ruggle george (22 Ergebnisse)

Zustand: New. In.

Zustand: New. In.

Broschiert, das Buch ist sehr gut erhalten--- Softcover, the book is in a very good condition. Shipping to abroad insured with tracking number.

Broschiert, das Buch ist tadellos erhalten--- Softcover, the book is in an excellent condition. Shipping to abroad insured with tracking number.

Zustand: New. In.

Ca. 20,8 x 14,8 cm. 2 Blätter, IV Seiten, 19 Seiten, 2 Blätter, 192 Seiten, 5 Blätter, mit Abbildungen. Dunkelblauer Original-Karton. (= Renaissance Latin Drama in England. Second Series I). Schönes Exemplar.

Zustand: New.

Zustand: New.

Zustand: New. In.

Zustand: New. In.

Hardcover. Zustand: Good. Contemporary calf rebacked with a new calf spine; rubbed and darkened but still showing well; firm and square with strong joints. Contents sound and tight, first two or three leaves grubby with a few stains, some age toning and some pages showing some minor marginal worming, also the outer edges are slightly frayed. Even so a good or even a very good copy. Very presentable. Size: 12mo (130mm x 80mm); Collation: pp. [2], 187, [1], lacks illustrated frontispiece. Scarce. Bibliographic Reference: ESTC S116280.

ISBN-13: 9781584776758; ISBN-10: 1584776757. Ruggle, George. Hawkins, John Sidney, Editor. Ignoramus, Comoedia; Scriptore Georgiop Ruggle, A.M. Aulae Clarensis, Apud Cantabrigienses, Olim Socio; Nunc Denuo in Lucem Edita cum Notis Historicis et Criticis; Quibus Insuper Praeponitur Vita Auctoris, et Subjicitur Glossarium Vocabula Forensia Dilucide Exponens: Accurante Johanne Sidneio Hawkins, Arm. Originally published: London: Prostat Venalis Apud T. Payne et Filium, 1787. vii, cxxii, [2], 319, [1] pp. Frontispiece; and four additional woodcut illustrations. Text in English and Latin. Reprinted 2006 by The Lawbook Exchange, Ltd. ISBN 9781584776758. Smyth-sewn blue cloth hardcover with gilt stamped spine and front cover. New. $59.95 * Reprint of the first critical edition by Hawkins. With extensive notes (the first 122 pages) in English, a life of Ruggle [1575-1622], commentary explaining the jokes and an extensive glossary of legal terms. Main text in Latin. It had gone through at least nine editions prior to this one, all of them, according to Hawkins were "failures." Ruggles' classic acerbic satire of the English bench and bar was written in Latin and first performed in 1615. Designed to ridicule the language of the common law and the dullness of lawyers, the play is based on events relating to a legal dispute between the vice-chancellor of Cambridge University and the mayor of Cambridge, Francis Brakin. The lawyers who were the subject of the play's satire did not enjoy the work; Sir Edward Coke, the Lord Chief Justice, believed that he was a target of some of the barbs. The play provoked a quarrel between academics and lawyers. The lawyers responded with satirical poems and ballads, which inspired responses by the academics, to create a passionate controversy. Ruggle's play even had an influence in the reform of legal language in England. 64 Critical Review 333.

Zustand: New.

Einband - fest (Hardcover). Zustand: New.

Einband - fest (Hardcover). Zustand: New.

Taschenbuch. Zustand: Neu. Neuware.

Leather. Zustand: Very Good. Not Stated (illustrator). First edition. An attractive first edition thus of George Ruggle's college farce, with this being John Sidney Hawkins significantly edited edition. With prefatory material in English, and the play in the original Latin.The first edition thus of this work, being the first Hawkins edition.'Ignoramus' was a popular 1615 farce written in Latin, and is largely considered to be the most famous and influential academic play of English Renaissance drama.Collated, illustrated with an engraved frontispiece, and one woodcut plate, but lacking a second woodcut plate.ESTC T154171With the bookplate of Josceline Grove to a front blank.Designed to ridicule the language of law and the dullness of lawyers, the play is based on events relating to a dispute between the vice-chancellor of Cambridge University and the mayor of the town. In a full calf binding, with gilt detailing to back strip. Light rubbing to back strip head, and head of rear joint. Front hinge a touch strained to head, but firmly held. Bookseller's label to front pastedown. Bookplate to a front blank. Internally, firmly bound. Pages a touch age toned due to paper type, otherwise generally clean and bright. Very Good. book.

Buch. Zustand: Neu. Neuware.

Buch. Zustand: Neu. Neuware.

