Rubin goldmark (5 Ergebnisse)

Soft cover. Zustand: Very Good. 1st Edition. 88pp; contents clean and textually unmarked. No library stamps. Owner's name written on front blank endpaper. Brown wrappers with black printing.

Taschenbuch. Zustand: Neu. Neuware - 'Helps to Fugue Writing: Based on Bach's 'Das Wohltemperierte Klavier'' is a comprehensive instructional manual designed to guide students and musicians through the intricate art of fugal composition. Written by A. Madeley Richardson with contributions from Rubin Goldmark, this work serves as both a practical textbook and a deep analytical study of the contrapuntal techniques perfected by Johann Sebastian Bach. By focusing specifically on the masterpieces contained within 'The Well-Tempered Clavier', the authors provide a structured approach to understanding subjects, answers, counter-subjects, and the complex developmental sections that define the fugue form.…

Buch. Zustand: Neu. Neuware - 'Helps to Fugue Writing: Based on Bach's 'Das Wohltemperierte Klavier'' is a comprehensive instructional manual designed to guide students and musicians through the intricate art of fugal composition. Written by A. Madeley Richardson with contributions from Rubin Goldmark, this work serves as both a practical textbook and a deep analytical study of the contrapuntal techniques perfected by Johann Sebastian Bach. By focusing specifically on the masterpieces contained within 'The Well-Tempered Clavier', the authors provide a structured approach to understanding subjects, answers, counter-subjects, and the complex developmental sections that define the fugue form.The text breaks down the structural components of Bach's preludes and fugues, offering clear explanations and illustrative examples to demystify the rigorous requirements of polyphonic writing. Ideal for students of music theory and composition, this guide bridges the gap between abstract harmonic rules and the practical application of counterpoint. Its enduring value lies in its systematic treatment of Bach's work as the ultimate pedagogical tool, making it an essential resource for anyone seeking to master the discipline of classical composition or gain a profounder appreciation for the architecture of Baroque music.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

No Binding. Zustand: Very Good. 1st Edition. Goldmark, Rubin: Prairie idylls, a suite of four pieces for the piano. I. The first Anemone. (sheet music) New York London Boston, (1914.) G. Schirmer. 5 p. To Albert von Doenhoff with the friendly greeings of Rubin Goldmark N. Y. May. 1915. Inscribed by Rubin Goldmark. Rubin Goldmark (1872-1936) was a world-renowned American composer, pianist and teacher. He is a student of Antonin Dvorak, Aaron Copland and George Gershwin s teacher. Károly Goldman (Karl) is the nephew of a Hungarian (Viennese) composer. (Slightly damaged, repaired. Paper folder.) ( O,O ) /)__) , . Inscribed by Author(s).…

(Paris), (um 1930), Quer--8°. 16 x 26 cm. 1 Seite. Zwei Takte einer nicht näher bezeichneten Komposition. - Der amerikanische Komponist war ein Neffe Karl Goldmarks und Schüler von Antonin Dvoráks. Gewicht (Gramm): 20.