rubinstein daniel (38 Ergebnisse)

Paperback. Zustand: Very Good. Paperback in very good condition. No notable faults. LW.

Paperback. Zustand: Very Good. Has some light general reading/shelfwear - otherwise, this is a clean, tight copy. Dispatch within 24hrs from the UK. Book.

Hardcover. Zustand: Very Good. No Jacket. An attractive copy of this collection of essays. Bound in pictorial boards, no dust jacket as issued. Binding is solid and sturdy, though slightly sprung by nature of its production. Interior is crisp, clean, and free of marks. Exterior has some barely noticeable scuffs and a dent at the top of the spine. There is a tiny tear on the top foredge of the back board, but overall this copy is still in great condition and very presentable.

Zustand: Good.

388 pp.; 15.5 x 21 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Anthology of critical texts on Robert Ryman written from 1967 on, edited by Vittorio Colaizzi and Karsten Schubert. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. "This volume is an indispensable anthology of critical texts on a central figure of Minimalism, Conceptual Art and more specifically, Monochrome Painting. Alongside contemporaries such as Carl Andre and Donald Judd, Robert Ryman''s radical painting has fundamentally shifted the definitions and boundaries of art. Spanning four decades, this book charts the gradual evolution of consensus about the meaning of his painting. The most significant essays and exhibition reviews have been collated into one volume, including texts written by some of the most influential art historians and critics. . Some essays appear here in English for the first time. With an introductory essay by Vittorio Colaizzi." -- publisher''s statement. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. NEW. Fine. New, as issued, in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.

Hardbound. Zustand: Very Good. First Edition. Octavo, glossy paper covered boards, frontispiece photo, x, 721 pp., b/w photos, Ruth Wisse Bibliography, contributors Introduction by the editors. Articles are "Writing Jewish," Hillel Halkin, "Knocking on Heaven's Gate: Hebrew Literature and Wisse's Canon," Alan Mintz, "Holocaust Literature: Foreshadowings and Shadowings," David Aberbach, "Of Jews and Canons: Further Thoughts," Ilan Stavans, "A Jewish Artistic Canon," Ezra Mendelsohn, "Judging 'The Judgement of Shomer' Jewish Literature versus Jewish Reading," Justin Cammy, "The Judgement of Shomer or The Jury Trial of All of Shomer's Novels," Sholem Aleichem (Translated and Annotated by Justin Cammy), "Daniel Deronda: 'The Zionist Fate in English Hands' and The Liberal Betrayla of the Jews," Edward Alexander, "The Pleasure of Disregarding Red Lights: A Reading of Sholem Aleichem's Monologue 'A Nisref,'" Dan Miron, "The Hershele Maze: Isaac Babel and His Ghost Reader," Sasha Senderovich, "The Open Suitcases: Yankev Glatstein's 'Ven Yash Iz Gekumen,'" Avraham Novershtern," "Seductions and Disputations: Pseudo-Dialogues in the Fiction of Isaac Bashevis Singer," Miriam Udel-Lambert, "Gimpel the Simple and on Reading from Right to Left," David G. Roskies, "Isaac Bashevis Singer's Short Story 'Androgynous,'" Susanne Klingenstein, "Building Bridges Destined to Fall: Bilogical and Literary Paternity in Appelfeld's 'The Ice Mine,'" Philip Hollander, "Alife/Writing: Aharon Appelfeld's Autobiographical Work and the Modern Jewish Canon," Naomi B. Sokoloff, "Henry Roth, Hebrew, and the Unspeakable," Hana Wirth-Nesher, "The Modern Hreo as Schlemiel: The Swede in Philip Roth's 'American Pastoral,'" Michael Kimmage, "Innovation by Translation: Yiddish and Hasidic Hebrew in Literary History," Ken Frieden, "Creating Yiddish Dialogue for 'The First Modern Yiddish Comedy,'" Marion Aptroot, "The Smoke of Civilization: The Dialectic of Enlightenment in Sh. Y. Abramovitch's 'Di Klatshe,'" Marc Caplan, "Yiddish Canon Consciousness and the Dionysiac Spirit of Music," Jed Wyrick, "Joyce's Yiddish: Modernism, Translation, and the Jews," Rachel Rubinstein, "The Transmission of Poetic Anger: An Unexploded Shell in the Jewish Canon," Janet Hadda, "Guilt, Mourning, Idol Worship, and Golem Writing: The Symptoms of a Jewish Literarty Canon," Emily Miller Budick, "What's So Funny About Yiddish Theater? Comedy and the Origins of Yiddish Drama," Jeremy Dauber, "Naked Truths: Avrom Goldfaden's 'The Fanatic or the Two Kuni-Lemls,'" Alyssa Quint, "Memory as Metaphor: Meir Weiner's Novel 'Kolev Ashkenazi' as Critique of the Jewish Historical Imagination," Mikhail Krutikov, "Shmuel Nadler's 'Besht-Simfoye': At the Limits of Orthodox Literature," Beatrice Lang Caplan, "Chava Rosenfarb and 'The Tree of Life,'" Goldi Morgentaler, "Fiddles on Willow Trees: The Missing Polish Link in the Jewish Canon," Monika Adamczk-Garbowska, "The Kvetcher in the Rye: J.D. Salinger and Challenges to the Modern Jewish Canon," Leah Garrett, "Israeli Identity in the Post-Zionist Age," Yaron Peleg, "Bellow's Canon," Jonathan Rosen, "The Eicha Problem," Dara Horn and "The Grand Explainer," Cynthia Ozick.

