Rod steiger starring (31 Ergebnisse)

Vintage photograph of director Arthur Hiller and actor Rod Steiger on the set of the 1976 film. Mimeo snipe on the verso. A dramatization of the latter part of the famous showman's life. Based on a memoir by Carlotta Monti, Fields' partner during the last fourteen years of his life. Shot on location in California. 10 x 8 inches. Near Fine.…

Vintage studio still photograph from the 1959 film. A somewhat accurate biography of rise and fall of notorious crime boss Al Capone. Set in Chicago, shot on location in Chicago and Los Angeles. 8 x 10 inches. Near Fine.

Zustand: Very Good. Original illustrated souvenir film programme 8½'' x 5½''. Contains 4 pages with violet toned photographs. In Very Good condition. Member of the P.B.F.A. THEATRE PROGRAMMES.

Vintage pressbook for the 1968 film. One of the best unsung crime films of the 1960s, featuring Rod Steiger as a serial killer and master of disguise, a role which proved to be one of his best. 15 pages, saddle stitched, 12.25 x 15 inches. Near Fine.

Two studio still photographs from the 1954 film, struck by Columbia Pictures Television in 1978. Housed in a Columbia Pictures Television photos envelope stamped with title. Budd Schulberg based his 1955 novel "Waterfront" on the screenplay. Terry Malloy (Brando), who dreams of being a prize fighter while tending his pigeons and running errands for the corrupt boss of the local union Johnny (Lee J. Cobb), witnesses a murder at the hands of Johnny's men. When he meets the victim's sister Edie (Eva Marie Saint), he confesses he feels culpable for the murder, and Edie introduces him to Father Barry (Karl Malden), who tries to persuade him to implicate the dock racketeers. Winner of eight Academy Awards including Best Picture, Best Director, Best Screenplay, Best Cinematography, Best Actor, and Best Supporting Actress, nominated for another four. Selected for the National Film Registry in 1989. Shot on location in Hoboken, New Jersey and New York City 8 x 10 inches. Near Fine. Criterion Collection 647. Selby US. Ebert I. Scorsese, A Personal Journey Through American Movies. Spicer US. Grant US.…

Six vintage studio still photographs from the 1958 film. When electronics expert Jim Molnar (James Mason) sees a news broadcast about an airplane bomb threat he realizes he had been tricked into making the bombs by his ex-Army buddy Paul Hoplin (Rod Steiger). As Hoplin tries to extort a half a million dollars from the airlines, Hoplin kidnaps and holds Molnar, his wife Joan (Inger Stevens) and their daughter hostage. Hoplin forces Joan to collect the money, escorted by thug and predator Steve (Neville Brand). An amazing cast rounded out with the help of Angie Dickinson and Jack Klugman. Set in New York, shot on location in New York, New Jersey and California. 8 x 10 inches. Very Good plus, creasing to 3, 2 with uniform fading. Selby US. Spicer US. Grant US.…

Collection of 12 vintage studio still photographs from the 1978 film. Loosely based on the exploits of Jimmy Hoffa, the notorious boss of the Teamsters Union. In the 1930s, a ruthless warehouse worker in Cleveland climbs his way to the top of a trucking union, but his links to organized crime prove to be his downfall. Shot on location in South Yorkshire in the UK, Mineral Point and Dodgeville in Wisconsin, Dubuque in Iowa, and Los Angeles in California. 10 x 8 inches. Near Fine.…

Four vintage reference photographs from the US release of the 1969 British film, including three borderless and one bordered. All with mimeo snipes on the verso. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene, befriending Andy Warhol and his superstars, Lou Reed, Allen Ginsberg, Patti Smith, Salvador Dali, and many others. A graduate of the Parsons School of Design, his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat, and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A married sales executive must conceal his past affair with a young hitchhiker after his wife agrees to take the girl on as a boarder. Set in Middlesex, shot on location in Hampshire. Three 7.5 x 9.5 inches, one 8 x 10 inches. Near Fine. …

Revised Draft script for the 1979 film, here under the working title "Love and Bullets, Charlie." With some copied manuscript annotations throughout, but also with a few manuscript pencil annotations, made from a master. A lawman travels to Switzerland to convince the girlfriend of a well-known gangster to come back to America to testify against him. Meanwhile, the gangster has sent thugs of his own to Switzerland to find and stop the pair. Set in Switzerland and America, shot on location in Matterhorn, Switzerland. White titled wrappers. Title page present, with credits for screenwriter Wendell Mayes. 124 leaves, with last page of text numbered 123. Xerographic duplication, rectos only. Pages Very Good plus, wrapper Very Good, lightly soiled, bound with two silver brads.…

Four vintage reference photographs from the 1999 film, including three in color and one in black-and-white. Printed label of photographer Zade Rosenthal affixed to the versos. A New York policeman turned alcoholic security guard finds himself embroiled in a religious war, culminating in Satan coming to Earth to find the woman who will bear his child, the antichrist. Set and shot on location in New York. 10 x 8 inches. Near Fine, with light adhesive residue on the versos.…

