Roy holler (14 Ergebnisse)

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Zustand: New. 2026. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 190 pages. 9.00x6.00x10.00 inches. In Stock.

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Taschenbuch. Zustand: Neu. Neuware - The State of Israel is supposed to be a setting where, for a Jew, passing would presumably be unnecessary. Yet it is precisely in this imagined haven that passing persists, on the page and off it. The Pretenders explores how modern Hebrew literature has long been preoccupied with stories of passing, featuring characters who reinvent themselves by hiding, shedding, or changing their identities and backgrounds. From wannabe Sabras to Mizrahi Jews passing as Ashkenazi, from Jewish immigrants who deny their diasporic roots to those who adopted strange and unthinkable identities to survive the Holocaust, Israeli authors have used passing to examine the pressures of assimilation and belonging, and at times, to rewrite their own life stories. This book brings Hebrew and Holocaust literature into conversation with African American narratives to show how a range of experiencesoften seen as unrelatedspeak to one another, and respond to histories of persecution, racism, and social transformation. Focusing on works by Dahn Ben-Amotz, Orly Castel-Bloom, Yoram Kaniuk, and others, The Pretenders reveals a literary tradition shaped as much by self-invention as by national revival, and considers what it takes to belong, and what it may cost to survive.…

Zustand: New.

Zustand: New. 2026. hardcover. . . . . . Books ship from the US and Ireland.

Zustand: New.

Hardcover. Zustand: Brand New. 190 pages. 9.00x6.00x9.00 inches. In Stock.

Buch. Zustand: Neu. Neuware - The State of Israel is supposed to be a setting where, for a Jew, passing would presumably be unnecessary. Yet it is precisely in this imagined haven that passing persists, on the page and off it. The Pretenders explores how modern Hebrew literature has long been preoccupied with stories of passing, featuring characters who reinvent themselves by hiding, shedding, or changing their identities and backgrounds. From wannabe Sabras to Mizrahi Jews passing as Ashkenazi, from Jewish immigrants who deny their diasporic roots to those who adopted strange and unthinkable identities to survive the Holocaust, Israeli authors have used passing to examine the pressures of assimilation and belonging, and at times, to rewrite their own life stories. This book brings Hebrew and Holocaust literature into conversation with African American narratives to show how a range of experiencesoften seen as unrelatedspeak to one another, and respond to histories of persecution, racism, and social transformation. Focusing on works by Dahn Ben-Amotz, Orly Castel-Bloom, Yoram Kaniuk, and others, The Pretenders reveals a literary tradition shaped as much by self-invention as by national revival, and considers what it takes to belong, and what it may cost to survive.…

[2] pp.; 21 x 25.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; other printing process Exhibition announcement / vinyl sticker published in conjunction with show "Crash: Homage to JG Ballard," held February 11 - April 1, 2010. Artists include Richard Artschwager, Francis Bacon, Hans Bellmer, Glenn Brown, Chris Burden, Jake & Dinos Chapman, John Currin, Salvador Dalí, Giorgio de Chirico, Tacita Dean, Jeremy Deller, Paul Delvaux, Cyprien Gaillard, Douglas Gordon, Loris Gréaud, Richard Hamilton, John Hilliard and Jemima Stehli, Roger Hiorns, Damien Hirst, Dan Holdsworth, Carsten Höller, Edward Hopper, Allen Jones, Mike Kelley, Jeff Koons, Roy Lichtenstein, Vera Lutter, Florian Maier-Aichen, Paul McCarthy, Adam McEwen, Dan Mitchell, Malcolm Morley, Mike Nelson, Helmut Newton, Cady Noland, Claes Oldenburg, Eduardo Paolozzi, Steven Parrino, Richard Prince, Robert Rauschenberg, Gerhard Richter, Ed Ruscha, Jenny Saville, George Shaw, Cindy Sherman, Piotr Uklanski, Andy Warhol, Rachel Whiteread, Christopher Williams, Jane and Louise Wilson, Christopher Wool, and Cerith Wyn Evans. "Ballard''s novels stand among the most visionary, provocative literature of the twentieth century, with his ominous predictions regarding the fate of Western culture and his insights into the dark psychopathology of the human race. This exhibition is a response to the enormous impact and enduring cultural significance of his work, following his death in spring 2009. Highlighting Ballard''s great passion for the surreal and his engagement with the artists of his own generation, Crash includes examples of his specific inspirations as well as works by contemporary artists who have, in turn, been inspired by his vision." -- publisher''s statement. Very Good / Fine. Light bumping of corners, otherwise Fine. …