Rosenquist james (268 Ergebnisse)

Hardcover. Zustand: Very Good. Illustrated. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardback. Zustand: Very Good. From James Rosenquist, one of our most iconic pop artists--along with Andy Warhol, Jim Dine, Claes Oldenburg, and Roy Lichtenstein--comes this candid and fascinating memoir. Unlike these artists, Rosenquist often works in three-dimensional forms, with highly dramatic shifts in scale and a far more complex palette, including grisaille and Day-Glo colors. A skilled traditional painter, he avoided the stencils and silk screens of Warhol and Lichtenstein. His vast canvases full of brilliant, surreally juxtaposed images would influence both many of his contemporaries and younger generations, as well as revolutionize twentieth-century painting. Ronsequist writes about growing up in a tight-knit community of Scandinavian farmers in North Dakota and Minnesota in the late 1930s and early 1940s; about his mother, who was not only an amateur painter but, along with his father, a passionate aviator; and about leaving that flat midwestern landscape in 1955 for New York, where he had won a scholarship to the Art Students League. George Grosz, Edwin Dickinson, and Robert Beverly Hale were among his teachers, but his early life was a struggle until he discovered sign painting. He describes days suspended on scaffolding high over Broadway, painting movie or theater billboards, and nights at the Cedar Tavern with Willem de Kooning, Franz Kline, and the poet LeRoi Jones. His first major studio, on Coenties Slip, was in the thick of the new art world. Among his neighbors were Ellsworth Kelly, Robert Indiana, Agnes Martin, and Jack Youngerman, and his mentors Robert Rauschenberg and Jasper Johns. Rosenquist writes about his shows with the dealers Richard Bellamy, Ileana Sonnabend, and Leo Castelli, and about colorful collectors like Robert and Ethel Scull. We learn about the 1971 car crash that left his wife and son in a coma and his own life and work in shambles, his lobbying--along with Rauschenberg--for artists' rights in Washington D.C., and how he got his work back on track. With his distinct voice, Roseqnuist writes about the ideas behind some of his major paintings, from the startling revelation that led to his first pop painting, Zone, to his masterpiece, F-III, a stunning critique of war and consumerism, to the cosmic reverie of Star Thief. This is James Rosenquist's story in his own words--captivating and unexpected, a unique look inside the contemporary art world in the company of one of its most important painters.…

Zustand: Good. 1st Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Zustand: Near Fine. Paperback copy published on the occasion of the February 18 - March 19, 2010 exhibition. An interview by Sarah Celeste Bancroft and 25 color plates of the work plus two photographs of the paintings installed.

Soft cover. Zustand: Good. Glossy softcover, 108 pgs. Includes contributions from a long list of art world figures from the 80s. Short tear to spine, else very light wear.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

SOFTCOVER. Zustand: Very Good. 1st Edition. Large square octavo softcover; 107 pp.; frontispiece; b/w and full color plates. Tight binding, clean throughout. Minor fading to spine. Very Good. Includes the essay "A Lot to Like" and an interview with James Rosenquist. ROSENQUIST, James (illustrator).

Hardcover w/ D. Zustand: used: good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDArt BooksVery good hardcover in very good dust jacket. Clean pages.

Hardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Zustand: New.

paperback. Zustand: As New. U.S. orders are shipped from N.Y. state.

First Edition. First edition. Large softcover. 48 pages. Essay by Judith Goldman and acknowledgements by Kenneth E. Tyler. Includes numerous color and black and white illustrations with 2 of them being gatefolds and an artist chronology. A fine copy in French style wrappers.

