Ruffini marco (27 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: New.

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flessibile. Zustand: Ottimo (Fine). 223 p., f.to cm 21x12,5, brossura. Ottimo stato: copertina con lievi segni del tempo, rilegatura e pagine come nuovo. Book.

Paperback. Zustand: New. Why is the history of art so often construed as a history of artists, when its alleged focus is art? This book responds to this question by examining Giorgio Vasari's Lives and the artist it features most centrally, Michelangelo. Printed in Florence in 1550 and republished in a substantially enlarged form in 1568, the Lives is a compendium of biographies of the most noteworthy artists, from the late Middle Ages to Vasari's time. Perhaps no other text has exerted such a formidable influence on the discipline of art history, shaping its historical and conceptual categories-principally as an effect of its biographical format and the biological model it follows, charting artistic development from birth through decline. More than any other artist in the Lives, Michelangelo exemplifies art as an expression of the individual. Yet at the same time, as this book aims to show, the Lives fashions Michelangelo as the founder of a new academic era in which art develops collectively as a discipline. Paradoxically, Vasari's celebration of Michelangelo mobilizes a conception of art as teachable and transmissible that is antithetical to Michelangelo's aesthetic ideals and unique style. Each of the five chapters of this book examines the notion of "art without an author," whereby art is teachable and not the inimitable product of a genius, or a corporate rather than an individualistic venture. By tracing Vasari's transformation of Michelangelo from an artist into a figure who legitimates a new age in art, the book bridges a longstanding dichotomy in our understanding not only of Vasari but also of Renaissance culture and art. The claims Art Without an Author makes are integrally supported by art historical research and textual/philological analysis. By way of close study, this book reaches entirely new conclusions about Michelangelo, the production and significance of Vasari's Lives, and the role "authorial" values play in Italian Renaissance culture.…

8°, paperback, Broschiert. Zustand: Gut. Auflage: Illustrated. VIII, S. 201 - 247 Einband leicht bestossen, sonst sehr gut erhalten. No shipping to other EU countries due to the EU Packaging and Packaging Waste Regulation (PPWR), which entered into force on August 12, 2026. Sprache: Italienisch Gewicht in Gramm: 220.…

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Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardback. Zustand: New. Why is the history of art so often construed as a history of artists, when its alleged focus is art? This book responds to this question by examining Giorgio Vasari's Lives and the artist it features most centrally, Michelangelo. Printed in Florence in 1550 and republished in a substantially enlarged form in 1568, the Lives is a compendium of biographies of the most noteworthy artists, from the late Middle Ages to Vasari's time. Perhaps no other text has exerted such a formidable influence on the discipline of art history, shaping its historical and conceptual categories-principally as an effect of its biographical format and the biological model it follows, charting artistic development from birth through decline. More than any other artist in the Lives, Michelangelo exemplifies art as an expression of the individual. Yet at the same time, as this book aims to show, the Lives fashions Michelangelo as the founder of a new academic era in which art develops collectively as a discipline. Paradoxically, Vasari's celebration of Michelangelo mobilizes a conception of art as teachable and transmissible that is antithetical to Michelangelo's aesthetic ideals and unique style. Each of the five chapters of this book examines the notion of "art without an author," whereby art is teachable and not the inimitable product of a genius, or a corporate rather than an individualistic venture. By tracing Vasari's transformation of Michelangelo from an artist into a figure who legitimates a new age in art, the book bridges a longstanding dichotomy in our understanding not only of Vasari but also of Renaissance culture and art. The claims Art Without an Author makes are integrally supported by art historical research and textual/philological analysis. By way of close study, this book reaches entirely new conclusions about Michelangelo, the production and significance of Vasari's Lives, and the role "authorial" values play in Italian Renaissance culture.…

Paperback. Zustand: New.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: Brand New. 184 pages. 9.00x6.00x9.00 inches. In Stock.

