonn" BEILAGEN : Bestandsliste mit handschriftlichen Anmerkungen zu zwei in Bonn vom Widmungsempfänger gekauften Werken des Künstlers, 2 Einladungskarten für M. Friedrich Schmitz, Städtische Kunstsammlungen Bonn, 1 Original-Porträtfotografie von Frau Poliakoff während der Pressekonferenz am 17.3.1964.…

ILYA KABAKOV - EIN MEER VON STIMMEN (Kunstkatalog, Widmungsexemplar) Museum von Gegenwartskunst Öffentliche Kunstsammlung Basel 13. August - 12. November 1995 134 SS. Pb, 4° , gut erhalten. - vom Künstler eigenhändig signiert.

7 AUSSTELLUNGEN EINES BILDES (Großer Kunstkatalog, Softcover, quer 4°) Ausstellungskatalog Kasseler Kunstverein 1990 - vom Künstler eigenhändig signiert.

AM RANDE KUNSTHALLE BERN 31. August-18. November 1985 Großer Kunstkatalog (gr. 4°, Softcover, leichte Gebrauchsspuren), 52 SS. mit vielen Abbildungen. - vom Künstler eigenhändig signiert.

ILYA KABAKOV Zeichnungen Tekeningen Drawings Stadsgalerij Heerlen 4 dec 1998 t/m 21 feb. 1999. (Kunstbildband) Sprengel Museum Hannover 14. März bis 16. Mai 1999 Hannover, 1. Auflage 1998, ERSTAUSGABE (EA), 106 SS. gebunden (Hardcover), neuwertig - vom Künstler eigenhändig signiert (dito wie vor, unsigniertes Exemplar, schön erhalten Euro 45,-). …

DER METAPHYSISCHE MENSCH (Kunstkatalog) Der Kunstverein in Bremen, Kunsthalle Bremen, 104 SS. kl. 4°, Pb. mit vielen Abbildungen. - vom Künstler mit Datum (1)985 eigenhändig signiert.

Oblong 8vo (postcard). 1 page. Inscribed to the German dermatologist Alwin Scharlau: "Der Balkankrieg bleibt lokalisirt, weil ein neues Bü[n]dnis der drei Grossmächte - Deutschland, Frankreich und Russland im entstehen ist [.]". - Apart from large panoramic paintings showing milestones of Russian history, most famously in his 1904 work "Siege of Sevastopol", Roubaud applied himself to themes of the Caucasus, mainly depicting Circassian horsemen as well as market scenes and caravans. - Some ink spots. Self-addressed by the collector on the reverse. The Mecklenburg physician Scharlau (b. 1888) assembled a collection of artists' autographs by personal application.…

Oblong 8vo (postcard). 1 page. Inscribed to the German dermatologist Alwin Scharlau. - After studying in St. Petersburg, Karlsruhe and Munich, Dücker settled in Düsseldorf in 1864, where he was appointed a teacher for landscape painting at the Academy of Arts in 1872, a position he held for the next 44 years, specializing in depicting the coastal scenery of Northern Germany, where he frequently travelled with his class. - Some small ink spots. Self-addressed by the collector on the reverse. The Mecklenburg physician Scharlau (b. 1888) assembled a collection of artists' autographs by personal application.…