Rothenberg ellen (27 Ergebnisse)

Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Rothenberg, Ellen, 1949-. Ellen Rothenberg. Edited by Johanna Branson. Medford, Mass.: Tufts University Art Gallery, 1994, 79pp., PAPERBACK, very good. 9781880593028 ISBN 1880593025.

First Edition. First edition. Softcover. Introduction by Elizabeth Wylier. Interview of Rothenberg by Johanna Branson. Essays by Dan Eisenberg, Cindi Katz, Lynne Cooke, and Whitney Chadwick. Includes numerous color and black and white illustrations. A clean near fine copy in wrappers.

Zustand: Very good. - Small quarto [10 inches high by 8-1/2 inches wide], softcover bound in pictorial red & black wrappers. The binding is very slightly bumped. 79 pages plus colophon, printed on variously colored stock. Profusely illustrated in color and black & white. Near fine. The book was edited by Johanna Branson and includes an interview with Ellen Rothenberg by Branson, an introduction by Elizabeth Wiley and essays by Dan Eisenberg, Cindi Katz, Lynne Cook and Whitney Chadwick.…

Wraps. Zustand: Good. Wraps. 11 pages. With a few black and white photos as well as a center fold-out illustration. A catalog to a 1993 exhibition exploring the work of Anne Frank And its use by others. GOOD condition. Small area of soiling to the lower front cover, with some bumping along the extremities.…

Softcover. Zustand: Neu. Zustand des Schutzumschlags: Ohne Schutzumschlag. 1. Auflage. 28 pages, fully illustrated in colour.

Zustand: Good. 8vo. 11 pp. Stapled wraps. Very Good. Color plates. Features installations by Ellen Rothenberg and an essay by Elizabeth A. Brown.

Taschenbuch. Zustand: Neu. Neuware - Angefangen mit der Realisierung einer Reihe von 'Arbeiterfilmen' Anfang der 1970er Jahre und der anschließenden Entwicklung eines persönlichen poetischen Stils, der den Schwerpunkt auf kollaborative Praktiken und den wiederherstellenden Umgang mit Kultur, Abgenutztem und Artefakten legt, hat Ingo Kratischs vielschichtige künstlerische Praxis wichtige Trends in der zeitgenössischen Kunst vorausschauend antizipiert: Reparatur und Wiederverwendung, Bildung von Stadt-/Landgemeinschaften und unterschiedliche dokumentarische Arbeiten aus der Ich-Perspektive im Lo-Fi-Stil. Dabei arbeitete Kratisch mit bedeutenden Filmemacher\*innen, Künstler\*innen und Schriftsteller\*innen zusammen, darunter Harun Farocki, und beeinflusste auf stille Weise die Filme und Karrieren anderer, während er seinen eigenen Weg außerhalb des Lichts des Projektors beschritt.Dieser Band stellt Kratischs Werk einer neuen Generation von Leser\*innen vor, die sich seines Einflusses oder seiner schöpferischen ästhetischen Prinzipien möglicherweise nicht bewusst sind. Seine Arbeit, Handlungen der radikalen Reparatur und Rekonstruktion, sind Modelle für eine nachhaltige, unabhängige künstlerische Produktion. …

Paperback. Zustand: Good. English.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Taschenbuch. Zustand: Neu. Über Ingo Kratisch: Eine Logik der Bilder; Eine Logik der Dinge | HaFI 22 | Daniel Eisenberg (u. a.) | Taschenbuch | 64 S. | Deutsch | 2025 | Bierke | EAN 9783948546250 | Verantwortliche Person für die EU: Bierke Verlag, Am Lokdepot 6, 10965 Berlin, bakri[at]gmx[dot]de | Anbieter: preigu.…

Zustand: Good. 4to. 11 pp. Soft Cover. Very Good. Staple binding. Printed wraps. Color Plates. Provenance: From the collection of the Peter Norton Family Foundation, Santa Monica, CA. In 2003, Norton, the founder of Norton Utilities, became the chairman of the board of MoMA PS1.

