Roger pierre screenwriter (14 Ergebnisse)

Original French petite (small) poster for the 1958 film. Nice pinup artwork by the prolific Pierre-Laurent Brenot. Romantic romp about two car mechanics on vacation, but their vacation takes a turn for the worse when they are stranded on a yacht. 16 x 27 inches, folded once as issued. Very Good, with edge tears and creases, and one central tear. Uncommon. …

Collection of 6 original black-and-white photographs for the 1959 French film, all featuring starring actor Richard, in uniforms, on bicycles, and drinking Perrier bottled water. Film title in manuscript ink on the versos, 1 photo with a "Le Parisien libere" press rubberstamp. A little seen comedy about a two French towns who compete at football (soccer), the goalie of what town who is traded to the other for a cow becomes infatuated by a local young woman (Tanguy). Director Bastia was an assistant director in the 1940s and 1950s, when he worked almost exclusively with director Jean Boyer, until his debut with this film, the first in this series involving gendarmes and Champignol, followed by "The Gendarm of Champignol" (1959) and "The Boss of Champignol" (1966). Photographs range 3 x 4.25 inches to 9.25 x 11.75 inches. Very Good overall, light curling, a few brief creases, slight discoloration to one, a few with pinholes.…

Collection of 269 vintage black-and-white photographs for the 1959 French film. The collection consists of two unique and complimentary pieces, one being a film still keybook with 68 contact prints of small format negatives, most with 12 images per print, amounting to over 800 images captured. Nearly all images with series number bordering the image, and credits at the top for photo laboratory (Tele-Photo), film studio (Cinedis), film title, and photographer Rosselle, housed in a 2-ring paper binder with original French titles. The other piece is nearly 170 smaller photographs elegantly presented, mounted with cello tape on thick stock in a "Lavis aquarelle" brand spiral bound notebook with maroon faux leather front wrapper. Series numbers and small "x" annotations in manuscript ink on the pages, several with small white borders, and several with series number on the verso in manuscript pencil. Photos without borders also have series number at the edges, etched in the original film negative before photo development, as on the keybook prints. Nearly all photographs have numerical annotations in manuscript pencil on the versos, a few smaller photographs have rubber-stamps on the versos crediting Richard, Pierre, film titles, director Bastia, and costars Alfred Adam and Noel Roquevart. Also included are 27 loose photographs, a few with rubber-stamps on the verso crediting starring actors and French film titles, and a small press packet from Cinedis detailing film credits, synopsis, and star biographies. Starring actors Richard and Pierre are amply represented in the collection and seen in nearly every image, mostly in their official uniforms. Actress Zuber is equally present, in striking high-contrast images, cuddling bunnies, fishing at a river, and wielding a rifle. The notebook depicts images seen in the film, while the keybook depicts on-the-set sequences, test shots, candid moments, and images of the crew; the loose photos show both candid and action shots. An expansive perspective of a little seen comedy about a gendarme who travels to a small town looking for a disappeared woman, a town known for its distrust of police officers. Director Bastia was an assistant director in the 1940s and 1950s, when he worked almost exclusively with director Jean Boyer, until his debut with "Nous autres à Champignol" (1957), the first in this series involving gendarmes and Champignol, followed by this film, and finally "The Boss of Champignol" (1966). Photographs in large quarto notebook 3.5 x 4.75 inches, keybook contact prints 8.25 x 10.5 inches, 2-hole punched, several trimmed, and loose photos range from 4.75 x 6.75 inches to 7 x 9.25 inches. Photographs about Near Fine, with light curling, a handful with short creases, press packet Near Fine, notebook Near Fine, and binder Very Good. …

Vintage double weight studio still photograph from the 1968 French sexploitation film. A young cartoonist looks for the perfect muse. Unable to find a proper artist's model, he begins to look for his ideal woman in striptease booths. 10 x 8 inches. Near Fine. Bier 1580.

