rossi philip (26 Ergebnisse)

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover with dust jacket. Previous owner's name penned on ffep. Slight wear on upper edge of text. Otherwise pristine 214 pp.

Paperback. Zustand: Very Good. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Zustand: New. pp. 75.

Hardcover, no dust jacket. Ex-library, otherwise good. 214 pages. 214 pp.

Zustand: New. In.

Zustand: New.

Paperback. Zustand: Brand New. 204 pages. 8.75x6.00x0.50 inches. In Stock.

Hardback. Zustand: Very Good. 21st revised edition hardback, 1936, with no jacket. In overall very good used condition with only minor signs of age, handling and storage - boards clean and crisp. Binding tight and appears little read. Internally clean, no annotation or inscriptions; light scattered foxing were and there but text and illustrations bright and clear throughout. Photographs available. Not an old library book.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Fine hardback copy in fine dustjacket. Previous owner's name inside. xxiii, 214 pages Size: 8vo - over 7¾" - 9¾" tall. Book.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - The 'ethical commonwealth', the central social element in Kant's account of religion, provides the church, as 'the moral people of God', with a role in establishing a cosmopolitan order of peace. This role functions within an interpretive realignment of Kant's critical project that articulates its central concern as anthropological: critically disciplined reason enables humanity to enact peacemaking as its moral vocation in history. Within this context, politics and religion are not peripheral elements in the critical project. They are, instead, complementary social modalities in which humanity enacts its moral vocation to bring lasting peace among all peoples.

Hardcover. Zustand: Brand New. 200 pages. 8.00x5.00x0.79 inches. In Stock.

Zustand: New.

Hardcover. Zustand: Brand New. 8.75x6.00x0.75 inches. In Stock.

Zustand: New. Phillip Hellwege is Professor of Private Law, Commercial Law, and Legal History at the University of Augsburg, Germany. Before taking up his position in Augsburg he was from 2003 to 2010 a Senior Research Fellow at the Max Planck Institute for Comparative a.

Zustand: New. &Uumlber den Autoredited by Philip J. Rossi, Michael WreenInhaltsverzeichnisEditors IntroductionAcknowledgmentsA Note on CitationsKant s DeismAllen W. WoodKant on Reason and Justi.

Opbd. mit goldgepr. Rt. u. Osu. XXIII, 214 S. Mit Namen- u. Begriffsregister. (Sehr gut). (= The Indiana Series in the Philosophy of Religion).

Buch. Zustand: Neu. Neuware - Insurance is a legal, an actuarial and a financial product, and it is one out of many risk management strategies. It follows that its history can only be studied in the broader context of the development of such strategies, applying an interdisciplinary approach. The theme of the present volume is maritime risk management. After an overview over the history of insurance, the contributions to the present volume examine different maritime risk management strategies by adopting a variety of methodological approaches. Some contributions focus on normative provisions, others contrast practice with legal scholarship, or focus on the emergence of insurance companies as opposed to individual insurers. Again, other contributions give insights in marine insurance practice in specific cities or analyse insurance practice through the lens of specific insurance litigation. As to the time frame, the different contributions span from antiquity to the nineteenth century.

Buch. Zustand: Neu. Maritime Risk Management | Essays on the History of Marine Insurance, General Average and Sea Loan, Comparative Studies in the History of Insurance Law - Studien zur vergleichenden Geschichte des Versicherungsrechts 11 | Phillip Hellwege | Buch | 304 S. | Englisch | 2021 | Duncker und Humblot GmbH | EAN 9783428182602 | Verantwortliche Person für die EU: Duncker & Humblot GmbH, Carl-Heinrich-Becker-Weg 9, 12165 Berlin, info[at]duncker-humblot[dot]de | Anbieter: preigu.

Buch. Zustand: Neu. Neuware - 'The essays, both philosophical and historical, demonstrate the continuing significance of a neglected aspect of Kant's thought.'-Religious Studies ReviewChallenging the traditional view that Kant's account of religion was peripheral to his thinking, these essays demonstrate the centrality of religion to Kant's critical philosophy.Contributors are Sharon Anderson-Gold, Leslie A. Mulholland, Anthony N. Perovich, Jr., Philip J. Rossi, Joseph Runzo, Denis Savage, Walter Sparn, Burkhard Tuschling, Nicholas P. Wolterstorff, and Allen W. Wood.

First Edition. First edition. Softcover. 216 pages. Features a preface by Timothy G. Goodsell and a foreword by John Carswell along with an introduction, acknowledgments, and essay by Dennis Adrian. Includes numerous color and black and white images after works by Roger Brown, Art Green, Philip Hanson, Gladys Nilsson, Jim Nutt, Ed Paschke, Christina Ramberg, Suellen Rocca, Barbara Rossi, and Karl Wirsum as well as a section of collaborative works. Also includes brief biographies of the artists as well a checklist. A clean near fine copy in yellow wrappers with some of the usual fading to the spine. Still a very nice copy of this important and seemingly uncommon reference.

