rosenberg aura (25 Ergebnisse)

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Zustand: Brand New. reprint edition. 316 pages. 8.50x5.50x1.25 inches. In Stock.

Paperback. Zustand: Brand New. reprint edition. 316 pages. 8.50x5.50x1.25 inches. In Stock.

Paperback. Zustand: Brand New. illustrated edition. 96 pages. 9.75x6.75x0.75 inches. In Stock.

Zustand: as new. Ostfildern : Hatje Cantz, Hardcover. 200 pp. Condition : as new. English text. - Celebrating the kind of childhood play that signals a search for identity, Who Am I, What Am I, Where Am I? is a series of 70 photographs by New York- and Berlin-based artist Aura Rosenberg. For each picture, a child and an artist were paired up to create an idiosyncratic portrait of the child--each of whom was given access to masks and costumes. Among the collaborating artists are Ei Arawkawa, Monica Bonvicini, John Baldessari, Lisa Davis, Maria Eichhorn, Coco Fusco, Rainer Ganahl, Dan Graham, Lyle Ashton Harris, Skuta Helgason, Joan Jonas, Mike Kelly, Jutta Koether, Harmony Korine, Louise Lawler, Allan McCollum, John Miller, Vik Muniz, Tony Oursler, Jim Shaw, James Siena, Laurie Simmons, Kiki Smith and Haim Steinbach. Rosenberg's contribution to the collaboration is her technically playful style--the photographs are often digitally manipulated to create an array of surreal and humorous effects. This volume draws a compelling parallel between childhood play and the work of the adult artists. Also included are texts by artists Dan Graham, Mike Kelley and Nicolàs Guagnini. Condition : as new copy. ISBN 9783775722551. Keywords : ART,

Zustand: New. 2023. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 200 pages. 9.00x5.50x0.79 inches. In Stock.

Paperback. Zustand: Brand New. 200 pages. 9.00x5.50x0.79 inches. In Stock.

Hardcover. 200 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. D03259 9783775722551 Sprache: Englisch Gewicht in Gramm: 1150.

1. Auflage. 24 Seiten. OBr., Oktav 20,9 x 14,7 cm, 24 unpaginierte S., mit 6 Abb.; tadellos erhaltenes Exemplar. ID Galerie - 14.

4°, Pappband-O. Zustand: Gut. 200 S., Mit zahlreichen Abbildungen, sehr sauberes Exemplar. 202984_Foto Sprache: Englisch Gewicht in Gramm: 1418.

175 S., zahlr. Abb. Originalhalbleinen. Sehr gut erhaltenes Exemplar. Text deutsch und englisch. Auf Grund der EPR-Regelung können wir in folgende Länder NICHT mehr liefern: Bulgarien, Dänemark, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.

68 pp.; 27.5 x 20.9 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; October 1999 issue of New Art Examiner, edited by Kathryn Hixson. Contents include : "Editorial," by Kathryn Hixson; "Recommend;" "newsbriefs;" "International : Six Nanjing Painters," by Paul Krainak; "Special Report: Varieties of Naked Experience: Particulars of the Human Body in Recent Art," by Tom Csaszar; "Test Family: Children in Contemporary Art," by Michelle Grabner; "In the Anal Universe: The Para-Art of Mike Kelley and Paul McCarthy," by Donald Kuspit; "Play and Postmodernism. and the Bavarian Rococo," by Martha McWilliams; "Flurry Goes to Hollywood: Reading Books and Watching Movies," focus group conducted by Michael Agnew and Jan Estep; "Interview : Post Conceptual Reality," an interview with Madeleine Grynstejn," by Robert Raczka; "Studio view : Mark Handforth, Miami," by Gean Moreno; "Extended Review : San Francisco, Fabrice Hybert," reviewed by Jim Nawrocki; "Reviews Index;" "Reviews;" "On Books;" "Classifieds;" "Cartoon," by Adam Green "art note : Taking it to the Streets," by Kathryn Rosenfeld. Cover : Aura Rosenberg. Very Good. Rubbing of covers and spine edge with very light handling wear. Contents clean and unmarked.

