Rorimer james joseph (11 Ergebnisse)

Paperback. Zustand: Very Good. 1951 paperback in very good condition. All inside pages are in great shape. Minor shelf wear to the cover.

Zustand: Good. Good condition. NAP. (medieval art, architecture, museums, monasteries, christianity) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

4th edition. Good copy in the original stiff-card wrappers; edges somewhat nicked and dust-dulled as with age. Remains quite well-preserved overall. Physical description; 38 p. : ill. (some col.) ; 19 cm. Notes; Previous ed.: 1946. Subjects; Hunt of the unicorn. Tapestry, Gothic France. Tapestry New York (N.Y.) 1 Kg.…

4th edition. Good copy in the original stiff-card wrappers; edges somewhat nicked and dust-dulled as with age. Remains quite well-preserved overall. Physical description; 38 p. : ill. (some col.) ; 19 cm. Notes; Previous ed.: 1946. Subjects; Hunt of the unicorn. Tapestry, Gothic France. Tapestry New York (N.Y.) 1 Kg.…

First Edition. Very good copy in the original illustrated, spiral-bound boards. Panel edges somewhat edge-nicked and dust-toned as with age. Remains quite well-preserved overall. Physical description: [115]p ; 23 cm. Notes: "The notes accompanying the illustrations are by Thomas P. F. Hoving." Subjects: Art; Middle Ages; Art, Medieval. 1 Kg. …

First Edition. Very good copy in the original illustrated, spiral-bound boards. Panel edges somewhat edge-nicked and dust-toned as with age. Remains quite well-preserved overall. Physical description: [115]p ; 23 cm. Notes: "The notes accompanying the illustrations are by Thomas P. F. Hoving." Subjects: Art; Middle Ages; Art, Medieval. 1 Kg. …

Zustand: gut. [Faks.-Ausg., Teilausgabe]. Gr.-8°. 21 (1) S., 16 faks. Bll. Abb. Ppbd. in Kassette. (Vorderdeckel mit winzigem Fleck - sonst sehr guter Zustand). >>>> Zur Zeit erfolgt KEIN VERSAND NACH ÖSTERREICH aufgrund der dort geltenden Verpackungsverordnung. <<<<.

128 pp.; 26.5 x 20.4 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue / critical theory published in conjunction with show held at the Art Gallery of Ontario, Toronto, April 2 - May 15, 1983. Traveled to Musee d'Art Contemporain, Montreal, September 15 - October 30, 1983 and Glenbow Museum, Calgary, November 18, 1983 - January 7, 1984. Texts by AA Bronson, Peggy Gale, Jean-Christophe Ammann, Michael Asher, Anne Rorimer, Harald Szeemann, Ursula Wevers, Marcel Broodthaers, Benjamin H.D. Buchloh, Daniel Buren, James Lee Byars, Marcel Duchamp, Robert Filliou, R. Austen Marshall, General Idea, Walter Grasskamp, Daniel Spoerri, Image Bank, Donald Judd, Hans Haacke, Wulf Herzogenrath, On Kawara, Garry Neill Kennedy, Joseph Kosuth, Les Levine, Glenn Lewis, George Maciunas, Piero Manzoni, N.E. Thing Co. LTD., Claes Oldenburg, Coosje van Bruggen, and Garry Schum. "An anthology of texts and works exploring the relationship of the artist to the museum, from Marcel Duchamp's seminal 'Boite-en-Valise' and Claes Oldenburg's 'Mouse Museum' to the critical work of Hans Haacke and Daniel Buren. Harald Szeemann's proposal for the 'Museum of Obsessions' at a future Documenta is here reproduced in English for the first time. Edited by AA Bronson and Peggy Gale. With texts / works by Jean-Christophe Ammann, Michael Asher, AA Bronson, Marcel Broodthaers, Benjamin Buchloh, Daniel Buren, Marcel Duchamp, Robert Filliou, Vera Frenkel, General Idea, Walter Grasskamp, Hans Haacke, Wulf Herzogenrath, Image Bank, Donald Judd, On Kawara, Gary Neill Kennedy, Joseph Kosuth, Les Levine, Glenn Lewis, George Maciunas, Piero Manzoni, Claes Oldenburg, Museum of Conceptual Art, N.E. Thing Company Limited, Garry Schum, Harald Szeemann." -- publisher's statement. Covers by Daniel Buren, and insert by James Lee Byars. Texts in English and French. Fair / Good. Rubbing, scratching, and discoloration of covers with 2.2 cm. and 1.5 cm. surface tears to spine. Bumping of corners with 1.8 cm. dog-ear to top left corner of recto. 5 mm. and 2 mm. surface tears to bottom edge of verso. Price sticker from MoMA on inside of recto flap. 3 mm. yellow stain to page 288. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders. …

Hardcover. Zustand: Very Good. 1st Edition. FIRST EDITION. 8vo; [23] pp. and 32 pp. of colour facsimiles. Original cream boards with embossed gilt decoration to cover and gilt lettering to spine; custom wood slip case with gilt lettering to cover; only minor wear to slip case. Extremely well-preserved overall; tight, bright, clean and strong. A wonderful copy.…

First Edition. Fine copy in the original gilt-blocked paper-covered boards, in a near fine, slightly nicked mock-wood clamshell case. Slight foxing to prelims. Remains well-preserved overall. Physical description; [24] pages, [32] pages of plates ; 25 cm. Notes; Latin text in facsimile with English introduction and notes. Subjects; *Belles Heures* of Jean de France, Duc de Berry. Books of hours France 15th century. Illumination of books and manuscripts French 15th century. Limbourg brothers Criticism and interpretation. Manuscript illumination France History. Devotional literature Medieval France. 1 Kg.…

First Edition. Fine copy in the original gilt-blocked paper-covered boards, in a near fine, slightly nicked mock-wood clamshell case. Slight foxing to prelims. Remains well-preserved overall. Physical description; [24] pages, [32] pages of plates ; 25 cm. Notes; Latin text in facsimile with English introduction and notes. Subjects; *Belles Heures* of Jean de France, Duc de Berry. Books of hours France 15th century. Illumination of books and manuscripts French 15th century. Limbourg brothers Criticism and interpretation. Manuscript illumination France History. Devotional literature Medieval France. 1 Kg.…