Rubinstein anton grigorevich (13 Ergebnisse)

Verlag: Compozitor (SPb.), 2010
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Zustand: new. Pages: 52 Language: Russian, English. Contents: Etude op. 24 no 3, Romance op. 26 no 1, Nocturne op. 28 no 1, Barcarolle no 1 op. 30 no 1, Gavotte op. 38 no 5, Romance op. 44 no 1, Barcarolle no 3 op. 50. 9790660006368.

Verlag: Compozitor (SPb.), 2005
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Zustand: new. Pages: 16 Language: Russian, English. Izdanie vkhodit v seriju "Kvartet kontrabasov", predstavljajuschuju unikalnyj repertuar kollektiva kontrabasistov-virtuozov iz Sankt-Peterburga. Anton Grigorevich Rubinshtejn (1829-1894) - russkij kompozitor, pianist, dirizhjor, muzykalnyj pedagog (brat pianista Nikolaja Rubinshtejna). Odin iz velichajshikh pianistov v istorii muzyki, osnovopolozhnik professionalnogo muzykalnogo obrazovanija v Rossii (v 1862 godu otkryl v Peterburge pervuju russkuju konservatoriju i stal ee pervym direktorom; odnim iz uchenikov Rubinshtejna stal P. I. Chajkovskij). Melodija (pervaja iz Dvukh melodij dlja fortepiano, op. 3, sochinenie 1852 goda) - odna iz samykh izvestnykh pes A. Rubinshtejna. Ona ljubima ne tolko pianistami, no i skripachami, violonchelistami i ispolniteljami na drugikh instrumentakh, poetomu pesa suschestvuet v bolshom kolichestve perelozhenij, solnykh, ansamblevykh i orkestrovykh. Perelozhenie A. Mirzoeva dlja kvarteta kontrabasov - vozmozhno, naibolee neozhidannoe i originalnoe. Avdej Abramovich Mirzoev - kompozitor, kontrabasist, mnogie gody rabotavshij kontsertmejsterom gruppy kontrabasov Zasluzhennogo kollektiva Rossii akademicheskogo simfonicheskogo orkestra Sankt-Peterburgskoj filarmonii. Mirzoev - entuziast "emansipatsii" kontrabasa kak solirujuschego i ansamblevogo instrumenta. Sozdannyj artistami Zasluzhennogo kollektiva Rossii kvartet kontrabasov stal sereznym akademicheskim ansamblem - vo mnogom blagodarja proizvedenijam i perelozhenijam Avdeja Mirzoeva. Znatok kontrabasa, Mirzoev kak nikto drugoj umeet zastavit etot instrument govorit na raznykh muzykalnykh jazykakh, rasshirjaja ego vyrazitelnye vozmozhnosti. Kontrabas - unikalnyj instrument. Edinstvennyj iz strunnykh sovremennogo orkestra, sokhranivshij v sebe cherty starinnogo semejstva viol, on obladaet nizkim, gustym, sochnym tembrom. Dolgoe vremja kontrabas suschestvoval v roli orkestrovogo instrumenta, odnako vremja ot vremeni pojavljalis unikalnye ispolniteli na kontrabase (v seredine XIX veka v Evrope vystupal proslavlennyj Dzhovanni Bottezini, a za pjatdesjat let do togo - Domeniko Dragonetti, poznakomivshij Betkhovena s vyrazitelnymi vozmozhnostjami etogo instrumenta). Mnogoe izmenilos s prikhodom na muzykalnuju estradu Sergeja Kusevitskogo (1874-1951). On sdelal kontrabas vsemirno priznannym solnym instrumentom. "Kto nikogda ne slykhal ego [Kusevitskogo] igry na kontrabase, tot ne mozhet sebe i predstavit, kakie nezhnye i legkokrylye zvuki izvlekaet on iz stol malo, kazalos by, blagodarnogo instrumenta, obyknovenno sluzhaschego lish massivnym fundamentom orkestrovogo ansamblja. Tolko ochen nemnogie violonchelisty i skripachi obladajut takoj krasotoj tona i tak masterski vladejut svoimi chetyrmja strunami." V. Kolomijtsev, muzykalnyj kritik 9790660029756.…

Verlag: Compozitor (SPb.), 2019
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Zustand: new. Pages: 68 Language: Russian, English. Contents: A. Titov. Waltz A. Titov. Waltz A. Gurilyov. Sudarynya-polka M. Glinka. Waltz A. Dybyuk. Romance A. Rubinstein. Melody N. Rimsky-Korsakov. Prelude-impromrtu A. Lyadov. Prelude-pastorale A. Glazunov. Miniature A. Arensky. Elegy S. Rachmaninov. Melody N. Sokolov. Prelude-capric A. Skryabin. Mazurka Ye. Alenev. Gavotte S. Barmotin. Lullaby R. Glier. Simple Song A. Spendiarov. Lullaby N. Mether. Evening Song 9790660009161. …

Russian violin music 3. For Violin and Piano
Aljabev Aleksandr Aleksandrovich, Rubinstein Anton Grigorevich
Verlag: Muzyka, 2015
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Zustand: new. Pages: 68 Language: Russian, English. A. Aliabev. Introduction and theme with variation. A. Rubinshtein Three pieces Op. 11 9790660063927.