Zustand: NEW.

Zustand: Gut. Jahr: 2002. Einband: Halbleinen. Beschreibung: Hrsg. v. F. Meschede. Fotografien v. A. Rosenberg. Einband leicht berieben, sonst gutes Exemplar. Sprache: de. 174 S.

4°, 175 S. mit sehr vielen farbigen Fotos, Orig.-Halbleinen. Erste Ausgabe.- Gutes Exemplar.- PLEASE NOTE: Additional shipping costs to destinations outside of the EU are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase.

Original-Halbleinenband. Zustand: Sehr gut. 4 Original-Halbleinenband de 175 pp.

200 S. Hardcover. Sauberes Exemplar ohne Stempel und Anstreichungen. Mit zahlreichen Abbildungen und Tafeln. Sehr gut erhalten. Sprache: eng.

Taschenbuch. Zustand: Neu. Neuware - Aura Rosenberg is concerned with the visible expression of sexual desire. Capturing the moment of orgasm on camera is usually reserved for the voyeur, the hidden witness. What Rosenberg has done is present herself as the public's witness via the camera, inviting a number of men into her studio to reenact the ecstasy of release, the moment when potency and vulnerability coexist. The result is a collection of extraordinary photographs that run the gamut of psychosexual expression. Whether her subjects were really giving their best shot or simply indulging in sublime fakery is just one of the very pertinent questions these pictures throw out. In acting out their most abandoned sexual and emotional moment before her lens, Rosenberg's subjects invite us to step beyond the traditional limits of voyeurism. These beautiful, curious and erotic images reserve the traditional male-on-female gaze and relieve it of some of its associations with misogyny and perversity. Writers Lynn Tillman and Gary Indiana reflect together on the experience of witnessing these photographs.

60 pp.; 27.9 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1987 issue of Journal. "This issue of JOURNAL is a collaborative effort between thirteen contributing editors representing ten cities of nations in the United States and Western Europe. The works appearing in this issue were chosen by the contributing editors.and were created especially for the magazine." -- from the introduction. Each artist provided a single page for individual artists' projects. COntents include: "Local/International," edited by Muntadas and Mar Villaspesa, featuring Agustin Parejo School, Joan Rabascall, Victoria Gil, Federico Guzman, Ana Busto and Rafael Agredano; "Chicago Artists," edited by Hudson, featuring Kay Rosen, Mark Pederson, David Sedaris, Jeanne Dunning and Johnny Pixchure; "German Artists," edited by Stuart Regen, featuring Imi Knoebel, Andreas Shulze, Jiri Georg Dokoupil, Walter Dahn and Rosemarie Trockel; "London Artists," edited by Andrew Graham-Dixon, Greg Hilty and Kate Macfarland, featuring Hannah Collins, Anthony Wilson, Richard Wilson, Helen Chadwick and Kate Whiteford; "Los Angeles Artists," edited by Colin Gardner, featuring Larry Johnson, Douglas Huebler, Alexis Smith, David French and Mitchell Syrop; "Eight Artists Respond to a Photo," edited by Dorit Cypis, featuring Paul McMahon/Leeny Sack, John Schlesinger/Reese Williams, Valerie Ellis/ Marion McClinton and Adriana Angel/Morgan Thomas; "New York Artists," edited by Susan A. Davis, featuring Susan Davis, Beje LaRico, Michael N. Ballou, Aura Rosenberg and Barbara Broughel; "French Artists," edited by Catherine Arthus-Bertrand, featuring Dominique Gonzalez-Foerster, Gilles Mahé, Ernest T. and Felice Varini; "Pirri Mantegna Petroiusti Roma," edited by Caterina Borelli, featuring Alfredo Pirri, Gianfranco Mantegna and Cesare Petroiusti and "Artists in Vienna," edited by Peter Pakesch, featuring Heimo Zobernig, Herbert Brandl, Gerwald Rockenschaub, Markus Geiger and Otto Zitko. Very Good / Fine. Light rubbing of covers and spine edge with 1.3 cm. area of gentle bumping to verso. Contents clean and unmarked.

