rodney gilbert (23 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Zustand: Fine. Softcover, 253 pgs. Fine. Includes contributions from Rachel Blake, Susan Chamandy, Eileen Myles, Josh Gilbert, Mike Newirth, Rodney Jack, Viggo Mortensen, Alix Lambert, Marcellus Hall, Jason Middlebrook, and others.

Soft cover. Zustand: Good. No Jacket. Johnson, William R. (illustrator). The only library marking is a card envelope on the front end paper. There are some light pencil marks on the end papers. The spine is tanned. No publication date listed but appears to be from the 1940s. 103 pages.

Softcover. Zustand: Very Good. Later. Very good in wrappers, a paperback.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: No Dust Jacket. First Edition. 315 pages. Moderate wear and discoloring to the covers; previous owner's sticker inside; pages toned; a couple stains but a good book still. Includes a folding map; only a couple small tears along a fold. Contents are Illusions; Social Traditions; Language and Letters; History; Standards of Manhood; Foreign Relations; Chaos and Foreign Influence. Quantity Available: 1. Category: History; Inventory No: 226921.

Hardcover. Zustand: Good. No Jacket. 1st Edition. NO DJ, SHELF WEAR AND DISCOLOURING ON BOARDS AND SPINE, CLOTH WEAR AT EXTREMITIES, BOOKPLATE ON FRONT PASTEDOWN, FOXING ON EPS, FOXING ON PAGES AT ENDS, SIDES TANNED, OTHERWISE GOOD. 700 GRAMS. WITH LARGE FOLD-OUT OF MAP OF CHINA.

270 pp.; 28.5 x 21.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held October 29, 2000 - January 21, 2001. Texts by Enrico Lunghi and Jan Debbaut. Artists include Marcel Broodthaers, Nïele Toroni, Mario Merz, Jannis Kounellis, A.R. Penck, Richard Long, Gilbert & George, Giulio Paolini, Luciano Fabro, Giovanni Anselmo, Gerhard Richter, Daniel Buren, Jan Dibbets, André Cadere, Hanne Darboven, Art & Language, Stanley Brouwn, Robert Ryman, Ian Wilson, Joseph Kosuth, On Kawara, Douglas Huebler, Robert Barry, Dan Graham, Bruce Nauman, Sol LeWitt, Lawrence Weiner, Donald Judd, Edward Ruscha, Carl Andre, Michelangelo Pistoletto, Jan Vercruysse, René Daniëls, Jean-Marc Bustamante, Didier Vermeiren, Rodney Graham, Harald Klingelhöller, Reinhard Mucha, Thomas Schütte, Franz West, Martin Kippenberger, and Mike Kelley. includes exhibition checklist, artist texts, list of the artists. Covers by Lawrence Weiner. Texts in English and French. Very Good. Bumping of top right corner of recto and top left corner of verso. Rubbing and yellowing of covers. Light yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

183 pp.; 30 x 27.3 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph on the photography collection of Groupe Lhoist in Belgium. Edited by Pauline de Laboulaye and Jacqueline de Ponton D'Amécourt. Introduction by Pierre Apraxine. Artists include Mac Adams, John Baldessari, Lothar Baumgarten, Bernd & Hilla Becher, Max Becher, Andrea Robbins, Barbara Bloom, Christian Boltanski, Rudolph Bonvie, Denis Brihat, Ellen Brooks, Victor Burgin, Jean-Marc Bustamante, Sophie Calle, Sarah Charlesworth, Pierre Cordier, Lili Dujourie, Jeanne Dunning, Sylvie Eyberg, Patrick Faigenbaum, Peter Fischli/David Weiss, Gunther Förg, Michel François, Peter Fraser, Adam Fuss, Lynn Geesaman, Gilbert & George, Nan Goldin, Rodney Graham, Andreas Gursky, Jan Henle, Craigie Horsfield, Alfredo Jaar, Louis Jammes, Jürgen Klauke, Karen Knorr, Wilmar Koenig, Suzanne Lafont, Marie-Jo Lafontaine, Louise Lawler, Richard Long, Urs Luthi, Robert Mapplethorpe, Guy Mees, Hélène Mugot, Vic Muniz, Bruce Nauman, Luigi Ontani, Pierre & Gilles, Sigmar Polke, Richard Prince, Olivier Richon, Gerhard Richter, David Robbins, Michal Rovner, Thomas Ruff, Andres Serrano, Cindy Sherman, Laurie Simmons, Seton Smith, Thomas Struth, Hiroshi Sugimoto, jan Vercruysse, Didier Vermeiren, Not Vital, Jeff Wall, Boyd Webb, William Wegman, and James Welling. Text in French. Good. Moderate sunning and discoloration of covers, rubbing of cover edges, and bumping of bottom right corner. Light dust soiling of text block edge, contents clean and unmarked.