First Edition. Very good copy in bound in contemporary full leather. Gilt-blocked red leather label to spine with raised bands. Spine bands and panel edges somewhat dust-toned and rubbed as with age. Remains particularly well-preserved overall; tight, bright, clean and strong. Provenance: From the library of Sir Roger Johnson with his bookplate. ; 8vo 8" - 9" tall; 319 pages; Physical description: viii, cxxii, [2], 319, [1] p. , [1] leaf of plates : ill. ; 22 cm. (8vo). Subjects: Romance drama - Great Britain - Early works to 1800. Notes: With engraved frontispiece (plate). Partly based on 'La trappolaria' by Giambattista della Porta. Referenced by: ESTC, T154171. Language: Latin. 3 Kg.

Front. Disbound; dusted. ESTC T154172. In Latin.

London: [Thomas Purfoot for] I. S[pencer]. 1630 12mo. Contemporary English sheep, spine gilt-ruled in compartments, boards filleted in gilt with gilt floral centrepiece, preserved in a modern clamshell book-form burgundy morocco box (upper cover lettered 'Phillip C. Broughton | 21.9.80' in gilt; pp. [iv], 187, [1], with copper-engraved frontispiece depicting the titular Ignoramus; typographic headpieces, woodcut and typographic head- and tailpieces, woodcut labore et constantia device to title; somewhat rubbed and worn, a few slight abrasions to upper board, small loss to headcap; gift inscription in violet pencil to front free endpaper dated 2 October 1882, contemporary ownership inscription to title, '?J Nicholls', contemporary annotation to rear free endpaper and pastedown (see below); a very good copy.First edition of the celebrated early Stuart Cambridge comedy, 'by some distance the most successful of all the university plays' (D. K. Money).The literary reputation of George Ruggle (bap. 1575, d. 1621/2), Latin playwright and fellow of Clare College, Cambridge, rests on this virtuoso college farce, which was performed to great success at Trinity College during James I's visitation in March 1615. The production was staged at considerable expense, with seating fitted in the hall to accommodate a large audience of courtiers and academics, reportedly as many as two thousand people. The contemporary letter-writer John Chamberlain reported that 'the thing was full of mirth and varietie, with many excellent actors.but more then halfe marred with extreme length' (Nelson, pp. 539-41). Despite its five-hour length, the play was enthusiastically received by the king, who requested a repeat performance at Royston on 13 May 1615. Less enthusiastic, however, was the actor Samuel Fairclough, who in the first performance refused to wear women's clothes for the part of Surda, the old woman; as his biographer noted, 'Thus did this youth choose to lose the smiles of the Court, and to bear the frowns of the Vice-Chancellour, rather than to hazard the loss of the light of Gods countenance' (ibid., p. 543).Written in Latin, with passages in English and French, Ruggle's college farce is based on the comedy La Trappolaria by Giambattista Della Porta (1535-1615), itself an adaptation of Plautus' Pseudolus with additional elements drawn from several other Roman comedies. Satirising common lawyers, the subject was allegedly prompted by a local Cambridge dispute in 1611-12 which had led to friction between Francis Brakin, the town recorder, and the university. Brakin, evidently an unpopular figure, had previously been ridiculed in the third of the Cambridge Parnassus plays (1602). Ignoramus' titular character is a blustering lawyer whose mangled learning, professional arrogance, and misuse of barbarous law-Latin make him both fool and target. The play's frontispiece depicts Ignoramus with his law books and manuscripts declaring 'Currat lex' (the law will run its course). Ruggle's work provoked much resentment among lawyers, who retaliated with numerous rhymes and ballads in their defence; Chamberlain wrote that the play 'hath so netled the Lawiers that they are almost out of all patience' (p. 542). Subsequently the poet Abraham Cowley warned poets not to quarrel with scholars, 'lest some one take / Spleene, and another Ignoramus make.'Ruggle's hero Ignoramus is often credited with popularising the English noun for an ignorant person, a meaning recorded almost immediately after the Cambridge performances. It appeared in two editions in 1630 (of which this is the earliest), and these were followed by a total of eleven subsequent editions throughout the seventeenth and eighteenth centuries. It was first translated into English by Fernando Parkhurst in 1660, followed by Robert Codrington in 1662, and was adapted for the stage by Edward Ravenscroft in 1678.Ruggle was a major donor of books, over three hundred of which survive at the fellows' library at Clare College, including many scarce French, Spanish, and Italian plays, and Latin treatises.Provenance: the front pastedown of our copy is inscribed by a contemporary reader 'I know', perhaps a playful rejoinder to the title's Latin Ignoramus ('we do not know').ESTC S116280; Greg II, L8(a). See Nelson ed., Cambridge (Records of Early English Drama) (1989).