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Zustand: new. Pages: 72 Language: Russian, English. Contents Night. Words by A. Pushkin Singer. Words by A. Pushkin Desire. Words by M. Lermontov Dagger. Words by M. Lermontov Elegy. Words by A. Maykov Serenade. Words by V. Sollogub The Dew Sparkles. German by G. von Boddien, translated by P. Tchaikovsky Ballade. Words by I. Turgenev Golden Ringlet. Song. Words by A. Koltsov Swallow. Words by Sukhanov Twelve Songs by Mirza-Shafi (Persian Songs). German by F. M. Bodenstedt, translated by P. Tchaikovsky 9790706359847. …

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Zustand: new. Pages: 64 Language: Russian, English. Anton Grigorievich Rubinstein (1829-1894) was a Russian pianist, composer, conductor, and musical and public figure. He created five piano concertos between 1850 and 1874. Cultivating large instrumental forms, Rubinstein paved the way for the later peak achievements of Russian composers, particularly in the genre of the piano concerto. Among Rubinstein's concertos, the Fourth stands out, being included in the repertoire of Nikolai Rubinstein, Hans von Bülow, Anna Esipova, Ferruccio Busoni, Sergei Rachmaninoff, and many other outstanding pianists. The concerto remains one of the composer's most frequently performed works to this day. His preceptors were A. I. Villuan (piano), S. Dehn (theoretical disciplines). Rubinstein hit all marks as the greatest pianist ever heard. That was true dramatic force and mighty stamina to have imbibed his piano style. "He was the most supernatural, brilliant executant, striking by spry spirit and inexhaustible poetical imagination, the one inherent to nobody but his elder contemporary and friend Liszt" - wrote V. V. Stasov, the Russian musical criticist. Anton Rubinstein is also distinct for his educational activity. Such institutions as Vocal Academy (1858), Russian Musical Society (1859), Petersburg Conservatoire (1862) - the first one in Russia - were founded due to Rubinstein's initiative. During the period of 1885-1886 there were held the cycles of "Historical Concerts" organized by Rubinstein via many European countries. Listeners had a chance to undertake the kind of excursion to the very birth of clavier music on the border of the 16th-17th centuries and follow the piano music evolution together with Rubinstein. The outstanding master's heritage embraces operas (secular and ecclesiastic ones), oratorios, the ballet, 6 symphonies, piano concertos, violin concerto, 10 string quartets, 5 piano trios, piano quintet, numerous vocal compositions and piano pieces. As to the five piano concertos they refer to the period of 1850-1874. Rubinstein seemed to "nurse" and nurture large-scaled instrumental forms thus anticipating the later apexes attained by the Russian composers in the piano concerto genre. The Fourth Concerto for piano and orchestra was marked by such distinguished executants as Nikolai Rubinstein, Hans von Bülow, Anna Yesipova, Feruccio Busoni, Sergei Rachmaninov and others. Even nowadays it's widely and frequently performed. The Fourth Concerto in D minor op. 70 was written and first performed in 1864 and published in piano score in 1866. Subsequently, the author made a number of amendments (the texture of the piano part, the performance instructions, and also the orchestral part in the second half of the coda of the first part were changed in some places), which were included in the second edition (published in 1872). 9790660009062.…