Paperback. Zustand: Brand New. 3rd edition. 268 pages. 8.50x5.75x0.75 inches. In Stock.

Zustand: New.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.

Repr. July 1926 (2nd printing). 316, (4) pp. Original orange cloth with black dragon printed on the front board. Part of the original frontwrapper pasted down on the first free endpaper. Bookplate on inside. Slightly discoloured, a bit foxed (edge.

Zustand: New. In.

Hardcover. Zustand: Very Good. 2nd Edition. Second printing, July 1926 of book originally published in March 1926. Octavo, pp 315 + 4 pages publisher's adverts. Bound in yellow cloth covered hard boards. No jacket. In Very Good condition.

Zustand: New.

Hardcover. Zustand: Brand New. 248 pages. 9.21x6.14x0.63 inches. In Stock.

Hardbound. Zustand: Very Good. First Edition. An exploration of the history, justifications and also inequalities that were addressed by the treaties that the Chinese government was compelled to endorse, following their disastrous defeat during the Opium Wars. The writer spent some 17 years in China, was fluent in several Chinese dialects and held as great an affection for the people as he did antipathy for the Nationalist government. Of interest also is that the author of the foreword, Morriss, did not fully agree with Gilbert in blaming all or only the Nationalist leaders for the problems that China was then facing. Former owner's signature on FFEP, half title page tanned. Spine a little darkened; binding strong and interior pages clean and unmarked. xi, 248 pp., index. Size: 22 x 15 cm.

Hardcover. Zustand: good. Zustand des Schutzumschlags: NONE. unmarked wear to top of spine. no jacket John Murray 1929 First edition.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. INDEX4/5 Enrico R. Comi: Mare del Nord / North Sea6 Dmitrij Prigov:Works / Lavori8/9 Maurizio Cucchi:La vetrina del perito / The consultant's shop-window12/13 Gilberto Finzi:Periferia a Milano / Suburbs in Milan16/18 Franco Fortini:L'incontro/ The encounter24/25 Guido Oldani:Polonord / Northpole28/29 Luciano Erba:I guanti viola / The violet gloves33/65 Enrico R. ComiConversazione con Leo Castelli / Conversation with Leo Castelli100/101 Michelle Gershkovich:Friday / Venerdì102 Hamish Fulton:Works / Lavori104 Richard Long:Works / Lavori106 Jonathan Borofsky:Works / Lavori108 Isa Genzken:Works / Lavori110 Michael Jenkins:Works / Lavori112 Matthew McCaslin:Works / Lavori114 Maria Serebrjakova:Works / Lavori116 Anatolij Shuravlev:Works / Lavori118 Tom Otterness:Works / Lavori120 Jon Kessler:Works / Lavori122 Rodney Graham:Works / Lavori124/124/125 Emilio Martinez:Cambio de pagina / Change of paige / Cambio di pagina128/129/130 Serge Gavronsky:Brisure du cercle / Fragmented circle / Rottura del cerchio132 Guillaume Bijl:Works / Lavori134 Marcus Geiger:Works / Lavori136 Jorge Molder:Works / Lavori138 Robert Bordo:Works / Lavori140 Alighiero Boetti:Lavori / Works142 Edward Ruscha:Works / Lavori144/145 Nat Anderson:Aulophobia: Fear of Flutes / Aulophobia: Paura dei Flauti146 Rebecca Horn:Works / Lavori148 Royden Rabinowitch:Works / Lavori150 Susana Solano:Works / Lavori154/156/158 Karl Lubomirski:Zwei Gedichte / Two poems / Due poesie164/165 Ruth Danon: A plot / Una trama.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. First Edition. London, John Murray, 1929. Octavo, 335 pages. Green cloth; later gift inscription on the front free endpaper; an excellent copy with the very good dustwrapper heavily sunned on the spine and lightly chipped along the top edge. The dustwrapper seems to be produced from wallpaper with a striking design; the details relating to the author, title and publisher are printed on panels of thick yellow paper mounted on the front cover and spine. 'Rodney Gilbert (1889-1968) was an American conservative editorial writer, newspaper columnist. In 1912 Gilbert went to China to travel the country; he began as a salesman for Dr Williams' Pink Pills for Pale People but ended up spending 17 years there, becoming fluent in Chinese and eventually working as a correspondent for the "North China Daily News". In 1926 his series of columns on traveling in Chinese Turkestan were compiled into his first book, "What's Wrong With China". He was a strong supporter of Chinese nationalism and of Chiang Kai-Shek, and firmly anti-Communist. In 1929 he joined the staff of the "Herald Tribune" as an editorial writer and returned to the United States. His editorials, which were largely conservative and anti-Communist in nature and which were published under the pseudonym "Heptisax", appeared regularly for 15 years, until 1944. From 1944 to 1946 Gilbert served as Dean of the Post-Graduate School of Journalism of the Central Political Institute of Chungking, organized and established under the auspices of Columbia University. Later, he collaborated with Columbia University to bring Chinese journalism students to the United States to study' (Syracuse University Library, which holds his archive). This crime novel, set in China about sixty years earlier, was written as he was departing the country, literally: it 'occupied the thirty-odd days of a voyage from Shanghai to Marseilles on a .cargo boat' (preface).