1. Aufl. 30 x 25 cm. 175 S. mit zahlr. Foto-Abb. OHLn. "After leaving Germany in 1932, Walter Benjamin wrote Berliner Kindheit Um Neunzehnhundert, a collection of 42 texts that functions as a childhood memoir, distilling the poignancy of a lost childhood from vividly remembered places, things and experiences. Arriving in Berlin with her husband and young daughter in 1991, Aura Rosenberg was introduced to Benjamin's memoir, and found herself moving through the very spaces Benjamin once had. Her goal became to produce photos to match each entry in Benjamin's book. This volume of 160 pictures, juxtaposed with excerpts from Benjamin and accounts of her own investigation, is the result of her quest. What emerges is a multilayered allegory that offers a look back to the origins of modernity through the lens of contemporary Berlin." Verlagstext.

[20] pp.; 27.9 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held August 10 - September 7, 1991. Curated and with an essay by Ralph Rugoff. Artists include Alan Belcher, Dennis Cooper, Jim Isermann, John Coplans, Jessica Diamond, Jeanne Dunning, Rotimi Fani-Kayode, Bob Flanagan, Sheree Rose, Lyle Ashton Harris, Richard Hawkins, Mike Kelley, Mark Kroening, Cary Liebowitz, Paul McCarthy, Raymond Pettibon, Jack Pierson, Johnny Pixchure, Aura Rosenberg, Jim Shaw, Cindy Sherman, Laurie Simmons, Tom of Finland, Jeffrey Vallance, Anne Walsh, and Sue Williams. Includes exhibition checklist. Very Good. Contents clean and unmarked.

7.9 x 7.9 x 24 cm.; duotone; edition size Open Edition; unsigned and unnumbered The Siegessäule Souvenir is an unlimited edition by Aura Rosenberg produced by KW Institute for Contemporary Art, Berlin. "For an exhibition of this work at the daadgalerie, I decided to commission a baked version of the victory column. First, I planned to give the baker a souvenir of the monument to copy. However, searching through tourist shops and antique markets yielded nothing. At the victory column itself only souvenirs of the golden angel that sits at its top were for sale. Curiously, the base of the victory column houses an exhibition of models of monuments from around the world--in sharp to contrast its own souvenir-less status. In response, I produced a small edition of victory columns. They were ten inches tall and based on the original version, before Hitler''s enlargement. They served as prototypes for a subsequent edition of 1000 that I made for the 2004 Berlin Biennale. The word ''souvenir'' derives from Latin ''subvenire'', which translates ''to come up from below''--virtually the same as its meaning in French. Souvenirs are a way of remembering, holding on to memories, so that they remain present. The absence of a victory column souvenir suggests the opposite--a desire to repress not only memories of the monument, but also its troubling past. As far as I know, my edition may be the only group of Siegessäule souvenirs available anywhere. Only Die Siegessäule, Berlin''s leading gay and lesbian magazine, deigns to acknowledge this symbol, admittedly with a degree of irony. My desire to produce an edition of souvenirs is not so much a celebration of the monument as it is a way to confront its traumatic history." -- artists statement Fair. Lacking scepter from right hand of figure atop of statue. Small loss at cornice edge. Light scuffing of underside of base and residue of removed tape, otherwise as issued. Sold "as-is." Due to large size and weight additional shipping charges will be required for international orders.

Gebunden mit Leinenrücken. 176 Seiten mit zahlreichen Farbtafeln. Format 24,5 x 30 cm. Sehr guter Zustand. Die Fotografin erforscht die Spuren Walter Benjamins in Berlin und zugleich die Spuren ihrer Familie, die 1930 aus Berlin geflohen war. Mit einem Text von Esther Leslie über Walter Benjamins Berliner Kindheit und einem Text von Friedrich Meschede "Das Gedächtnis der Orte". Sprache: deutsch, englisch.