Ruß erica (20 Ergebnisse)

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Salcedo Saiz, Erica (illustrator). …

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Salcedo Saiz, Erica (illustrator).

Paperback. Zustand: Brand New. 176 pages. 9.61x6.70x9.61 inches. In Stock.

Paperback. Zustand: Brand New. 176 pages. 9.61x6.70x9.61 inches. In Stock.

Zustand: New.

Hardcover. Zustand: Brand New. gld edition. 176 pages. 9.61x6.70x9.61 inches. In Stock.

Zustand: New.

Zustand: New.

Hardcover. Zustand: Brand New. gld edition. 176 pages. 9.61x6.70x9.61 inches. In Stock.

Softcover. 21 x 13,5 cm. Hellgraue Originalbroschur mit 148 Seiten. Außen etwas randbestoßen, mit verblasstem handschriftlichen Rückentitel. Innen sauber und insgesamt in gutem Zustand. Schmorkau (obersorbisch Smorkow), heute Ortsteil von Neukirch zwischen Dresden und Hoyerswerder. - Sammlung von 34 kurzen Berichten zur Geschichte Schmorkaus von 1087 bis 1926. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Leuchtender Herbstbeginn! Wie wäre es mit einem guten Buch? Bei uns werden Sie fündig, stöbern Sie in unserem Ladengeschäft oder online. -- Wir kaufen Ihre werthaltigen Bücher! K02591-505903.…

Vintage black-and-white double weight British still photograph from the 1968 US film. Rubber stamp on the verso of COLTMAN DISPLAYS LTD, a distributor in Middlesex, England. "Vixen!" was one of Meyer's best, sleaziest, and most commercially successful films, made at the peak of his independent productions (after "Faster Pussycat! Kill! Kill!" in 1965 and before "Beyond the Valley of the Dolls" in 1970). What is less well known is that this film, by way of Ms. Gavin, marked a breakthrough in the onscreen portrayal of women in terms of sexual aggression, using the then-new platform of late 1960s American independent cinema and the aftermath of the Summer of Love as a canvas. Gavin's titular character is a married woman whose sexual boundaries are none, but instead of being a typical sex romp, the film heads off into areas that can be reasonably described as unexplored by sexploitation films, including communism, race relations, political debate, and terrorist activity. But also present in the film are many of the genre's more familiar themes (breast size, incest, nonstop sexual activity) and a generous dose of humor. 8 x 10 inches. Very Good plus, with edge creasing and a single short tear.…

8°, 148 S., Broschur, Einband leicht staubig, die Seiten sind gebräunt, sonst guter Zustand 25 / WG Sprache: de.

8°, 148 S., ill. OBrosch - Einband mit geringen Gebrauchsspuren und hs. Bibliotheksnummer. Papierbedingt etwas gebräunt. Gutes Exemplar der seltenen ortsgeschichtlichen Schrift.

Two vintage black-and-white still photographs from the 1968 film. Seen in the stills is Erica Gavin (Vixen) and Jon Evans (Judd), and a split image with Erica Gavin and Harrison Page (Niles), the duo responsible for the film's thick racial tensions. "Vixen!" was one of Meyer's best, sleaziest, and most commercially successful films, made at the peak of his independent productions (after "Faster Pussycat! Kill! Kill!" in 1965 and before "Beyond the Valley of the Dolls" in 1970). What is less well known is that this film, by way of Ms. Gavin, marked a breakthrough in the onscreen portrayal of women in terms of sexual aggression, using the then-new platform of late 1960s American independent cinema and the aftermath of the Summer of Love as a canvas. Gavin's titular character is a married woman whose sexual boundaries are none, but instead of being a typical sex romp, the film heads off into areas that can be reasonably described as unexplored by sexploitation films, including communism, race relations, political debate, and terrorist activity. But also present in the film are many of the genre's more familiar themes (breast size, incest, nonstop sexual activity) and a generous dose of humor. 8 x 10 inches. One still with a faint tape ghost and two short tears, else Near Fine overall.…

Vintage oversize borderless reference photograph from the set of the 1970 film, showing actresses Erica Gavin and an uncredited model, with cinematographer Fred J. Koenekamp behind the camera at the far left. With the film's French 1975 release title, "Orgissimo" at the bottom right. After nearly a decade as one of America's most successful independent filmmakers, sexploitation auteur Russ Meyer first reached out for the brass ring of major studio success with this frantic and most entertaining cult favorite, once described by Meyer and screenwriter Roger Ebert as "the first exploitation-horror-camp-musical." The film follows three members of an all-girl rock band called The Kelly Affair who relocate to Hollywood in search of fame and fortune. Their success comes at the price of their friendship and integrity, however, and the girls eventually succumb to a nonstop train of decadence, drugs, and betrayal. Featuring one-hit wonders the Strawberry Alarm Clock, supporting performances by Meyer regulars Charles Napier and Haji, and a bit part from future Blaxploitation icon Pam Grier, "Beyond the Valley of the Dolls" proved to be Meyer's biggest box-office success. Set and shot on location in Hollywood. 12 x 9.5 inches. Near Fine, with light wear to the corners. Criterion Collection 836.…