[44] pp.; 27.5 x 10.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with joint presentation by Art Metropole and Printed Matter at Art Basel, Basel, Switerzland, June 12 - 17, 1991. Cover artwork by Richard Prince and Lawrence Weiner. Curated by AA Bronson, John Goodwin. Artists include Carl Andre, David Antin, Eleanor Antin, Ida Applebroog, John Armleder, Art & Language, John Baldessari, Robert Barry, Lothar Baumgarten, Iain Baxter, Ingrid Baxter, Joseph Beuys, Barbara Bloom, Mel Bochner, Alighiero E. Boetti, Christian Boltanski, George Brecht, Marcel Broodthaers, Stanley Brouwn, David Buchan, Chris Burden, Daniel Buren, Michael Buthe, James Lee Byars, Genevieve Cadieux, Guiseppe Chiari, Christo, Francesco Clemente, Robert Cumming, Jan Dibbets, Marcel Duchamp, Hans-Peter Feldmann, File, Robert Filliou, Ian Hamilton Finlay, Fluxus, Robert Fones, Katharina Fritsch, Hamish Fulton, General Idea, Gilbert & George, Dan Graham, Rodney Graham, Jenny Holzer, Douglas Huebler, Image Bank, International Situationist, Joe Jones, Allan Kaprow, Anselm Kiefer, Martin Kippenberger, Michael Kirby, Yves Klein, Bengt af Klintberg, Joseph Kosuth, Barbara Kruger, Louise Lawler, Sol LeWitt, George Maciunas, Allan MacKay, Jackson Mac Low, Liz Magor, Christian Marclay, Lise Melhorn-Boe, Mario Merz, Robert Morris, Multiples Inc., Ian Murray, Maurizio Nannucci, Bruce Nauman, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Meret Oppenheim, Nam June Paik, Robert Rauschenberg, Steve Reich, Dieter Rot [Dieter Roth], Jerome Rothenberg, Edward Ruscha, Carolee Schneemann, Becky Singleton, Robert Smithson, SMS [Shit Must Stop], Michael Snow, Valerie Solanis, Jesus Raphael Soto, Jana Sterbak, Rosemarie Trockel, Ben Vautier, Bernar Venet, Andy Warhol, Robert Watts, Krzysztof Wodiczko, Wolf Vostell, La Monte Young and Zaj. "An Exhibition of Artists' Books and Multiples from the Permanent Collection of Art Metropole. LEARN TO READ ART is an exhibition of 287 published works by artists from the postwar period to the present. Although the contemporary artist's book emerged early in the twentieth century, it was not until the sixties that it came into its own as a medium ideally suited to the needs of Fluxus and Conceptual artists of the period thus our exhibition picks up this thread of history in the postwar years and follows it into that period of intense evolution which was the sixties and early seventies." ?- AA Bronson, General Idea, from introduction. Reference : No. 54 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 35. Very Good. Yellowing of recto edges with 6 cm. of yellowing across top of verso. Dust soiling to covers with light wear to corners including a 2 cm. dog-ear to top left of verso. Contents clean and unmarked.