Broschur, Kl.8°. Zustand: Wie neu. 176 S. Buch ist neu, aus priv. Vorbesitz, ungelesen. Das Buch ist in exzellentem, sauberen Zustand. Besitzvermerk mit zartem Bleistift auf Vorsatz. Sonst perfekt sauberes und wohlerhaltenes Exemplar. [Reihe: Internationaler Merve Diskurs - Perspektiven der Technokultur]. Provenienz: Hamburger Verlags- und Medienanwalt Joachim Kersten (Namenszug, Datum). Kersten war u. A. Herausgeber und Nachlassverwalter von Peter Rühmkorf und Günter Grass. -----Inhalt:. »Bis vor Kurzem hatten kritische Auseinandersetzungen mit der Fotografie eines gemeinsam: Sie alle gingen von der impliziten und unumstößlichen Annahme aus, dass Fotografien Medien sind, denen man sich visuell annähern muss; sie nahmen es als gegeben an, dass Fotografien dazu da sind, angesehen zu werden, und sie waren sich alle einig, dass es allein die Praktiken der Betrachtung sind, durch die die Geheimnisse der Fotografie entschlüsselt werden können. Welche Interpretationen auch immer sich daran anschlossen, die Priorität des Sehens in Bezug auf das Bild blieb davon unberührt. Der Triumph des digitalen Bildes als zeitgenössische Form der Fotografie erzwingt jedoch eine Neubewertung der Sichtbarkeit. Denn das digitale Bild macht für alle offenkundig, dass das Sichtbare nicht für alles stehen kann, was mit Bildern geschieht, die ihr Leben als binäre Daten beginnen, dann algorithmisch verarbeitet und zu verschiedenen Punkten eines Netzwerks nicht als individuelle Bilder, sondern als Datenpakete geschickt werden.« Die acht Essays in diesem Band skizzieren eine Philosophie der Fotografie im Zeitalter des Digitalen: eine Philosophie der Fotografie, die mit der immer fragmentarischeren, nicht mehr dualistisch begreifbaren Welt reagiert, zu deren Beschreibung die vertrauten Denkmodelle der Repräsentation nicht länger taugen. ISBN: 9783962730222 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Deutsch Gewicht in Gramm: 299.

Zustand: New. pp. 300.

Zustand: New.

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 122 pages. 6.85x0.31x9.69 inches. In Stock.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. 2024. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. Ruth R Wisse is a scholar of Yiddish and Jewish literary studies and one of our public intellectuals on issues relating to Jewish society and culture. This book pays tribute to her with a collection of essays related to Yiddish, Hebrew, Israeli, American, European, and Holocaust literature. Editor(s): Cammy, Justin Daniel; Horn, Dara; Quint, Alyssa; Rubinstein, Rachel. Series: Harvard Center for Jewish Studies. Num Pages: 450 pages, Illustrations. BIC Classification: DSB; JFSR1. Category: (P) Professional & Vocational. Dimension: 235 x 159 x 48. Weight in Grams: 1354. . 2009. Hardcover. . . . . Books ship from the US and Ireland.

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Paperback. Zustand: Brand New. 254 pages. 9.50x6.75x0.50 inches. In Stock.

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Hardcover. Zustand: Brand New. 450 pages. 9.40x6.60x1.90 inches. In Stock.

Hardcover. Zustand: Brand New. 300 pages. 9.00x6.00x0.75 inches. In Stock.

Taschenbuch. Zustand: Neu. How Photography Changed Philosophy | Daniel Rubinstein | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2024 | Routledge | EAN 9780367694241 | Verantwortliche Person für die EU: Taylor & Francis Verlag GmbH, Kaufingerstr. 24, 80331 München, gpsr[at]taylorandfrancis[dot]com | Anbieter: preigu.

Taschenbuch. Zustand: Neu. Fragmentation of the Photographic Image in the Digital Age | Daniel Rubinstein | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2021 | Routledge | EAN 9781032240169 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

Zustand: New.

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Zustand: New. In.

Zustand: New. Daniel Rubinstein is Reader in Philosophy and the Image at Central Saint Martins, London, where he leads the MA program in Contemporary Photography: Practices and Philosophies.Fragmentation of the Photographic Image in the.