Draft script for the 1979 film. Laid in is a 14-page shooting schedule. A lawman is sent to Switzerland to convince the girlfriend of a well-known gangster to come back to America to testify against him. The gang has sent people of their own to Switzerland, assassins who seek only to kill the messenger. Set in Switzerland, shot on location there, as well as Arizona. White titled wrappers. 124 leaves, with last page of text numbered 123. Xerographically reproduced. Pages Fine, wrapper Near Fine, bound with two silver brads.…

Final Shooting script for the 1967 film. INSCRIBED by actor George Segal on the title page: "To Grayson / All Best Wishes." Based on the 1964 novel by William Goldman. A serial killer with an obsession with his dead mother begins taunting the investigator in charge of his case. Set in New York City, shot on location in Manhattan and the New York harbor. Green untitled studio wrappers with a die-cut window in the British style. Title page present, dated June 13, 1967, noted as Final Shooting script, rubber-stamped copy No. 139, with credits for screenwriter John Gay and director Jack Smight. 146 leaves, with last page of text numbered 143. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound internally with two gold brads. Signed. …

Revised Final Draft script for the 1956 film. Released just two years after "On the Waterfront" (1954), the multi-award-winning collaboration between Elia Kazan and Budd Schulberg, and based on Budd Schulberg's 1947 novel about a once respected sportswriter now forced to work for a crooked promoter who is taking advantage of a promising young fighter. Nominated for an Academy Award. Humphrey Bogart's final film. Shot on location in California, Chicago, and New York. White titled wrappers, noted as REVISED FINAL DRAFT on the front wrapper, production No. 1315, dated Oct. 12, 1955. Title page present, dated October 12, 1955, noted as REVISED FINAL DRAFT, with credits for screenwriter Philip Yordan. 158 leaves, with last page of text numbered 141. mimeograph duplication, rectos only, with blue, yellow, and pink revision pages throughout, dated variously between November 2, 1955 and December 16, 1955. Pages Near Fine, wrapper Near Fine, bound with three gold brads. Grant US. Selby US. Silver Classic Noir. Spicer US.…

Revised First Draft script for the 1967 film. Laid in is a Call Sheet from the production, dated Tuesday, November 29, 1966. Based on John Ball's 1965 novel. An African American police detective from Philadelphia is recruited to help solve a murder in a small, bigoted Mississippi town. Winner of five Academy Awards including Best Picture and Best Actor for Rod Steiger, nominated for two others. After the success of the film version, the characters were developed further for a police procedural television series in 1988, developed by James Lee Barrett, and starring Carroll O'Connor and Howard Rollins, which aired on NBC, then CBS, from 1988 to 1995. Set in the fictional town of Sparta, Mississippi, and shot largely on location in Illinois. Poitier insisted the movie be filmed in the North because of a 1964 incident in Mississippi, in which he and Harry Belafonte had been run off the road and almost killed by Klansmen while in the state to support the SNCC (Student Non-Violent Coordinating Committee). Goldenrod titled wrappers, noted as REVISED FIRST DRAFT on the front wrapper, rubber-stamped copy No. 84, dated July 1, 1966. Title page present, dated July 1, 1966, noted as REVISED FIRST DRAFT, with credits for screenwriter Stirliing Silliphant. 134 leaves, with last page of text numbered 140. Mimeograph duplication, rectos only, with blue, pink, and white revision pages throughout, dated variously between 7/27/66 and 8/10/66. Pages with damp stain on top right of last several pages, else Near Fine, wrapper Very Good plus, bound with two gold brads. Call Sheet, 8.5 x 14 inches, folded horizontally. Near Fine National Film Registry. Criterion Collection 959. Penzler, 101 Greatest Films of Mystery and Suspense.…

Revised Final Draft script for the 1956 film, with rainbow revisions. Released just two years after "On the Waterfront" (1954), the multi-award-winning collaboration between Elia Kazan and Budd Schulberg, and based on Budd Schulberg's 1947 novel about a once respected sportswriter now forced to work for a crooked promoter who is taking advantage of a promising young fighter. Nominated for an Academy Award. Humphrey Bogart's final film. Shot on location in California, Chicago, and New York. White studio wrappers, noted as REVISED FINAL DRAFT on the front wrapper, production No. 1315, dated Oct. 12, 1955. Title page present, dated October 12, 1955, noted as REVISED FINAL DRAFT, with a credit for screenwriter Yordan. 160 leaves, with last page of text numbered 141. Mimeograph on eye-rest green stock, with yellow, blue, pink, and eye-rest green revision pages throughout, dated variously between 11/2/55 and 12/15/55. Pages and wrapper Near Fine, bound with three gold brads. Grant US. Selby US. Silver Classic Noir. Spicer US.…