Two vintage borderless reference photographs from the 1965 film. Each borderless except for a bottom margin (see image). After losing everything in the stock market crash of 1929, a millionaire (Pierre Etaix) finds happiness, his lost love, and the son he never knew he had by joining the circus. Nominated for the Palme d'Or. Shot on location in Morbihan, Bas-Rhin, and Yvelines, France. 4.75 x 3.75 inches. Light curling, else Near Fine. Criterion Collection 655. …

Five vintage reference photographs taken on the set of the 1960 French film, including one borderless photograph. One with a manuscript ink annotation and stamp on the verso noting the photograph as No. 756. A dramatization of the Battle of Austerlitz, wherein Napoleon enjoyed the greatest victory of his career, driving away both Austrian and Russian forces. Set and shot on location in Zagreb, Croatia. Four photographs 4.75 x 3.5 inches, one photograph 4.5 x 3.5 inches. Near Fine. Godard, Histoire(s) du cinema.…

Vintage borderless reference photograph from the 1982 film, featuring a young Isabelle Huppert. Based on the 1964 novel by Roger Vailland. A young woman leaves her family's small-town trout farm to begin a new life in Japan, in the process catching the attentions of two wealthy suitors. Set and shot on location in Japan and France. 7 x 5 inches. Fine.…

Vintage borderless reference photograph of Pierre Etaix and Claudine Auger from the 1965 film. After losing everything in the stock market crash of 1929, a millionaire (Etaix) finds happiness, his lost love (Auger), and the son he never knew he had by joining the circus. Nominated for the Palme d'Or. Shot on location in Morbihan, Bas-Rhin, and Yvelines, France. 9 x 6.75 inches. Near Fine. Criterion Collection 655.…

Archive of 42 vintage borderless single weight still photographs and 2 color transparencies from the 1958 French-Italian film. Seen in the images is starring actress Dany Robin, both on the set and at a birthday party, and other stars of the film in action. Notations on the verso of several photos in manuscript pencil, and five photos rubber-stamped on the verso crediting photographer Boutinot. Housed in a vintage Crumiere brand paper box, with the film title in manuscript ink on the lid, and accompanied by a receipt dated 1957, on parchment from the Waroline photography store in Paris. Based on Champly's 1932 novel "L'Homme Qui Mourra Domain." A jeweler is suspected of conspiracy in South America, so he is imprisoned and his strong-willed wife will do anything to declare his innocence. Photos range in size, with the largest being 7 x 9.25 inches, with two-color transparencies 2.5 x 2.5 inches. Very Good plus overall.…

Vintage reference photograph from the 1973 film, showing Brigitte Bardot and Jane Birkin in bed together. Vadim's attempt to explore female freedom and sexuality for women by changing the classical figure of Don Juan into the modern figure of Brigitte Bardot. The fifth film Vadim made starring Bardot, and one of two released in 1973, after which she retired from acting. Shot in Paris. 7 x 5 inches. Near Fine.…

Vintage oversize borderless color reference photograph from the 1973 French film, showing Brigitte Bardot and Jane Birkin in bed together. Director Roger Vadim's attempt to explore women's sexual liberation by changing the classical figure of Don Juan into a woman, here played by Bardot in her fifth film with Vadim. Shot in Paris. 11.75 x 9.5 inches. Very Good with some light wear at the corners, but still quite bright and clean.…

Vintage borderless reference photograph of Pierre Etaix on the set of the 1965 film. "Majestic Films S.A." and "Yoyo" stamps on verso. After losing everything in the stock market crash of 1929, a millionaire (Etaix) finds happiness, his lost love (Auger), and the son he never knew he had by joining the circus. Nominated for the Palme d'Or. Shot on location in Morbihan, Bas-Rhin, and Yvelines, France. 7 x 5 inches. Near Fine. Criterion Collection 655.…

Two vintage oversize double weight borderless studio still photographs from the 1945 French film, one showing actress Arletty in costume as the courtesan Garance, reclining on a couch, the other showing the interior of the Grand Theatre where actor Pierre Brasseur is performing. An influential classic of French cinema, following a courtesan in nineteenth century Paris who finds her attentions torn between four possible suitors-a mime, an actor, a thief, and an aristocrat. Set and shot on location in France. 11 x 9 inches. Very Good plus, one with pinholes and brief wear to the corners, and one with a small closed tear to the top left corner. Criterion Collection 141. Ebert II. Rosenbaum 1000.…

Vintage oversize borderless reference photograph from the 1956 French film noir, showing actor Roger Duchesne surrounded by Gallic toughs. With manuscript ink annotations on the verso. Faced with an unlucky streak and debts to pay, a former bank robber turned gambler plans a heist of the Deauville casino during Grand Prix weekend. A key French New Wave antecedent and core French film noir. Set and shot on location in the Montmartre district in Paris and Calvados, France. 9.5 x 12 inches, with a small bottom margin. Near Fine, with some light edgewear. Criterion Collection 150. Grant France. Ebert II. Lee, The Heist Film. Selby France.…