Rumsey paul (10 Ergebnisse)

Zustand: As New. Unread book in perfect condition.

Zustand: New. In English.

Zustand: very good. Bureau of Mines Special Report. from the abstract, "The U.S. Bureau of Mines inventoried Federal mineral lands in Idaho and classified them in detail, section by section, according to their availability for mineral exploration and development as affected by legal restrictons and agencies' management practics." blue envelope, text 11' x 8", 56 pages, plate 1 & 2 folded insided d.…

Zustand: New. In English.

Zustand: As New. Unread book in perfect condition.

Hardcover in Dust Jacket. Zustand: Very Good. This book is hard-bound in brown covers with blind stamping on the upper cover and gilt stamping on the spine, in a dust jacket with light edge-wear. The covers show rubbing to the corners and spine-ends. The binding is solid. The contents are bright and clean with color illustrations. This book is Signed by the author Paul E. Cohen on the title-page. ; Signed by The Author.…

First edition, archival repair to spine hinge, super octavo, red cloth boards with gilt lettering to spine, top page edges coloured red, xxiii + 155pp + 8pp adverts, VG (heavy dampstaining to boards, light tanning to spine, light tanning to page edges, moderate fraying to spine extrems, light sporadic foxing to pages, previous owner's label to fep).…

Hardcover. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

62 pp.; 15.5 x 27.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; October 1984 special "Art Special" issue of East Village Eye. Edited by Leonard Abrams. Contents include: "Sue Coe," an interview with Sylvia Falcon; "Political Art at ABC NO RIO," by Paul Smith; "The East Village in History," by Michael Kohn; "Martin Wong," interviewed by Yasmin Ramirez-Harwood; "Alice Albert," by Jack Bankowsky; "Steven Parrino," by Collins & Milazzo; "Gallery Listings," edited by Philippo; "Centerfold: 'Untitled,'" by Keiko Bonk; "Graffiti Books," by Yasmin Ramirez-Harwood; "Out in the East Village," by Robin Graubard, Walter Robinson, and others; "Heat Street: Homesteaders or Squatters," by Spencer Rumsey and Jeff Gottesfeld; "Permanent Vocation: An Interview with Director Jim Jarmusch," by Tessa Hughes-Freeland; "Performance: Speak My Language," Bill T. Jones and Arnie Zane interviewed by Craig Bromberg; "Obituaries;" "Eat It;" "Sportster," by Glenn O'Brien "Eye on Housing," edited y Jeff Gottesfeld; "Miller's Memorabilia;" "False Alarm," by Rudolf; "Real American Underground;" "Disc Dawta;" "Slow Scan" "Etc. Cover: Designed by Philippe Garnier, detail from an illustration in "How to Commit Suicide in South Africa," by Sue Coe. Good. Folded in two, unevenly. 1.8 cm. loss and tearing to top right corner of recto. 4 mm. tear to top left edge of recto. Tearing along top edge of verso. Bumping of corners. Rubbing of cover and pages edges. Contents clean and unmarked. …

Unbound. Zustand: Near Fine. Poster. Designed by Joel Katz. Measuring 38 ½" x 26". Gently rolled, small faint stain in the margin, light soiling on the verso, near fine. Striking poster for a demonstration by pioneering electronic and interactive computer-art collective Pulsa, ("researchers in programmed environments"). The performance was held in the Boston Public Garden for twenty consecutive days, beginning on October 8, 1968. The Pulsa Group was a collaborative group of seven artists and faculty (Michael Cain, Patrick Clancy, William Crosby, William Duesing, Paul Fuge, Peter Kindlmann, and David Rumsey) at Yale who lived together on a commune called Harmony Ranch in Oxford, Connecticut. Their hybird digital/analog signal synthesizer and sequence generator, designed by Kindlmann and Fuge, consisted of 42 modules that not only created sound, but could sequence light and react to changes in its environment. For the Boston Public Garden show the synthesizer was paired with 55 xenon strobe lights beneath the water of a four acre pond and 55 speakers along the perimeter above the water, synced with analog and digital computers. In a 1970 article from *The New York Times* Pulsa stated that public art "must treat all parameters of the urban and technological environment as potential media for artistic expression." Pulsa influenced the careers of both David Friend (co-founder and eventual president of ARP Instruments) and Serge Tcherepnin. Tcherepnin has said that the Pulsa Synthesizer "gave a direction to my own future work, and not only on the technical level, but also humanly and aesthetically." Tcherepnin would go on to create the Serge Modular synthesizer and start his own company, Serge Modular Music Systems in 1974.…