Paperback. Zustand: New. Why is the history of art so often construed as a history of artists, when its alleged focus is art? This book responds to this question by examining Giorgio Vasari's Lives and the artist it features most centrally, Michelangelo. Printed in Florence in 1550 and republished in a substantially enlarged form in 1568, the Lives is a compendium of biographies of the most noteworthy artists, from the late Middle Ages to Vasari's time. Perhaps no other text has exerted such a formidable influence on the discipline of art history, shaping its historical and conceptual categories-principally as an effect of its biographical format and the biological model it follows, charting artistic development from birth through decline. More than any other artist in the Lives, Michelangelo exemplifies art as an expression of the individual. Yet at the same time, as this book aims to show, the Lives fashions Michelangelo as the founder of a new academic era in which art develops collectively as a discipline. Paradoxically, Vasari's celebration of Michelangelo mobilizes a conception of art as teachable and transmissible that is antithetical to Michelangelo's aesthetic ideals and unique style. Each of the five chapters of this book examines the notion of "art without an author," whereby art is teachable and not the inimitable product of a genius, or a corporate rather than an individualistic venture. By tracing Vasari's transformation of Michelangelo from an artist into a figure who legitimates a new age in art, the book bridges a longstanding dichotomy in our understanding not only of Vasari but also of Renaissance culture and art. The claims Art Without an Author makes are integrally supported by art historical research and textual/philological analysis. By way of close study, this book reaches entirely new conclusions about Michelangelo, the production and significance of Vasari's Lives, and the role "authorial" values play in Italian Renaissance culture.…

Brossura. Zustand: new. A cura di Marco Ruffini, Novella Barbolani di Montauto e Lunarita Sterpetti. Testo Italiano e Inglese. Roma, 2026; br., pp. 384, ill. col., cm 15,5x21,5. (Studium. Ricerche di storia dell'arte. 11). Libro.

Hardback. Zustand: New. Why is the history of art so often construed as a history of artists, when its alleged focus is art? This book responds to this question by examining Giorgio Vasari's Lives and the artist it features most centrally, Michelangelo. Printed in Florence in 1550 and republished in a substantially enlarged form in 1568, the Lives is a compendium of biographies of the most noteworthy artists, from the late Middle Ages to Vasari's time. Perhaps no other text has exerted such a formidable influence on the discipline of art history, shaping its historical and conceptual categories-principally as an effect of its biographical format and the biological model it follows, charting artistic development from birth through decline. More than any other artist in the Lives, Michelangelo exemplifies art as an expression of the individual. Yet at the same time, as this book aims to show, the Lives fashions Michelangelo as the founder of a new academic era in which art develops collectively as a discipline. Paradoxically, Vasari's celebration of Michelangelo mobilizes a conception of art as teachable and transmissible that is antithetical to Michelangelo's aesthetic ideals and unique style. Each of the five chapters of this book examines the notion of "art without an author," whereby art is teachable and not the inimitable product of a genius, or a corporate rather than an individualistic venture. By tracing Vasari's transformation of Michelangelo from an artist into a figure who legitimates a new age in art, the book bridges a longstanding dichotomy in our understanding not only of Vasari but also of Renaissance culture and art. The claims Art Without an Author makes are integrally supported by art historical research and textual/philological analysis. By way of close study, this book reaches entirely new conclusions about Michelangelo, the production and significance of Vasari's Lives, and the role "authorial" values play in Italian Renaissance culture.…

Hardcover. Zustand: Brand New. 2nd edition. 208 pages. 9.02x5.98x0.12 inches. In Stock.

Zustand: As New. Unread book in perfect condition.

Zustand: NEW. Roma: Campisano Editore, 2026 9791280956927 Studium. Ricerche di storia dell'arte 11 609 N vol.: 1, N pag.: 384, W: 15.5, Illustr.: B/N, N illustr.: 110 This book reconsiders the history and culture of the Medici family of Florence between the beginning of the ducal era (1530) and the end of the Thirty Years' War (1648), examining art collecting and patronage within a broad geographical, political, and cultural framework through unpublished case studies and innovative methodologies. The book investigates the family's lines of expansion toward Rome, the Viceroyalty of Naples, and Milan, and its relations with the European powers: Spain (through the figure of Eleanor of Toledo), France (focussing on the artistic patronage of Maria de' Medici) and the Habsburg Empire (in light of the lively artistic exchanges with the court of Rudolph II). It also shows the relevance of the Medici presence in non-European areas such as the principality of Transylvania, the Levant, and the Americas, through cultural and commercial exchanges with the Mughal Empire and Brazil. The aim is to refocus attention on the interaction between members and close associates of the family and their adversaries, and reread Medici historiography from its formation to the present day. Focusing on objects, collections, and artistic mobility around the Medici, the book delves into the relationship between art and power and the importance of the circulation of symbols in the ongoing process of identity reconfiguration of the early modern world. Barbolani di Montauto, Novella; Ruffini, Marco; Sterpetti, Lunarita.…

Zustand: NEW. Campisano Editore, 2022 9788885795853 Studium. Ricerche di storia dell'arte 2 240 p., ill. 2,1 cm.