Hardcover. Zustand: Near Fine. No Jacket. TWO VOLUMES SET. Garland Publishing, Inc. (1978). Hardcover (Red cloth. Gilt spine title). Exlibrary copy. No wear. Clean unmarked. Looks as never used. VERYGOOD+. 12.2"x9.1". be75305. For International and/or Expedited shipping contact seller.

[32] pp.; 22.2 x 22.2 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held October 1 - November 9, 1969. Essay by Joan C. Siegfried. Includes exhibition checklist. Artists include Terry Allen, Frederick Anderson, Jeremy Anderson, Bernard Aptekar, Robert Arneson, Gene Beery, Wallace Berman, Peter Bodnar, Roger Brown, Roy De Forest, Oyvind Fahlström, Edward C. Flood, William Geis, David Gilhooly, Gerald Gooch, Robert Gordy, Red Grooms, Sue Hall, Philip Hanson, Robert Hudson, Jess, R.B. Kitaj, Nicholas Krushenick, Roy Lichtenstein, Alden Mason, James Melchert, Gladys Nilsson, James Nutt, Claes Oldenburg, Eduardo Paolozzi, Ed Paschke, Peter Phillips, Christina Ramberg, Mel Ramos, Suellen Rocca, Barbara Rossi, Peter Saul, William Schwedler, David Smyth, Norman Steigelmeyer, Ernest Trova, Andy Warhol, H.C. Westermann, William T. Wiley, Karl Wirsum, Ray Yoshida, Arlo Acton, Robyn Martin, and Giovanni Ragusa. Covers designed by Edward C. Flood. Very Good. Light rubbing of covers and cover edges and spine and bumping of top and bottom right corners. 2.3 cm. of water staining to the bottom of pages 27-32 at spine. Contents otherwise clean and unmarked.

Paperback. Zustand: Very Good +. Book. 265 x 210 mm, 36 pp. in printed stapled wraps. Winter/Spring 1966. Front cover image in colour, contents illustrated with both colour and b/w images. Three issues of Image (usually a 'careers' magazine for young graduates) were effectively taken over by important Cambridge academics of the day, all with a specific interest in concrete poetry and kinetic art: Philip Steadman, Stephen Bann and Reg Gadney. The issues of Image dedicated to kinetic and concrete poetry were particularly noteworthy for their commitment to translation and reprinting 'lost' texts, an imaginative use of layout and photography, and enlightening academic essays on their given subjects. Symbiotic of its artistic agenda, this issue brings together a comprehensive, edited selection of the writings of the Groupe Recherche d'art Visuel (Paris, 1960-65) - many of which had hitherto never been published in translation, and the majority of which were first published in ephemeral catalogues or leaflets. Edited and translated by Stephen Bann and Reg Gadney, their introduction to the manifesto-texts of the Groupe Recherche d'art Visuel reads: 'These writings are not a prescription for kinetic art, nor are they sufficient to define the position of the GRAV on the modern scene. They are the product of a radical reappraisal of the relationship between artist, work and spectator and as such they have a unique interest.' From 1960 is a text declaring the aims of the GRAV, entitled 'Act of Foundation'; from 1961: a statement made by GRAV on the occasion of an exhibition of kinetic art at the Museum of Modern Art in Stockholm ('We prefer to consider the artistic phenomenon as an exclusively visual experience on the level of physiology rather than of emotion'); from September 1961: a secondary manifesto entitled 'Enough of Mystification', from 1962: extracts from 'Individual Declarations' by the artists of GRAV; from 1962/3: an extract from a text by Le Parc, entitled 'On the Subject of Art-Spectacle', and a text distributed for the opening of the 3rd Paris Biennale in October 1963; also from 1963, a text entitled ''Instability'-The Labyrith' and a talk by Le Parc at Rimini Congress. A series of questionnaires, from Bann, Gadney and Ohio University, conducted in 1965 (and translated by Annette Kobak), is also included. This issue also features an essay by the art historian and Image contributing editor, Stephen Bann, entitled 'Kinetic Art and Poetry' (a particular attention is given to Ian Hamilton Finlay's kinetic poetry); together with a text by Frank Popper entitled 'Mueller's Machine 'M'', examining the work by Hans-Walter Mueller Machine M, that was shown at the Fourth Biennale of Paris, as well as photographs of Edina Ronay, young actress-daughter of Hungarian gourmet, Egon Ronay. Rare, our last copy. Condition: light wear to front cover, light soiling to left edge of cover and crease to bottom corner, internally fine. Overall: Very good+.