Vintage reference photograph from the 1970 film, showing actors Cynthia Myers and Erica Gavin. Dealer label affixed to the verso. After nearly a decade as one of America's most successful independent filmmakers, sexploitation auteur Russ Meyer first reached out for the brass ring of major studio success with this frantic and most entertaining cult favorite, once described by Meyer and screenwriter Roger Ebert as "the first exploitation-horror-camp-musical." The film follows three members of an all-girl rock band called The Kelly Affair who relocate to Hollywood in search of fame and fortune. Their success comes at the price of their friendship and integrity, however, and the girls eventually succumb to a nonstop train of decadence, drugs, and betrayal. Featuring one-hit wonders the Strawberry Alarm Clock, supporting performances by Meyer regulars Charles Napier and Haji, and a bit part from future Blaxploitation icon Pam Grier, the film proved to be Meyer's biggest box-office success. Set and shot on location in Hollywood. 10 x 8 inches. Near Fine. Criterion Collection 836.…

Vintage oversize borderless reference photograph from the 1970 film, showing a near-nude Edy Williams. With the stamp of still photographer Willy Rizzo on the verso. After nearly a decade as one of America's most successful independent filmmakers, sexploitation auteur Russ Meyer first reached out for the brass ring of major studio success with this frantic and most entertaining cult favorite, once described by Meyer and screenwriter Roger Ebert as "the first exploitation-horror-camp-musical." The film follows three members of an all-girl rock band called The Kelly Affair who relocate to Hollywood in search of fame and fortune. Their success comes at the price of their friendship and integrity, however, and the girls eventually succumb to a nonstop train of decadence, drugs, and betrayal. Featuring one-hit wonders the Strawberry Alarm Clock, supporting performances by Meyer regulars Charles Napier and Haji, and a bit part from future Blaxploitation icon Pam Grier, the film proved to be Meyer's biggest box-office success. Set and shot on location in Hollywood. 8 x 12 inches. Near Fine. Criterion Collection 836.…

Five vintage borderless reference photographs from the 1970 film. Four with printed mimeo snipes affixed to the versos. After nearly a decade as one of America's most successful independent filmmakers, sexploitation auteur Russ Meyer first reached out for the brass ring of major studio success with this frantic and most entertaining cult favorite, once described by Meyer and screenwriter Roger Ebert as "the first exploitation-horror-camp-musical." The film follows three members of an all-girl rock band called The Kelly Affair who relocate to Hollywood in search of fame and fortune. Their success comes at the price of their friendship and integrity, however, and the girls eventually succumb to a nonstop train of decadence, drugs, and betrayal. Featuring one-hit wonders the Strawberry Alarm Clock, supporting performances by Meyer regulars Charles Napier and Haji, and a bit part from future Blaxploitation icon Pam Grier, the film proved to be Meyer's biggest box-office success. Set and shot on location in Hollywood. 9.5 x 7 inches. Near Fine. Criterion Collection 836.…

Six vintage reference photographs from the 1970 film. One with a mimeo snipe on the verso. After nearly a decade as one of America's most successful independent filmmakers, sexploitation auteur Russ Meyer first reached out for the brass ring of major studio success with this frantic and most entertaining cult favorite, once described by Meyer and screenwriter Roger Ebert as "the first exploitation-horror-camp-musical." The film follows three members of an all-girl rock band called The Kelly Affair who relocate to Hollywood in search of fame and fortune. Their success comes at the price of their friendship and integrity, however, and the girls eventually succumb to a nonstop train of decadence, drugs, and betrayal. Featuring one-hit wonders the Strawberry Alarm Clock, supporting performances by Meyer regulars Charles Napier and Haji, and a bit part from future Blaxploitation icon Pam Grier, the film proved to be Meyer's biggest box-office success. Set and shot on location in Hollywood. 10 x 8 inches. Very Good plus. Criterion Collection 836.…

Three vintage reference photographs taken on the set of the 1970 film, two showing director Russ Meyer with actress Phyllis Davis between takes, and one showing Meyer directing Dolly Read and Michael Blodgett. One photograph with a printed mimeo snipe affixed to the verso, and all three photographs with library stamps and provenance labels on the versos. After nearly a decade as one of America's most successful independent filmmakers, sexploitation auteur Russ Meyer first reached out for the brass ring of major studio success with this frantic and most entertaining cult favorite, once described by Meyer and screenwriter Roger Ebert as "the first exploitation-horror-camp-musical." The film follows three members of an all-girl rock band called The Kelly Affair who relocate to Hollywood in search of fame and fortune. Their success comes at the price of their friendship and integrity, however, and the girls eventually succumb to a nonstop train of decadence, drugs, and betrayal. Featuring one-hit wonders the Strawberry Alarm Clock, supporting performances by Meyer regulars Charles Napier and Haji, and a bit part from future Blaxploitation icon Pam Grier, the film proved to be Meyer's biggest box-office success. Set and shot on location in Hollywood. 8 x 10 inches. Near Fine. Criterion Collection 836.…