Zustand: Nuovo. Bross., cm 22x16, pp 444, ill. a colori e b/n. - ISBN: 9791280956927.

Zustand: Nuovo. Bross., cm 21,5 x 15,5, pp 414, molte tavv. e ill. in b/n. - ISBN: 9788885795440.

Brossura. Zustand: nuovo. pp. 191, brossura.

Zustand: nuovo. Edifir, 2026 192 pp. brossura 17x24 cm ill. bianco e nero Collana: Arte, Studi e Percorsi storico-artistici ISBN: 978-88-9280-345-9 Il volume affronta, in una prospettiva internazionale e interdisciplinare, l'eredità culturale delle Vite di Vasari, considerando l'influenza che l'impianto di questo testo cardine esercitò nell'immaginario del Rinascimento e nella costruzione del canone della storia dell'arte occidentale. Gli autori analizzano la diffusione delle Vite, la loro traduzione e rielaborazione critica, nonché i modelli e le chiavi di lettura che nel corso dei secoli ne sono derivati, influenzando la storia del gusto e del collezionismo, gli allestimenti museali e lo stesso rapporto tra arte e società. Irene Baldriga è professore associato di Museologia, Politiche del Museo, Patrimonio e Cittadinanza presso Sapienza Università di Roma. Nelle sue ricerche - che spaziano dalla storia dell'arte comparata del XVI e XVII secolo, ai memory studies, fino alle pratiche di risignificazione del patrimonio culturale - si occupa del rapporto arte-società con un approccio che predilige gli attraversamenti metodologici e disciplinari. Per Edifir, dirige la collana "Fare Museo". Julie Pezzali è funzionario storico dell'arte e responsabile dell'ufficio e dell'archivio fotografico del Museo archeologico nazionale di Napoli. Attualmente svolge un dottorato di ricerca in Storia dell'Arte presso la Sapienza Università di Roma, con un progetto dedicato alla museografia e museologia italiane del Novecento. Marco Ruffini è professore di Storia della critica d'arte alla Sapienza, Università di Roma. Si è formato alla Sapienza e all'Università della California, Berkeley. Ha insegnato al Dartmouth College e alla Northwestern University. I suoi studi sono rivolti a questioni teoriche e di metodo, alla storia della storia dell'arte e alla letteratura artistica della prima età moderna, specialmente alle Vite di Vasari. Potrebbero.…

Zustand: NEW. Roma: Campisano Editore, 2023 9791280956231 Studium. Ricerche di storia dell'arte 5 1409 552 p. : ill. col. b/n, indice, biografia, bibliografia ; 22 cm. Nella Roma dei primi decenni del Seicento il dibattito critico intorno alla pittura fu straordinariamente vivace, e ad animarlo, prima ancora di teorici quali Giovanni Battista Agucchi e Giulio Mancini, erano gli artisti. Fin dal suo esordio nell'Urbe, nel 1600, Guido Reni fu uno dei protagonisti di quel palcoscenico, proponendo la propria visione teorica della pittura attraverso alcuni capolavori che erano anche programmatiche dichiarazioni d'intenti. Attraverso queste il pittore bolognese costrui? la propria identita? di artista, ben distinta non solo da quella di Caravaggio, ma anche da quelle di Annibale Carracci e del suo maggiore allievo, Domenichino; e, poi, da quella di Guercino. Questo libro punta a ricostruire la teoria artistica di Guido seguendone l'evoluzione stilistica, a partire dall'analisi dei suoi dipinti piu? significativi, letti nel quadro delle controversie contemporanee, in un dialogo serrato con le fonti della letteratura artistica seicentesca, da Francesco Scannelli a Giovan Pietro Bellori. …

Brossura. Zustand: nuovo. edizione illustrata. pp. 444, tavv. XX a colori, ill. in nero nel testo, brossura.