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Zustand: new. Pages: 40 Language: Russian, English. Contents: Two melodies op. 3, Gondoliera op. 10 No. 22, Impromptu op. 16 No. 1, Etude op. 23 No. 2. 9790660006351.
Weitere BilderVerlag: Compozitor (SPb.), 2013
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Zustand: new. Pages: 96 Language: Russian, English. PREFACE to the "Anthology. The Russian Secular Choir Music a Cappella. XIX - early XX" The publication "Anthology. The Russian Secular Choir Music a Cappella. XIX - early XX" is the educational aid on the subject "History of the Russian Choir Music" intended for the students of the choir-conducting departments at the conservatoires, music colleges and art institutes. The Anthology consists of twenty issues, every one of which is devoted correspondingly to the composers, having made profound contribution to the Russian choral music. The collection may be considered rather unique, because it includes all secular choral opuses a cappella, even those, which either had never been published, or hadn't been edited since the pre-revolution time. Every issue is opened by the preface narrating about this or that composer's creative peculiarities. Combined in one whole and disposed according to the chronology, these essays may be accepted as one of the parts from the lectures of the "History of the Russian Choir Music". Every issue contains the supplements, where the lyrics are adduced originally without any cuts. Every issue is provided with audio CD, where the Petersburg Chamber Choir conducted by Nikolai Kornev performs the choruses published inside. This is the first time that the edition of the Russian secular choir music is realized so voluminously. The compiler expresses gratitude to N. E. Vasilyeva, candidate of arts, N. D. Svetozarova, doctor of philology, and T. A. Kitanina, candidate of philology for the assistance during the preparation of this publication. Elena Svetozarova Contents: Preface Anton Grigorievich Rubinstein (1829-1894) SIX SONGS FOR FOUR MALE VOICES. German texts translated by V. A. Krylov 1. Song. Verses by H. Heine 2. Drinking Song. Verses by Mirza-Shafi. German text by F. Bodenstedt 3. Sea Silence. Verses by J. Goethe Happy Sailing. Verses by J. Goethe 4. Merriment of Hunt. Verses by L. Tieck 5. Revenge. Verses by L. Uhland 6. Summer. Text from the Collection of German folk songs "Magic Horn of the Boy" THREE SONGS FOR MEN'S CHOIR. German texts translated by the unknown author 1. Military Song. Verses by E. Geibel 2. Love Festival. Verses by N. Lenau 3. Vinum Hungaricum. Verses by R. Löwenstein SIX SONGS FOR MIXED CHOIR. German texts translated by the unknown author Volume I 1. Inside the Gondola. Verses by A. Grün 2. Melody. Verses by E. Geibel Volume II 3. Pine-tree. Verses by H. Heine 4. At Night. Verses by E. Mörike Volume III 5. Awaken Rose. Verses by F. Sallet 6. Dwarfs. Verses by A. Kopisch Old Song. Verses by A. Koltsov Supplement. Poetical Text Originals 9790352205611.…

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Zustand: new. Pages: 72 Language: Russian, English. Two Melodies Op. 3 Gondoliera Op. 10 No. 22 Impromptu Op. 16 No. 1 Etude Op. 23 No. 2 Romance Op. 26 No. 1 Nocturne Op. 28 No. 1 Romance Op. 44 No. 1 Barcarole Prelude and Fugue Op. 53 9790660066881.

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Zustand: new. Pages: 96 Language: Russian. Kniga vydajuschegosja russkogo muzykanta, kompozitora, dirizhera, pedagoga i muzykalnogo dejatelja A.G.Rubinshtejna napisana v forme uvlekatelnogo dialoga s voobrazhaemoj sobesednitsej. Na ee voprosy - o tvorchestve velikikh kompozitorov, suschnosti i filosofii muzyki, raznykh muzykalnykh zhanrakh - avtor daet smelye, glubokie, poroj paradoksalnye otvety. Interesnye, netrivialnye vzgljady i razmyshlenija avtora sokhranjajut svoju tsennost i ponyne. Kniga budet interesna kak professionalnym muzykantam, muzykovedam, studentam muzykalnykh uchebnykh zavedenij, tak i shirokomu krugu ljubitelej klassicheskoj muzyki. 9785811424764.…
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Zustand: new. Pages: 48 Language: Russian. Shedevry fortepiannoj transkriptsii. Vypusk 45. Sergej Kursanov. Transkriptsii romansov russkikh kompozitorov na stikhi A. S. Pushkina. Rakhmaninov, Rubinshtejn, Vlasov, Kjui, Sheremetev, Rimskij-Korsakov, Ljapunov 9785151634038.

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Zustand: new. Pages: 96 Language: Russian. Kniga vydajuschegosja russkogo muzykanta, kompozitora, dirizhera, pedagoga i muzykalnogo dejatelja A.G.Rubinshtejna napisana v forme uvlekatelnogo dialoga s voobrazhaemoj sobesednitsej. Na ee voprosy - o tvorchestve velikikh kompozitorov, suschnosti i filosofii muzyki, raznykh muzykalnykh zhanrakh - avtor daet smelye, glubokie, poroj paradoksalnye otvety. Interesnye, netrivialnye vzgljady i razmyshlenija avtora sokhranjajut svoju tsennost i ponyne. Kniga budet interesna kak professionalnym muzykantam, muzykovedam, studentam muzykalnykh uchebnykh zavedenij, tak i shirokomu krugu ljubitelej klassicheskoj muzyki. 9785811424764.…

Verlag: Muzyka, 2016
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Zustand: new. Pages: 311 Language: Russian, English. The lyric-psychological opera "Demon" written in 1871 according to the poem of the same name of M. Lermontov - one of the best and most known compositions of Anton Rubenstein. For concerts giving musicians, students, teaching and musical libraries. The text is not transliterated. 9790660065518.…