116 pp.; 24.5 x 16.5 cm.; black-and-white & color; edition size 3000; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at University Art Museum, California State University, Long Beach, CA, August 26 - October 26, 1997. Traveled to The Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, NJ, November 22, 1997 - February 22, 1998; The Baltimore Museum of Art, Baltimore, MD, March 25 - May 31, 1998; Montgomery Museum of Fine Arts, Montgomery, AL, June 27 - August 23, 1998; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, MN, October 3 - December 6, 1998; Marion Koogler McNay Art Museum, San Antonio, TX, January 18 - Marh 14, 1999; Wichita Art Museum, Wichita, KS, April 11 - June 6, 1999; Muskegon Museum of Art, Muskegon, MI, July 29 - September 12, 1999; Joslyn Art Museum, Omaha, NB, October 23, 1999 - January 9, 2000; Lowe Art Museum, University of Miami, Coral Gables, FL, February 3 - March 26, 2000 and The Toledo Museum of Art, Toledo, OH, June 4 - August 13, 2000. Curated and with text by Constance W. Glenn. Additional contributions by Linda Albright-Tomb, Dorothy Lichtenstein, and Karen L. Kleinfelder. Artists include Allan D''Arcangelo, Jim Dine, Robert Indiana, Jasper Johns, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, Larry Rivers, James Rosenquist, Edward Ruscha, Lucas Samaras, George Segal, Wayne Thiebaud, Ernest Trova, Andy Warhol, Roberty Watts, and Tom Wesselmann. Includes exhibition checklist and annotated bibliography. Very Good / Fine. Light rubbing of cover edges. Contents clean and unmarked.…

116 pp.; 24.5 x 16.5 cm.; black-and-white & color; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at University Art Museum, California State University, Long Beach, CA, August 26 - October 26, 1997. Traveled to The Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, NJ, November 22, 1997 - February 22, 1998; The Baltimore Museum of Art, Baltimore, MD, March 25 - May 31, 1998; Montgomery Museum of Fine Arts, Montgomery, AL, June 27 - August 23, 1998; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, MN, October 3 - December 6, 1998; Marion Koogler McNay Art Museum, San Antonio, TX, January 18 - Marh 14, 1999; Wichita Art Museum, Wichita, KS, April 11 - June 6, 1999; Muskegon Museum of Art, Muskegon, MI, July 29 - September 12, 1999; Joslyn Art Museum, Omaha, NB, October 23, 1999 - January 9, 2000; Lowe Art Museum, University of Miami, Coral Gables, FL, February 3 - March 26, 2000 and The Toledo Museum of Art, Toledo, OH, June 4 - August 13, 2000. Curated and with text by Constance W. Glenn. Additional contributions by Linda Albright-Tomb, Dorothy Lichtenstein, and Karen L. Kleinfelder. Artists include Allan D'Arcangelo, Jim Dine, Robert Indiana, Jasper Johns, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, Larry Rivers, James Rosenquist, Edward Ruscha, Lucas Samaras, George Segal, Wayne Thiebaud, Ernest Trova, Andy Warhol, Roberty Watts, and Tom Wesselmann. Includes exhibition checklist and annotated bibliography. Very Good / Fine. Light rubbing of cover edges. "Carley 3/2000" written in black ink on title page. Contents otherwise clean and unmarked.…

Softcover. Zustand: Very Good. Rectangular 8vo; white wrappers; reproductions throughout. Two inch sticker shadow front cover; light soil back cover.

2005, Art, Photography, Acquavella Galleries, Inc., no page coun, very good paperback.

Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. James Rosenquist (illustrator).

First Edition. First edition. Oblong softcover. 188 pages. Features text by Judith Goldman. Includes numerous color and black and white illustrations and a bibliography. A near fine copy in wrappers with some very minor wear and from the library of Lucas Samaras with estate stamp. A very nice copy with an interesting provenance.…

