rudolf schmitz (226 Ergebnisse)

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardcover. Zustand: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Very Good.

Zustand des Schutzumschlags: dj. First Edition. First edition and first printing. Hardcover. 103 pages. Features text by Trudy Wilner Stack and Rudolf Schmitz. The second monograph on Mandelbaum with this looking at her work between the years 1994 through 1998. Includes 51 black and white plates, checklist, biographical information, list of previous exhibitions, and a selected bibliography. A very near fine copy in a near fine dust jacket with some very minute wear.

Hardcover. Zustand: Like New. Zustand des Schutzumschlags: Like New. First Edition. First Edition, First Printing. Published by Edition Stemmle, 1994. Quarto. White boards stamped in black. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Dust jacket is like new with light shelf wear and small spot of sticker residue on bottom of spine. 111 pages. ISBN: 3905514222. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell!

Hardcover. Zustand: Like New. Zustand des Schutzumschlags: Like New. First Edition. First Edition, First Printing. Published by Edition Stemmle, 1999. Quarto. Gray boards stamped in white with gray endpapers. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Dust jacket is like new with very light shelf wear. 102 pages. ISBN: 9783908161592. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell!

hardcover. Zustand: New. In shrink wrap. Looks like an interesting title!

Broschiert. Zustand: Gut. 2. Auflage. 205 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten wissenschaftlichen Bibliothek und trägt die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel.). Einbandkanten sind etwas bestossen; der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. Sprache: Deutsch Gewicht in Gramm: 340.

168 pp.; 25.7 x 21.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue no. 42 of Parkett, edited by Bice Curiger. Contents include: "Robert Frank: From Compromise to Collaboration," by Vince Leo; "Weiner's Werkatätte," by Brooks Adams; "Providing Metaphor Needs: Lawrence Weiner's Specific & General Works," by Frances Richard; "Public Freehold," by Dieter Schwarz; "The Meaning that Comes Away from the Work of Art," by Daniela Salvioni; "The Public Reacts to Smashed To Pieces (In The Still Of The Night)," by unattributed artists; "But Can She Bake a Cherry Pie?," by Lane Relyea; "& Vers les Etoiles," by Edward Leffingwell; "Rachel Whiteread: Separation Anxiety and the Art of Release," by Neville Wakefield; "Whiteread's Ghost," by Trevor Fairbrother; "The Curbed Monumentality of the Invisible," by Rudolf Schmitz; "About the House," by Simon Watney; "Cursive," by Ingrid Schaffner; "Les Infos Du Paradis: Claude Ritschard on Markus Raetz," by Claude Ritschard; "Cumulus Aus Europa," by Guy Brett; "Cumulus From America," by Martha Fleming and "Balkon," by Robert Ohrt. Insert by Nan Goldin. Text in German and English. Very Good. Sun bleaching to covers. Light rubbing of cover edges and bumping of top right corner of recto. Light yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

255 pp.; 25.5 x 20.8 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue 55 of Parkett, edited by Bice Curiger. Contents include: Editorial: "Pavel Pepperstein: The Artist as a Subculture," by Boris Groys; "Universal Wisdom at the Bewitching Hour on Private TV," by Rudolf Schmidtz; Ed Ruscha: "Ed Ruscha's Illuminated Manuscripts," by Jeff Perrone; "Critters Crave Salt," by Jennifer Higgie; "Ed Ruscha's Modern Language," by Howard Singerman; "White-Out," by Katja Schenker; "The Ballad of Ed Ruscha," by Joe Scanlan; Edition for Parkett: Ed Ruscha;" Andreas Slominski: "Berlin Detours," by Nancy Spector; "Mousedomes at the Periphery of Peopledom," by Patrick Frey; "Wordless," by Julian Heynen; a conversation between Bettina Funcke, Jens Hoffmann, and Boris Groys; Edition for Parkett: Andreas Slominski; Sam Taylor-Wood: "Sustaining the Antagonism. On "Five Revolutionary Seconds," by Elisabeth Bronfen; "Sliding.S-Sam Taylor-Wood's Invention of the Dialogue," by Francesco Bonami; "The Soliloquious Vision," by Ewa Lajer-Burcharth; Edition for Parkett: Sam Taylor-Wood. "Cumulous aus Europa," by Michelle Nicol; "Cumulous from America," by Suely Rolnik; "Garderobe:" "Artist's Monographs & Editions" "Editions for Parkett No. 55 (With Prices). Insert by Kara Walker. Spine No. 55-57 designed by Louise Bourgeois from "ODE A MA MERE," 1995, one of a series of 9 drypoint etchings. Text in English and German. Very Good / Fine. Light rubbing of cover edges, and light bumping of cover corners, otherwise Fine. Contents clean and unmarked. Due to large size and weight of this publication additional shipping charges will be required for international orders.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Has some light general reading/shelfwear - otherwise this is a clean, tight copy. Dispatch within 24hrs from the UK. Book.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. First edition, first printing. Hardcover. Black paper-covered boards with title stamped in white on spine; with photographically illustrated dust jacket. Photographs by Ann Mandelbaum. Essays by Trudy Wilner Stack and Rudolf Schmitz. Includes a list of plates, biography, exhibition history and a selected bibliography. 104 pp., with 51 duotone plates. 10-7/8 9-3/4 inches. Fine in Near Fine dust jacket (stray surface marks, else Fine).