Zustand: New.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Recent advances in the understanding of the major events that shape the immune recog nition system have been remarkable. The analysis of immunoglobulin (Ig) gene organization and Ig repertoire diversification in lower vertebrates has provided new insight into this process in mammals. Similarly, the understanding of the early development of lymphocytes and of the acquisition of immunological tolerance has been aided by elegant studies in quail/chicken chimeras, using the power of the distinctive markers of the constitutive cells of these birds. Great strides have been made in understanding the role played by major histocompatibility complex (MHC) molecules in antigen presentation and in repertoire selec tion within the thymus. The use of transgenic mice expressing specific T-cell receptor (TCR) genes has elucidated the process of both positive and negative selection. In parallel, there has been considerable progress in our understanding of tolerance, based in part on the use of markers for the V fJ genes of T-cell receptors and in part on the analysis of the behavior of long term T-cell lines. This has led to the realization that both clonal deletion and clonal anergy may play critical roles in the maintenance of unresponsiveness to self antigen. Molecular analysis of the requirements for expression of membrane immunoglobulin molecules has revealed the existence of a complex that appears to be of critical importance in mediating signalling through Ig receptors. In addition, major insights have been obtained into the regulation of expression of genes of immunologic interest.…

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Hardcover. Zustand: New. In shrink wrap. Looks like an interesting title.

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Paperback. Zustand: Fine. 240 x 174 mm. Undated c.1965, Finlay's address is givens as Fettes Row in Edinburgh. Folded periodical, printed brown on white stock. Issue 13 of Poor Old Tired Horse, layout and illustration is by John Furnival. Includes poems by Mary Ellen Solt, Apollinaire (translated by J.F. Hendry), Lorine Niedecker, Marvin Malone, Jerome Rothenberg and Ian Hamilton Finlay, with Furnival's illustrations providing idiosyncratic visual structure and narrative. Includes two inserts as issued, Semi-Idiotic Poem and the Nicole Rabetaud page. Condition: some minor toning and soiling, 30mm brown mark to front cover, along with some denting. Pinched the top and bottom right corners. There is some marks and creasing to the semi idiotic poem insert, priced accordingly.Otherwise interior Very Good +. Overall Good.Ref: Murray 2.13.…

Zustand: Used. pp. 608.

Zustand: Used. pp. 608.

Zustand: New.

Zustand: New. Editor(s): Monroe, John G.; Rothenberg, Ellen. Series: Contemporary Immunology. Num Pages: 601 pages, 63 black & white illustrations, biography. BIC Classification: MJCM. Category: (P) Professional & Vocational. Dimension: 254 x 178 x 30. Weight in Grams: 1134. . 2010. 1st ed. Softcover of orig. ed. 1998. Paperback. . . . . …

Zustand: New. Editor(s): Monroe, John G.; Rothenberg, Ellen. Series: Contemporary Immunology. Num Pages: 601 pages, 63 black & white illustrations, biography. BIC Classification: MJCM. Category: (P) Professional & Vocational. Dimension: 254 x 178 x 30. Weight in Grams: 1134. . 2010. 1st ed. Softcover of orig. ed. 1998. Paperback. . . . . Books ship from the US and Ireland. …

Paperback. Zustand: Fine. 240 x 174 mm. Undated c.1965, Finlay's address is givens as Fettes Row in Edinburgh. Folded periodical, printed brown on white stock. Issue 13 of Poor Old Tired Horse, layout and illustration is by John Furnival. Includes poems by Mary Ellen Solt, Apollinaire (translated by J.F. Hendry), Lorine Niedecker, Marvin Malone, Jerome Rothenberg and Ian Hamilton Finlay, with Furnival's illustrations providing idiosyncratic visual structure and narrative. Includes two inserts as issued, Semi-Idiotic Poem and the Nicole Rabetaud page. Includes folded mimeo insert dated February 1965 mentioning 5 poem prints that Wild Hawthorne Press were releasing as well as mentioning upcoming prints. It also states that Rapel (1963) is now sold out. Condition: Near Fine Ref: Murray 2.13.…

