Zustand: New. Num Pages: 128 pages, 58 colour, 18 b&w. BIC Classification: 3JJ; 3JM; AFKB; AFKN; AFKV; AGB. Category: (G) General (US: Trade). Dimension: 265 x 200 x 15. Weight in Grams: 635. . 2016. hardcover. . . . . Books ship from the US and Ireland.
EUR 23,47
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Zustand: New. 2019. 01st Edition. Paperback. . . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Studio Jurgen Maelfeyt en Art Paper Editions, 2019
ISBN 10: 9493146081 ISBN 13: 9789493146082
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 20,05
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In den WarenkorbPaperback. Zustand: Brand New. 01 edition. 11.73x8.39x1.14 inches. In Stock.
Sprache: Deutsch
Verlag: Verl. Lebendiges Wissen, 1961
Anbieter: Antiquariat Armebooks, Frankfurt am Main, Deutschland
Broschiert. Zustand: Gut. 139 Seiten Lebendiges Wissen - ohne Jahr : A. B. Roels - tb QV-XI4P-J338 Sprache: Deutsch Gewicht in Gramm: 500.
Zustand: Very good.
Zustand: New.
Tous sont séduits et imprégnés par le langage simple et universel de Bruno V. Roels. Chacun peut se promener dans ses ?uvres et y trouver ses propres liens, chacun peut se plonger dans les références faites par les titres de l'artiste ou les éviter. On peut simplement s'en tenir à la beauté de l'image, si nécessaire. Après 'I Dreamt An Island' (2015), voici la deuxième édition de FIFTY ONE PUBLICATION de Bruno V. Roels, qui présente ses ?uvres mono-photographiques. Avec une introduction de Roger Szmulewicz.
Taschenbuch. Zustand: Neu. Neuware.
Verlag: , Gallery FIFTY ONE , 2026, 2026
Anbieter: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgien
Verbandsmitglied: ILAB
Soft cover, 21 x 15 cm, 144 pages, English text. *New. ISBN 9789083594125. Bruno Roels divides his time between writing and photographing. He considers the act of printing (turning a photograph into a tangible object) as important as the act of photographing itself. He photographs almost nonstop, documenting his entire life, building a sizable archive. In his dark room he uses that archive to explore the analogue photographic process. Rather than trying to make ?the perfect gelatin silver print? he assumes that all prints are perfect and gives all variations equal attention. He?s looking for poetry, and photographic truth, in sequences and fluctuations. Details in his photographs may become lead motives in bigger compositions, and obvious subject matter is reduced to abstract information through numerous reiterations. 0 g.
Verlag: Hopperandfuchs, 2025
ISBN 10: 9464002042 ISBN 13: 9789464002041
Anbieter: PBShop.store US, Wood Dale, IL, USA
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Verlag: Stockmans, 2025
ISBN 10: 9464002042 ISBN 13: 9789464002041
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 65,19
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In den WarenkorbPaperback. Zustand: Brand New. 336 pages. Dutch language. 11.81x8.66x1.10 inches. In Stock.
Verlag: Hopperandfuchs, 2025
ISBN 10: 9464002042 ISBN 13: 9789464002041
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
EUR 63,28
Anzahl: 15 verfügbar
In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Verlag: Hopper&Fuchs Nov 2025, 2025
ISBN 10: 9464002042 ISBN 13: 9789464002041
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Fotografie
Taschenbuch. Zustand: Neu. Neuware - All prints have value: instead of fussing over making the perfect gelatin silver print, for example, Bruno V. Roels realized that all printed versions of an image have value, and he decided to not show that one perfect print, but all of them, in one composition. Some of his compositions consist of hundreds variations of one single negative, all printed in the dark room. Photography is a mimetic art, it imitates life. But Roels pushes it further: when printing variants of one image; he creates a mimetic feedback loop. He uses the iconic image of a palm tree to prove his point. All palm trees look alike, and as a symbol the plants are highly recognizable. Because palm trees are so widely recognizable, he's free to deconstruct his own notions of photography, while trying to get away from the "tyranny of camera viewfinders and rectangular boxes of enlarging papers". Introduction for the book written by Simon Baker. Text in English and Dutch.