Zustand: New. 1999. hardcover. . . . . . Books ship from the US and Ireland.

Zustand: Very Good. 1995. hardcover. . . . . . Books ship from the US and Ireland.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Mörser, Kolben und Phiolen. Aus der Welt der Pharmazie. 4°, mit zahlr. ganzs. u. tw.farb. Abb. Feiner OLnbd (Hardcover) m. SU im Schmuckschuber. Kl Ex Libris, sonst sauberes gutes Exemplar (etwa 2 kg schwer). 208 S.

1st English edition. B&W illustrations. Dust jacket worn & chipped at edges, with tears in front panel Used - Good. VG hardback in Good dust jacket Used - Good. VG hardback in Good dust jacket.

Zustand: Bueno. 24x28. 194pp. Castellano.

First Edition. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. ; 112 pages; Description: 27.9 x 25.4 x 1.9 cm. Language: English. Subjects: Photography, artistic. 4 Kg.

Zustand: Very Good. 1995. hardcover. . . . . .

Gebrauchs- u. Abnutzungsspuren, OPBd, Softcover, abgerieben, geh., sonst gut erhalten, oh. Seitenzählung, 7. Band, dreisprachig: dt./engl./lat, 8° Die Reifeprüfung. Sammlung ausgewählter Aufgaben. 7. Band: Religion, Deutsch, Latein, Englisch. 100 gr.

