ruggles charles (13 Ergebnisse)

Zustand: Good. Awogbile, Shay Charles (illustrator). Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Four vintage studio still photographs from the 1963 film. Based on the 1952 memoir by Corinne Griffin. Jack Griffith (Jackie Gleason), known to everyone as "Papa," goes a bit too far to impress his daughter Corinne (Linda Bruhl) after he's had a few drinks. 8 x 10 inches. Near Fine, with light even fading to two.

Vintage reference photograph from the 1929 film. With manuscript pencil annotation identifying actor Walter Huston and the set as "office" on the verso. Based on the 1928 play by Ward Morehouse. A journalist does not spend enough time with his family due to his work. Shot on location in New York City. 10 x 8 inches. Good, with creasing, pinholes in the corners, one small chip at the top left corner, one small tear at the top right corner associated with pinholes, and adhesive residue on the verso.

dvd. Zustand: Sehr gut. Seiten; Das CD-DVD ist in einem gutem Zustand.Seiten sind sauber ohne Markierungen.Wir bieten eine 100% Geld-zurÃck-Garantie. CD-H22-095 Sprache: Deutsch Gewicht in Gramm: 500.

The great and prolific character actor and comedian appeared in hundreds of films (such as "Charley's Aunt," 1915, and "Ruggles of Red Gap," 1916) between the teens and the 1960s. "Good luck, always / Sincerely / Charlie Ruggles / to / Donald Burnell -- / 1961" on an irregularly-trimmed (roughly rectangular) 3" X 4½" slip, n.p. Good plus. Tape stain at each corner, touching upon several words but not Ruggles' signature. Accompanied by an 8" X 10" glossy black and white photograph of Ruggles, a half-length pose showing Ruggles in later life, leaning over a bench in workman's duds and apron, clutching his glasses. Very good, with slight tape stain at each corner. An interesting pair.

Final script for the 1948 film. With a single note on the verso of the last page in manuscript blue ink. Shot under the name "Off to Buffalo" as is presented here. Vaudeville is a fading form of entertainment and prospects are grim for the Norwick family, a juggling act struggling to find work. They are forced to find normal jobs and one daughter elopes with her boyfriend, leaving Albert's son forced to make a decision as to whether play professional baseball or join his father on a 16 week tour out west. Set in New York City. Blue titled wrappers, noted as Final on the front wrapper, rubber-stamped copy No. 152 and production No. 154, dated March 21, 1947. Distribution page present, with receipt removed. Title page present, dated March 21, 1947, noted as Final Script, with credits for screenwriters Samuel Hoffenstein, and Elizabeth Reinhardt. 131 leaves, with last page of text numbered 129. Mimeograph duplication. Pages Very Good with dampstaining, wrapper Very Good with dampstaining bound internally with two gold brads. Hirschhorn p. 293.

150 : 110 mm.

Vintage reference photograph of director Eddie Cline behind the camera on the set of the 1938 film. With a printed mimeo snipe affixed to the verso, along with a RKO Radio Pictures stamp. From the archive of film historian and author Joel Finler. A young Mennonite boy runs away from home to work at an ice rink to earn money for his family, and becomes the lead singer for the ice shows. 10 x 8 inches. Very Good.

Zustand: Very good. - Octavo. 8-page program printed on cream stock, including 6 pages of notes on the music by the conductor. The program has been folded twice & there is a very light diagonal crease to each page. There is some light foxing to the margins. Very good. The program for an important pair of concerts conducted in Havana, Cuba in 1931 by Russian-born conductor Nicolas Slonimsky. The program includes a 1-page bio of Slonimsky and six pages of his program notes, translated into Spanish. The first concert includes Carl Ruggles' "Men and Mountains" and Charles Ives' "Three Places in New England", as well as works by Mozart, Arthur Honegger and Ernest Bloch. The second presents Henry Cowell's "Sinfonietta", Amadeo Roldan's "Ritmica" Number 4, Alejandro Caturla's "Bende" and music by Bach, Prokofieff and Bartok. The text is in Spanish.Rare.

Vintage reference photograph taken on the set of the 1939 film, showing actors Marion Martin, Fred MacMurray, and Irene Dunne listening while director Wesley Ruggles describes a scene, with a script supervisor intently taking notes on the right. Mimeo snipe on the verso. A boxer from the lower class successfully romances a wealthy patron's daughter, though their courtship is plagued by his devotion to the sport. 8 x 10 inches. Near Fine.

Vintage reference photograph from the 1933 pre-Code musical film. A naïve painter from Tennessee moves to France, where he promptly falls in with a dubious crowd of abstract artists) in Montparnasse. 10 x 8 inches. Near Fine, with a faint ink mark on the upper right portion of the photograph.

Zustand: Very Good. First Edition. New York: The New School for Social Research, 1964. Pictorial broadside flyer (34x24cm). Light wear and smudging.Small tear at right edge; small punctures at top edge, likely a result of pushpins. Verso toned. Folded once vertically and three times horizontally, possibly for mailing. A Very Good copy of this scarce piece of experimental music ephemera. Visually compelling poster announcing a performance by avant-garde composers and musicians, including John Cage, Earle Brown, Philip Corner, Malcolm Goldstein, James Tenney, Carl Ruggles, and Charles Ives. Something of a homecoming for Cage, who taught courses in experimental music at the New School between 1956?1961. Designed by Carolee Schneeman, primarily a performance artist involved in New York's Downtown scene. In the early 60s, Schneeman and Cage were introduced by Schneeman's partner, James Tenney, who also participated in this concert. Schneeman and Cage fostered a fruitful artistic relationship that lasted for the remainder of their careers. As of April 2026, we locate no separately cataloged copies in OCLC. "John Cage," Histories of the New School.

[1] pp.; 34.1 x 24 cm.; duotone; edition size unknown; unsigned and unnumbered; offset-printed Flyer / announcement designed by Carolee Schneemann published in conjunction with a concert at The New School for Social Research, held April 24, 1964. Featuring performances by John Cage, Earle Brown, Philip Corner, Malcolm Goldstein, James Tenney, Carl Ruggles, and Charles Ives. Very Good. Folded in two as issued. 1.3 cm. fold to upper left corner and light bumping of lower left corner. Some yellowing of upper left corner along edge, along left side of center fold, and three 1 cm. spots of yellowing to right side of flyer near center fold.