Rosand david ed (5 Ergebnisse)

hardcover. Zustand: fine. near fine. With 169 illustrations, including 101 color plates. 208pp. Short square 4to, white cloth, d.w. (spine faded). New York: Abrams, in Association with Wallach Art Gallery at Columbia University, (1997). First edition. Fine in near fine dust wrapper. Robert Motherwell (illustrator).…

Rosand, David (Ed.). ROBERT MOTHERWELL on Paper. 208 pp. with 101 color plates and 68 b&w illustrations. Square 4to, cloth. New York, Harry N. Abrams, 1997. Spine faded.

Zustand: gut. Paolo Veronese In englischer Sprache. pages.

Harry N. Abrams, New York 1997. Square 4to. 208 pages. Profusely illustrated in b/w and colour. Original cloth in dust wrapper. Near fine/Near fine.

Hardback, Pages: 376 pages, Size:225 x 300 mm; Illustrations:2 b/w, 357 col. Language:English, Italian, Latin. ISBN 9781909400986. David Rosand's Paolo Veronese is a masterly account of the Venetian painter's artistic achievement, demonstrating a complete command of the literature and scholarly issues, insightful interpretations of individual paintings and drawings, and a marvelously elegant prose style. Rosand's reading of each painting judiciously considers how Veronese brought his pictorial intelligence to bear on the formal qualities of his work to create his own personal rhetoric of visual expression, one that embodies the ?dignity and nobility of painting and resonates with viewers and readers today. Rosand?s arguments are not solely visual, however, but are buttressed by extensive quotations from scripture and textual sources. The author synthesizes decades of research and careful reflection, refining his own approaches, which have themselves stood the test of time. Careful readings of specific paintings, including the celebrated Wedding Feast at Cana, the frescoes at the Villa Barbaro, and the church of San Sebastiano, where Rosand played an integral part in the recent restoration by Save Venice Inc., are all accompanied by lavish illustrations, providing the reader the opportunity to put into practice the author?s conviction that our own responses to paintings will guide their interpretation. 0 g.…