Ostfildern-Ruit : Hatje Cantz Zeitliche Einordnung Erscheinungsdatum: 2001 Umfang/Format 198 S. : überw. Ill. ; 28 cm ISBN/Einband/Preis 978-3-7757-9070-3 Pp. : DM 78.00, EUR 39.88 3-7757-9070-5 Pp. : DM 78.00, EUR 39.88 Sprache(n) Deutsch (ger), Englisch (eng) Anmerkungen Text dt. und engl. Inhalt 6 From Schwarzwald with Love Zdenek Felix 12 Bollenhut und Avantgarde Veit Loers 22 ?Heute scheint die Sonne in Strömen" Rudolf Schmitz 37 Kai Althoff 43 Cosima von Bonin 49 Werner Büttner 57 Clegg & Guttmann 63 Mark Dion 67 Helmut Dorner 71 Fischli & Weiss 77 Günther Förg 85 Isa Genzken 89 Asta Gröting 93 Georg Herold 99 Hubert Kiecol 103 Martin Kippenberger Martin Kippenberger/Albert Oehlen 113 Michael Krebber 117 Meuser 121 Reinhard Mucha 127 Christian Philipp Müller 129 Christa Näher 133 Manuel Ocampo 137 Albert Oehlen 145 Markus Oehlen 149 Tobias Rehberger 153 Andreas Schulze 157 - Andreas Slominski 159 Franz West 165 Christopher Williams 169 Joseph Zehrer 173 Heimo Zobernig 180 Zu den Künstlern/About the artists Nina Möntmann 190 The Black Forest Pom-Pom Hat and the Avantgarde Veit Loers 4 194 ?Today the sun is pouring down" Rudolf Schmitz ? 200 Impressum From Schwarzwald with Love Seit einem Jahrzehnt stellen die Deichtorhallen in loser Folge bedeutende Privatsammlungen der Gegenwartskunst vor. Den Auftakt bildete 1991 die Emanuel Hoffmann-Stiftung in Basel, eine in den 3oer Jahren gegründete und seitdem kontinuierlich erweiterte Sammlung der Moderne, die zum ersten Mal außerhalb der Schweiz in einer essentiellen Auswahl in Deutschland zu sehen war. 1994 folgte die Ausstellung ?temporary translation(s) - Sammlung Schürmann - Kunst der Gegenwart und Fotografie", ein unkonventionelles Ensemble der jüngsten Kontext-Kunst, 1996 die umfangreiche Schau "Sammlung Sonnabend - Von der Popart bis heute", mit der ein umfangreiches Konvolut vorwiegend amerikanischer Kunst nach 196o in Hamburg präsentiert wurde und, ein Jahr später, die nicht minder beträchtliche Sammlung Fröhlich. Mit der Ausstellung "Die Rache der Veronika - Aktuelle Perspektiven der zeitgenössischen Fotografie" zeigten die Deichtorhallen 1998 eine der originärsten Fotosammlungen, die ?Lambert Art Collection" aus Genf mit mehr als 3oo Prints von Marcel Duchamp bis Matthew Barney. Unter dem Titel "Zeichen der Moderne" wurde im gleichen Jahr eine Auswahl aus den Beständen der süddeutschen Sammlung Würth und im Kontrast dazu ausgewählte Partien der Münchner Privatsammlung Goetz: "Emotion - Junge britische und amerikanische Kunst" präsentiert. Die jetzige Ausstellung "Vom Eindruck zum Ausdruck - Grässlin Collection" führt die 1991 begonnene Reihe fort. Damit wird ein von den bisher gezeigten Sammlungen weitgehend differierender Typus des Kunstsammelns vorgestellt. Denn die "Grässlin Collection" kann man eher als Gruppenunternehmen, als eine Art kollektives Werk sehen, an dem die fünf Familienmitglieder - Anna, Thomas, Sabine, Bärbel und Karola Grässlin - beteiligt sind und in dem sich die unterschiedlichen Positionen der Beteiligten widerspiegeln. Wie stark diese Positionen sind und wie vehement sie auch vertreten werden, konnte ich in den Diskussionen über die Auswahl der Werke für die Hamburger Ausstellung erfahren - nicht ohne Gewinn, denn gerade diese Gespräche haben das Inhaltliche und auch das Essentielle des jeweils diskutierten Werks zu Tage gefördert. Der Titel der Schau, "Vom Eindruck zum Ausdruck" ist einem Gemälde von Martin Kippenberger aus dem Jahr 1981 entliehen, mit dem die traditionelle Vorstellung von der Entstehung des Kunstwerks ironisch ins Gegenteil verkehrt wird. Zugleich markiert das Bild die Entstehungszeit des neueren Teils der Grässlinschen Sammlung, dem die jetzige Ausstellung gewidmet ist. Die Wurzeln des mehr als i000 Einzelposten umfassenden Kunstbesitzes liegen in der Nachkriegszeit. Als Sammler der "Informellen Malerei" und des süddeutschen Konstruktivismus haben der 1976 früh verstorbene Unternehmer Dieter Grässlin und seine Frau Anna im badischen St. Georgen ein respektables Ensemble der Kunst nach 195o zusammengetragen. Bedeutende Werke von Wols, Fontana, K. 0. Götz, Sonderborg und anderen haben Eingang in die Sammlung gefunden. Dass es sich um Namen handelt, die heute klassische kunsthistorische Werte verkörpern, spricht für den Mut und die Weitsicht des Ehepaars Grässlin. gutes Exemplar, ordentlich, * Verlag: Ausstellung Vom Eindruck zum Ausdruck - Grässlin Collection (2001 : Hamburg) (Herausgebendes Organ) Deichtorhallen Hamburg (Herausgebendes Organ) * Bindung: gebundene Ausgabe,

hardcover. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Paperback. Zustand: Very Good. First printing. 5 1/4 x 8 1/2 inches. 30 pages. Frontis portrait by Claire Roessiger tipped-in, a a seperate glassine envelope is another 4 1/4 x 5 1/2 inch silver print of the same image, stamped 'Photo Claie Roessiger SWB Basel' on rear. Condition is Very Good, Rear cover lightly faded at top, gift inscription on front endpaper dated Christmas 1966, text is very clean. SK.