[1] pp.; 55 x 43 cm.; color; edition size unknown; unsigned and unnumbered; offset-printed Single-sided poster / announcement for show [The Night The Palladium Apologized: An Exhibit Of 100 Contemporary Women Artists Curated By Guerrilla Girls / Palladium Will Apologize to Women Artists, The Palladium Dance Club] held October 17, 1985, curated by the Guerrilla Girls. Artists include Alice Adams, Jerri Allyn, Laurie Anderson, Eleanor Antin, Ida Applebroog, Alice Aycock, Jennifer Bartlett, Dara Birnbaum, Lynda Benglis, Louise Bourgeois, Stephanie Brody Lederman, Joan Brown, Vivian Browne, Marina Cappelletto, Cynthia Carlson, Lenora Champagne, Petah Coyne, Donna Dennis, Sandy De Sando, Jane Dickson, Mary Beth Edelson, Lauren Ewing, Jackie Ferrara, Karen Finley, Janet Fish, Ilona Granet, Denise Green, Vanalyne Green, Harmony Hammond, Donna Henes, Julia Heyward, Candace Hill-Montgomery, Kay Hines, Nancy Holt, Jenny Holzer, Valerie Jaudon, Joyce Kozloff, Jill Kroesen, Cheryl Laemmle, Ellen Lanyon, Louise Lawler, Karen Lawrie, Ann Leda, R. T. Livingston, Joan Logue, Bonnie Lucas, Lisa Lyon, Doreen McCarthy, Melissa Meyer, Mary Miss, Elizabeth Murray, Patsy Norvell, Helen Oji, Pat Oleszko, Howardina Pindell, Lady Pink, Judy Pfaff, Barbara Quinn, Marcia Resnick, Faith Ringgold, Iris Rose, Erika Rothenberg, Christy Rupp, Alison Saar, Miriam Schapiro, Joan Semmel, Bonnie Sherk, Cindy Sherman, Hollis Sigler, Sandy Skoglund, Alexis Smith, Kiki Smith, Joan Snyder, Nancy Spero, Pat Steir, May Stevens, Redy Story, Michelle Stuart, Mierle Laderman Ukeles, Mia Westerlund, Hannah Wilke, Nina Yankowitz, Brahna Yassky, Jerilea Zempel, Barbara Zucker, and Rhonda Zwillinger. Features artwork by Jenny Holzer. Good / Very Good. Folded into eight as issued. 3 cm. tear at crease in bottom center. Clean and unmarked.…

POOR.OLD.TIRED.HORSE. Numbers 9-25,1961 -1967 - all original. 17 issues in total. Edited by Ian Hamilton Finlay, POOR.OLD.TIRED.HORSE. is seen as the most important concrete poetry journal of the 1960s in Britain. The journal title comes from Robert Creeley's poem "Please" (1959). The early numbers are black & white, but later numbers involve colour (often silkscreen) illustrations as the concrete poetry movement blossomed. It has become highly influential for both poets and artists (see for example the ICA group exhibition POOR.OLD.TIRED.HORSE. of 2009). Issue no. 10 is 'a concrete number', including Augusto de Campos, Eugen Gomringer, Dom Sylvester Houédard and Edwin Morgan. Issue no. 12 is a 'Visual Semiotic Concrete' edition. Issue no. 18 is a collaboration, with writings and script by Ad Reinhardt and drawings and layout by Bridget Riley. Issue no. 25 the final issue is dedicated to one-word poems. Contributors include : Ian Hamilton Finlay, Pete Brown, Anselm Hollo, Lorine Neidecker, Gael Turnbull, Marvin Malone, Cid Corman, Jerome Rothenberg, Guillaume Appolinaire, Larry Eigner, Lawrence Ferlinghetti, Edwin Morgan, Cesar Lopez Nunez, Jonathan Williams, Tom McGrath, Spike Hawkins, Georg Trakl, Robert Garioch, Ernst Jandl, Paul de Vree, Robert Creeley, Vladimir Mayokovsky, Yury Pantratov, Libby Houston, Eugen Gomringer, Michael Shayer, Mary Ellen Solt, Peter Stitt, Dom Sylvester Houédard, Peter Lyle, Margot Sandemann, Heinz Gappmayr, Pedro Xisto, Hamish MacLaren, George Macklay Brown, Eli Seigel, Pierre Albert-Birot, Francis Ponge, Edward Wright, Emil Antonucci, Charles Biederman, Jim Nicholson, Ronald Johnson, Bernard Kops, Larry Eigner, Robert Creeley, Augusto de Campos, Edgard Braga, Bridget Riley, Ad Reinhardt, Robert Lax, Jeffrey Steele, Kenelm Cox, Stephen Bann, Hansjorg Mayer, Edward Lucie-Smith, Alan Riddell, Astrid Gillis, Aram Saroyan et al. Ref: IN NUMBERS (PPP Editions, Switzerland, 2009) pages 9, 18, 314-321. Also exhibited in the show of that name, ICA, 2012. Murray pages 2-3. Condition: most issues near fine, some very good with slight bruising to edges (see image of issues 9, 16, 17, 19, 20, 22, 25 showing edgewear/handling marks).…