Roelofsz charles (7 Ergebnisse)

First Edition. First edition. Softcover. Exhibition catalog for a show that ran October 10 through November 18, 1963. Text in Dutch. Includes several black and white illustrations. A very good copy in stapled wrappers.

Zustand: Very Good. 18 pp., paperback, previous owner's name to inside front cover, else very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.…

Z.j. Cliché. 70 x 75 - Papier 78 x 78 mm. [119782].

Z.j. Litho. 73 x 77 mm - Papier 83 x 87 mm. Dr.F.Grewel psychiater. [99723].

Couverture souple. Zustand: Bon. Edition originale. In-12° agrafé, 3 ff. Rare programme, illustré en première de couverture d'une composition originale associant un photo-collage de Paul Citroën à un dessin de Charles Roelofsz, réalisée par les deux artistes dans un style aux accents surréalistes. Paul Citroen (1896-1983) était particulièrement familier de la technique du photo-collage. Durant son séjour berlinois, où il fut en contact avec le mouvement Dada, il expérimenta ce procédé, notamment avec son frère Hans. Son oeuvre monumentale Metropolis (1923), célèbre composition de photomontage dont l'architecture s'inspire notamment du film éponyme de Fritz Lang, demeure l'une de ses réalisations les plus connues. Charles Roelofsz (1897-1962), reconnu pour son travail dans les arts graphiques et la conception de livres, était alors un proche de Citroën. Les deux artistes fondèrent ensemble, en 1933, la Nieuwe Kunstschool d'Amsterdam, école dont l'enseignement s'inspirait notamment des principes du Bauhaus. Agrafes absentes. …

Zustand: Good. (Wilrijk-Antwerp/Bussum: Burssens, G./Dinger, W.N., March), (1928)., (1928). Good. - Octavo, 10 inches high by 6-3/8 inches wide. Softcover, bound in printed tan wraps. The darkened wraps are chipped at the edges. There is a split along the bottom 3 inches of the spine. 48 pages, with 2 full-page illustrations after drawings by Ch. Roelofsz and Kor Postma. The pages are darkened with minor chipping along the top edge. A good copy of a fragile periodical.Among the contents of this second issue are two poems by Paul van Ostaijen; a prose piece, "Ieder zijn Kwelling", by Eddy du Perron [Charles E. du Perron; 1899-1940]; two poems and an essay "Charlie Chaplin en de Revolutie" by Flemish writer Gaston Burssens [1896-1965]; "Romanisches Cafe" by Hendrik Marsman [1899-1940]; a play, "Het Spookslot" and two prose pieces, "Man en Paard" & "Stadspanorama", by Reinder Blijstra [1901-1975]; and two pieces in verse, "Amoureuse Kwadrijnen" & "Het Noodlot", and three prose pieces, "Het Einde Van De Ijdele Man", "De Insektooloog In Bed" & "Portretstudie" by Willem Nicolaas Dinger [?1889-1946].Paul van Ostaijen [1896-1928] was a Flemish poet and writer. His nickname was "Mister 1830", because of his habit of walking along the streets of Antwerp dressed as a dandy from the year Belgium became separate from the Netherlands. Though his style was very much his own, his poetry showed influences of Modernism, Expressionism, Dadaism and early Surrealism. He was an active Flamingant, a supporter of Flemish independence. Because of his involvement in Flemish activism during World War I, he had to flee to Berlin, a center of Dadaism and Expressionism, where he met many other artists. After he returned to Belgium, he opened an art gallery in Brussels. He died of tuberculosis in March 1928, only a month after the publication of the first issue of this magazine.Rare.…

Originele inkttekening van Charles Roelofsz bij een handgeschreven gedicht van Binnendijk. 25,5 x 56,0 cm. Eén blad geschept papier. Alleen recto. Gesigneerd 'D.A.M. Binnendijk' en 'C.F. Roelofsz'. Niet gedateerd. Vier punaisegaatjes. Enkele vlekken op verso. Aangrijpend gedicht van negen kwatrijnen over een jonge man op zijn sterfbed, fraai en duister geïllustreerd. Het gedicht is gepubliceerd in D.A.M. Binnendijk, Onvoltooid verleden (Maastricht 1936), p. 22-23, onder de titel 'Sterfbed'.…