Rosenthal norman editor (6 Ergebnisse)

Hardcover. Zustand: Binding Tight, Pages Bright. Zustand des Schutzumschlags: Lightly Edge & Shelfworn DJ. First Edition.

hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1989. Red cloth covered boards with pasted on spine titles; jacket has mild wear, now in Brodart like cover; 4to - over 9 3/4" to 12" tall; illustrations throughout; Interior is clean and unmarked; 465 pages. Additional shipping charges may be required due to the size and weight of book.…

Paperback. Zustand: Good. Zustand des Schutzumschlags: n No Jacket. y 1st Edition. London & Munich: Royal Academy of Arts in Association with Prestel-Verlag, 1989. Book. Good. Soft cover. 1st Edition. 4to - over 9¾ - 12" tall. Book published on the occasion of an exhibition held at the Royal Academy of Arts, London, from January to April 1989. Introduction by Norman Rosenthal and numerous contributions by various authors. 457pp plus index to rear, illustrated throughout in colour and black and white. Creasing to spine, corners and rear panel, otherwise good copy, internally very good with no inscriptions. VERY HEAVY BOOK, additional postage will be required. Book.…

320pp. 8vo. Original cloth in dustwrapper. A few spots on edges. B&W plates. A very good copy.

Hardcover. Zustand: Very Good. First Edition. Hardback. Dust Jacket. 4to. (296 pages) illustrated with numerous colour and b/w reproductions/photographs. English text. Dust jacket shows light rubbing/scuffing. Original publisher's white boards lettered black at the spine. New European painters 'The Most definitive exhibition I have ever see. It captures perfectly a movement, a mood, a message' Waldemar Janusczak. Very good indeed in very good dust jacket with faint creasing at top edge. Neat name on front endpaper (the curator Lewis Biggs) /not price-clipped.…

First Edition. A complete run of the Beat literary magazine, founded in response to the suppression for reasons of "obscenity" of The Chicago Review's Winter 1958 issue. These copies have been signed a whopping 33 times by a Who's Who of the contributors and prominent figures associated with the Beat and Black Mountain schools of poetry/lit. From the collection of Joe Lee, who clearly made it his mission to meet the leading lights of the period and get their autographs over a number of years. The first issue is signed by William S. Burroughs (at a lengthy excerpt of his shot across the bow Naked Lunch, poets Robert Creeley and Denise Levertov (on ads at the rear), and folksingers Odetta and Peggy Seeger. The second issue is signed by Allen Ginsberg (dated 11/84), David Meltzer, Amiri Baraka (known as LeRoi Jones at the time; dated 11/98), artist Jules Feiffer, and poet/publisher Lawrence Ferlinghetti on the rear wrap. The third issue is signed by poets Ginsberg (dated 6/12/94), Baraka, Creeley, John Ashbery; chronicler of the gay experience John Rechy, Feiffer, and Pulitzer Prize-winning novelist Norman Mailer. The fourth issue signed by comedian Steve Allen on an ad for his album at the front, Ginsberg (dated 6/12/94), Levertov (on her poem "The Rainwalkers"), Creeley, Diane DiPrima, Meltzer, Gary Snyder, Michael McClure, Ashbery, and Baraka (dated 11/98). The fifth and final issue signed by Creeley, Ashbery, John Updike, Meltzer, Rechy, and Odetta (dated 3-14 '98). Ted Joans's signature is somewhere in one of these issues too; memory fails which one. All volumes Very Good or slightly better, typical age toning and some light wear, bindings a little strained. A remarkable collection of signatures of major figures in the Beat movement, the folk scene, and the Black Mountain school, with some up-and-coming novelists like Updike and Mailer thrown in; all of which together with Big Table itself really capture the zeitgeist of the late '50s and early '60s. Signed.…