rudolph mate (16 Ergebnisse)

Zustand: As New. French édition. ZONE 2 EUROPE. Article neuf sous blister. Expédié soigneusement dans un emballage adapté depuis la France. Sans date. DVD. As New.

Vintage reference photograph from the 1953 film. With manuscript ink annotation identifying the title of the film on the verso. A man boards a river boat heading towards New Orleans with the intention of gambling. He wins a very expensive diamond necklace, not realizing it is a family heirloom to the woman he is interested in. Set in Mississippi. 8 x 10 inches. Near Fine.

Vintage publicity photograph from the 1957 Western film, showing actor Tom Tryon as one-armed brother Beauregard "Cinch" Saunders. A Confederate cavalryman returns to Texas from the Civil War to find his land wanted by carpetbaggers and his town controlled by corrupt Yankees. Set in Texas, shot on location in Arizona. 8 x 10 inches. About Near Fine. Pitts 4373.

Vintage reference photograph of Anne Baxter, director Rudolph Mate, and Charlton Heston on the set of the 1956 film. Capt. Colt Saunders (Heston) returns to Texas from the Civil War to find his land wanted by carpetbaggers and his town controlled by corrupt Yankees. Set in Texas, shot on location in Arizona. 8 x 10 inches. Near Fine. Pitts 4373.

Vintage double weight photograph of director Rudolph Mate, cinematographer Charles Lawton, and actors Loretta Young and Kent Smith on the set of the 1952 film noir. With a mimeo snipe, manuscript annotations and studio stamps on the verso. Distraught after her second miscarriage and learning that she will never have children, Paula Rogers (Loretta Young) accidentally injures a child while driving at night. In a rush to attend an event honoring her husband, she does not follow the child to the hospital, but later volunteers there in order to help the child. 8 x 10 inches. Near Fine.

Roma, Policrom, s.d. locandina disegnata, di cm. 70 x 34. Rovinata nei bordi e scritta in alto.

Vintage publicity photograph from the 1952 film. Printed mimeo snipe affixed to the verso. A comedy concerning the goings-on of an eccentric, Catholic Irish family, focusing in particular on young schoolgirl Sally, who believes that she is under the special protection of Saint Anne. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 10 x 8 inches. Near Fine.

Vintage double weight still photograph from the 1948 film. Photographer's rubber stamp and mimeograph snipe to the verso. Featuring an image of Lee J. Cobb and William Holden at a chess board. A psychopathic killer takes a young psychoanalyst and his family hostage, never expecting that the psychoanalyst would cure him of his murderous urges. 8 x 10 inches. Fine condition. Grant US Classic Noir. Selby US Canon. Silver and Ward Classic Noir. Spicer US.

Faltblatt, gelocht. Zustand: Gut. 4 S., 18*26 cm. Papierbedingt gebräunt, sonst sauber. - Regie: Rudolph Maté, Darsteller: Loretta Young, Kent Smith, Alexander Knox, Tommy Rettig, Otto Hulett, Will Wright: Raymond Bascom, Raymond Greenleaf, Gertrude Astor, Jeanne Bates, Ann Doran, Franklyn Farnum, Keith Larsen, Harold Miller, Eddie Parker, William Schallert, Ann Tyrrell, Frances Morris. Sprache: Deutsch Gewicht in Gramm: 550.

Vintage publicity photograph from the 1954 film, showing actor Tony Curtis with sword in hand, jumping over a castle wall. Printed mimeo snipe affixed to the verso, along with a Culver Pictures stamp. Based on Howard Pyle's 1891 novel "Men of Iron," about a peasant who is trained as a knight so that he may one day defeat the evil Earl of Alban. Universal-International's first Technicolor feature. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 8 x 10 inches. Very Good plus, with a small splash on the center right of the recto.

Vintage studio still photograph of actors Tony Curtis and Piper Laurie from the 1951 film. An assassin is ordered to kill a baby prince, but can't go through with it, instead raising the boy as his own. Set in Tangiers. 10 x 8 inches. Very Good, with creasing along the top and bottom edge.

Eight vintage reference photographs from the 1952 film. Distraught after her second miscarriage and learning that she will never have children, a woman accidentally injures a child while driving at night. In a rush to attend an event honoring her husband, she does not follow the child to the hospital, but later secretly volunteers there in order to help the child, even though it will likely lead to her being discovered and blamed for the accident. 8 x 10 inches. Near Fine.

3 photos. All stamped by Van Pelt. 8 x 10 inches. Near Fine. Grant US. Selby Canon US. Silver Classic Noir. Spicer US.

Draft script for the 1958 film. Based on the 1953 novel by Martin Dibner. A pacifist naval officer experiences conflict with his shipmates over his refusal to fire upon an unidentified plane, and volunteers for a dangerous mission in an attempt to prove his bravery. Red titled wrappers. Title page present, with credits for screenwriters John Twist and Martin Rackin. 126 leaves, with last page of text numbered 125. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound internally with two gold brads.

Vintage studio still photograph from the 1950 film noir, showing actors William Holden and Barry Fitzgerald. A woman suspects several fellow train passengers of being the culprits in a highly publicized kidnapping case. 8 x 10 inches. Very Good plus, with light wear to the corners. Grant US. Olive Films 256. Selby US. Selby US Canon. Silver and Ward Classic Noir. Spicer US.

Vintage double weight photograph from the set of the 1928 film. Shown are Dreyer and his crew, including cinematographer Rudolph Mate, setting up a ground shot of one of the film's French clergymen. A rare photograph of the director at work on his masterpiece. The film was shot on one huge concrete set modeled on medieval architecture in order to realistically portray the Rouen prison where Joan was held. The film is known for its cinematography and use of close-ups. Dreyer also didn't allow the actors to wear make-up and used lighting designs that made the actors look more grotesque. The latter element is evident in this photograph, as one of the crew is holding up a board to reflect light onto the actor, and a hole has been dug in order to get a ground-up perspective. 9 x 7 inches. In an archival mat. Very Good to Near Fine, with a small stain on the verso.