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

216 pp.; 26.6 x 21.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 8, 1989 - February 18, 1990, with public projects held November 22 - December 31, 1989. Texts by Marvin Heiferman, Lisa Phillips, and John G. Hanhardt. SArtists include Vito Acconci, Dennis Adams, Laurie Anderson, John Baldessari, William Beckley, Gretchen Bender, Wallace Berman, Ashley Bickerton, Dara Birnbaum, Nayland Blake, Barbara Bloom, Troy Brauntuch, Chris Burden, Nancy Burson, David Kramlich, Peter Campus, Sarah Charlesworth, John Clem Clarke, Clegg and Guttmann, Chuck Close, Bruce Conner, Robert Cumming, Fluxus Collective, George Brecht, Alison Knowles, Robert Watts, George Maciunas, Jack Goldstein, Dan Graham, Gran Fury, Hans Haacke, Robert Heinecken, Jenny Holzer, Larry Johnson, Edward Kienholz, Carole Ann Klonarides, Silvia Kolbowski, Jeff Koons, Joseph Kosuth, Barbara Kruger, Annette Lemieux, Les Levine, Sherrie Levine, Roy Lichtenstein, Robert Longo, Frank Majore, Allan McCollum, Matt Mullican, Peter Nagy, Bruce Nauman, Nam June Paik, Richard Prince, Robert Rauschenberg, David Robbins, James Rosenquist, Edward Ruscha, David Salle, Richard Serra, Cindy Sherman, Laurie Simmons, Lorna Simpson, Alexis Smith, Mark Tansey, Bill Viola, Andy Warhol, Oliver Wasow, William Wegman, Tom Wesselmann, and Krzysztof Wodiczko. Includes image world chronology, selected bibliography, films and videotapes in the exhibition, and an exhibition checklist. Very Good / Fine. Light rubbing of cover edges and yellowing of page edges. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

256; 29.7 x 22.8 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, Los Angeles, December 6, 1992 - March 7, 1993. Traveled to the Museum of Contemporary Art, Chicago, April 3 - June 20, 1993 and the Whitney Museum of American Art, New York, July 16 - October 3, 1993. Edited by Russell Ferguson. Texts by David Deitcher, Stephen C. Foster, Dick Hebdige, Linda Norden, Kenneth E. Silver and John Yau. Artists include Billy Al Bengston, Jim Dine, Jean Follett, Joe Goode, Grace Hartigan, Jess, Robert Indiana, Jasper Johns, Allan Kaprow, , Roy Lichtenstein, Claes Oldenburg, Mel Ramos, Robert Rauschenberg, James Rosenquist, Edward Ruscha, Peter Saul, Wayne Thiebaud, Cy Twombly, Andy Warhol. Includes index, bibliography and artists' exhibition histories. Very Good / Fine. Very light rubbing of covers and subtle yellowing of page edges from age, otherwise Fine. Due to large size and weight additional shipping charges may be required for international orders.…

Zustand: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES. James Rosenquist (illustrator).

First Edition. First edition. Softcover. 46 pages. Exhibition catalog for a show that ran September 10 through October 13, 2012. Features a brief foreword by William R. Acquavella and an essay by Judith Goldman. Includes 11 color plates and a checklist. A fine copy in wrappers.

First Edition. First edition. Softcover. Exhibition catalog for a show that ran October 31 through December 14, 2007. Features an essay by Sarah Bancroft. Includes color illustrations and a checklist. A fine copy in French style wrappers/.

First Edition. First edition. Softcover. 64 pages. Exhibition catalog for a show that ran October 4 through November 11, 2005. Features an essay by Adcock. Includes 24 illustrations with one foldout. An about very good copy in French style wrappers with highlighting throughout the text.

Soft Cover. Zustand: As New. This is a fine as new softcover copy with no wear at all, still in the publisher's shrinkwrap, unopened. This catalog was prepared to accompany the exhibition at Acquavella Galleries in New York from February to March 2010. Essay by Sarah Celeste Bancroft. Exhibition checklist with 21 works. All illustrated in color. 10" high X 9" wide, 47 pages. This book will be securely wrapped and shipped with tracking.…

Soft cover. Zustand: Very Good. New York: Acquvella Contemporary Art, Inc., 2007. An exhibition catalogue issued to coincide with a show held Oct 31- Dec 14, 2007. Upper corner gently bumped, else VG+.

Zustand: New.