Sprache: Englisch
Verlag: Cambridge University Press, 2022
ISBN 10: 1108723039 ISBN 13: 9781108723039
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 50,01
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In den WarenkorbPaperback. Zustand: Brand New. 385 pages. 9.61x6.69x0.80 inches. In Stock.
Anbieter: AwesomeBooks, Wallingford, Vereinigtes Königreich
EUR 62,33
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In den WarenkorbPaperback. Zustand: Very Good. Performing Salome, Revealing Stories (Ashgate Interdisciplinary Studies in Opera) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 60,18
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In den WarenkorbZustand: New. pp. 248.
Anbieter: Bahamut Media, Reading, Vereinigtes Königreich
EUR 62,33
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.
Sprache: Englisch
Verlag: Weinsberg, Musik-Edition Galland, 2004
ISBN 10: 3925934618 ISBN 13: 9783925934612
Anbieter: Antiquariat An der Vikarie, Grafschaft-Leimersdorf, Deutschland
Verbandsmitglied: GIAQ
original softcover, 329 pp., very good and clean, text in English, (Massenet, Jules: Hérodiade), Sprache: Englisch Gewicht in Gramm: 500.
paperback. Zustand: New. 1st.
Sprache: Englisch
Verlag: Cambridge University Press, 2020
ISBN 10: 1108481612 ISBN 13: 9781108481618
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 106,63
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In den WarenkorbZustand: New. In.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 112,07
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. reprint edition. 244 pages. 9.21x6.14x0.59 inches. In Stock.
Anbieter: moluna, Greven, Deutschland
EUR 73,77
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New.
hardcover. Zustand: New. 1st.
Sprache: Englisch
Verlag: Taylor & Francis Ltd Aug 2016, 2016
ISBN 10: 1138252859 ISBN 13: 9781138252851
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware.
Sprache: Englisch
Verlag: Cambridge University Press, 2020
ISBN 10: 1108481612 ISBN 13: 9781108481618
Anbieter: Kennys Bookstore, Olney, MD, USA
EUR 154,23
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In den WarenkorbZustand: New.
Sprache: Englisch
Verlag: Cambridge University Press, 2020
ISBN 10: 1108481612 ISBN 13: 9781108481618
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 153,42
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In den WarenkorbHardcover. Zustand: Brand New. 363 pages. 9.75x7.00x1.00 inches. In Stock.
Zustand: New. 2020. Paperback. . . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Cambridge University Press Jul 2020, 2020
ISBN 10: 1108481612 ISBN 13: 9781108481618
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - From the 'old world' to the 'new' and back again, this transnational history of the performance and reception of Bizet's Carmen - whose subject has become a modern myth and its heroine a symbol - provides new understanding of the opera's enduring yet ever-evolving and resituated presence and popularity. This book examines three stages of cultural transfer: the opera's establishment in the repertoire; its performance, translation, adaptation and appropriation in Europe, the Americas and Australia; its cultural 'work' in Soviet Russia, in Japan in the era of Westernisation, in southern, regionalist France and in Carmen's 'homeland', Spain. As the volume reveals the ways in which Bizet's opera swiftly travelled the globe from its Parisian premiere, readers will understand how the story, the music, the staging and the singers appealed to audiences in diverse geographical, artistic and political contexts.
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 201,99
Anzahl: 3 verfügbar
In den WarenkorbZustand: New.
Sprache: Englisch
Verlag: Ashgate Publishing Company, 2013
ISBN 10: 1409445674 ISBN 13: 9781409445678
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 207,28
Anzahl: 3 verfügbar
In den WarenkorbZustand: New. pp. 226 25 Illus. (9 Col.).
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 223,84
Anzahl: 1 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 226 pages. 9.41x6.46x0.91 inches. In Stock.
Zustand: New. 2017. Hardcover. . . . . . Books ship from the US and Ireland.
Anbieter: moluna, Greven, Deutschland
EUR 193,12
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In den WarenkorbGebunden. Zustand: New.
EUR 201,47
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In den WarenkorbZustand: New. Barbara Gentili is Senior Lecturer and Director of the Theatrical Voice Research Centre, University of Surrey.Paulo M. Kuehl is Professor of Art History and History of Opera at the Arts Institute, Universidade Esta.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 273,71
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 272 pages. 9.18x6.12x9.21 inches. In Stock.
Sprache: Englisch
Verlag: Taylor & Francis Ltd Aug 2013, 2013
ISBN 10: 1409445674 ISBN 13: 9781409445678
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - This volume explores Salome's appropriation and reincarnation across the arts - not just Wilde's heroine, nor Richard Strauss's - but Salome as a cultural icon in fin-de-siecle society, whose appeal for ever new interpretations of the biblical story still endures today. Using Salome as a common starting point.
Anbieter: Kennys Bookstore, Olney, MD, USA
EUR 308,24
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. 2026. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Taylor & Francis Ltd Apr 2026, 2026
ISBN 10: 1032861118 ISBN 13: 9781032861111
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - Opera in Transnational Contexts: Circulating Identities and Cultures sheds important light onto the travels of operatic works and the types of cultural exchanges that occurred as a result of the music, composers, singers, impresarios and others moving from one locale to another between the late eighteenth and twentieth centuries.
Verlag: , Brepols, 2020, 2020
Anbieter: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgien
Verbandsmitglied: ILAB
Paperback, 161 pages, Size:216 x 280 mm, Illustrations:21 b/w, 4 col., 15 tables b/w., 15 musical examples, Language: English. ISBN 9782503583624. Summary This study interrogates press caricatures and cartoons, staged revue and opera parodies to reveal the role they play within the Parisian theatrical, social and cultural sphere. From the beginnings of Wagner reception in Paris, through the heyday of opra-bouffe in the hands of that comic genius Herv, to the international operatic repertoire played on Parisian stages in the 1890s especially works by Verdi and Wagner performed during an increasingly tense nationalist climate alongside those by Massenet, Reyer and Saint-Sans this book examines the workings of parody which draws on opera for its subject material, its appeal, and for whom. Parodys repetition of dramatic and musical conventions is compounded by the abundance of revue shows on Parisian stages, by prolific authors such as Clairville, which deftly used well-known opera and operetta repertoire alongside the scie that popular tune given new words countless times over to create new yet familiar theatrical experiences. Indeed, by the 1890s, the words and musics of Faust, Carmen and Guillaume Tell in particular, held resonant value to signify the operatic. Aside from political caricature in which the figure of Wagner became embroiled, the ways in which parody brings together the high and the low to mock cultural norms, to neutralise alterity or innovation and refocus commentary onto internal, local, conventional and legitimised cultural products and debates becomes apparent. Opera and Parody in Paris, 18601900 thus uncovers a huge amount of primary and hitherto unpublished sources in an analysis of highly appealing intermedial materials that dominated Parisian print and stage culture in the late-nineteenth century. TABLE OF CONTENTS Chapter One. Opera and Parody on Stage and in Print The mechanisms of parody and theories of 'reading' Print and stage revue culture Performance conditions In defence of parody Chapter Two. Tannhäuser on the Popular Stage Panne-Aux-Airs Ya-Mein-Herr Conclusions Chapter Three. Hervé and Faust on Parisian Stages in 1869 Hervé Le petit Faust Faustomania Chapter Four. 'Cariculture' of the 1890s The operatic repertoire Lohengrin, Wagner and political caricature Opera cartoons Conclusions Chapter Five. Staged Parody and the Acceptance of Wagner Carmen Back to Wagner Lohengrin Salammbô La Walkyrie Massenet and Verdi Back to Wagner (again) Concluding Remarks Bibliography 0 g.