Vintage Austrian program for the 1954 film, here under the German release title "Die Faust im Nacken." Text in German. Terry Malloy (Brando), who dreams of being a prize fighter while tending his pigeons and running errands for the corrupt boss of the local union, Johnny (Lee J. Cobb), witnesses a murder at the hands of Johnny's men. After meeting the victim's sister (Eva Marie Saint), Malloy confesses he feels culpable for the murder, and is persuaded to implicate the dock racketeers by Father Barry (Karl Malden). Winner of eight Academy Awards including Best Picture, Best Director, Best Screenplay, Best Cinematography, Best Actor, and Best Supporting Actress, nominated for another four. Shot on location in Hoboken, New Jersey and New York City. 6.5 x 9.5 inches, Bi-fold. Near Fine. National Film Registry. Criterion Collection 647. Ebert I. Grant US. Scorsese, A Personal Journey through American Movies. Selby US. Spicer US.…

Two vintage studio still photographs from the 1956 film. One with a provenance label on the verso. Humphrey Bogart's final film, about a faded sportswriter facing the dissolution of his career and personal life. Released just two years after "On the Waterfront" (1954), the multi-award-winning collaboration between Elia Kazan and Budd Schulberg, a film widely seen as justifying their decision to name names during the HUAC Hollywood blacklist trials. Nominated for an Academy Award. Shot on location in California, Chicago, and New York. 8 x 10 inches. Near Fine. Grant US. Selby US. Silver Classic Noir. Spicer US.…

Vintage press kit for the 1954 film, containing one full-color illustrated promotional pamphlet, three black-and-white photographs of cast and crew members holding Academy Awards, and one page of promotional reading material introducing the photographs. Based on screenwriter Budd Schulberg's 1955 novel "Waterfront." A dockworker and would-be prizefighter witnesses a murder at the hands of the local mob boss' men, and is forced to stand up to his corrupt union leaders. Nominated for twelve Academy Awards, winning eight, including Best Picture, Best Director, and Best Screenplay. Shot on location in Hoboken, New Jersey and New York City. Photographs and promotional material Near Fine. National Film Registry. Criterion Collection 647. Ebert I. Grant US. Scorsese, A Personal Journey through American Movies. Selby US. Spicer US.…

Two vintage studio still photographs from the set of the 1964 film, both showing director Sidney Lumet on location in New York City. From the collection of Joel Finler Based on the 1961 novel. A powerful, brooding film in which Rod Steiger stars as a Jewish pawnbroker in Harlem, haunted by his memories of World War II Nazi concentration camps. One of the first Hollywood films to dramatize the psychological impact of concentration camps, and the first to take the point of view of a Holocaust survivor. The film met with controversy, as it was the first major American release to feature female nudity. Because the nudity was non-exploitative, it passed the Production Code (still in existence), though interestingly this milestone came near the end of the Production Code era. Set in New York, and shot there on location. Much of the filming took place on Park Avenue in Harlem, where the pawnbroker shop was set at 1642 Park Avenue, near the intersection of Park Avenue and 116th Street. Scenes were also filmed in Connecticut, Jericho, New York, and Lincoln Center (with both interior and exterior shots of the Lincoln Towers apartments, which were new at the time). 10 x 8 inches. Near Fine. National Film Registry.…

Collection of 104 vintage studio still photographs from the 1962 film including some great in-character photographs and head shots from Ben Gazzara, Sammy Davis Jr., Broderick Crawford, Vincent Price, Roland LaStarza, Timothy Carey, Ray Walston and others, also includes 5 photographs of Gazzara with author John Resko and one head shot of Resko. Mimeo snipes on the verso of the majority of photographs. "Convicts 4," here under the working title, and title of Resko's 1956 autobiography upon which the film was loosely based, Reprive. Dalton Trumbo wrote and directed with Millard Kaufman as his "front" (as Trumbo was still blacklisted at the time) which Kaufman had done before for Trumbo, most notably for the 1950 Film Noir classic Gun Crazy. John Resko (Gazzara) is convicted of killing a store owner and sentenced to life in prison. While in prison, he ignites a passion for art, an activity that leads to a transformation in his character. Featuring a great supporting cast which includes, among others, Sammy Davis Jr., Rod Steiger, Vincent Price, Ray Walson, Jack Albertson, Timothy Carey, pop singer Dodie Stevens and boxer Roland La Starza. Shot on location in Folsom Prison in California. 8 x 10 inches. Near Fine, some light edgewear and light curling, 2 with creasing.…

Vintage borderless reference photograph of cast and crew members filming on location for the 1965 film. Printed mimeo snipe affixed to the verso, along with the stamp of photographer Federico Grau. Based on Boris Pasternak's controversial, Nobel Prize-winning 1957 novel, following a married physician whose life is irreversibly changed by the Russian Revolution and resulting Civil War. Nominated for ten Academy Awards, winning five, including Best Screenplay and Best Cinematography. Pasternak's novel was widely banned in the Soviet Union due to its perceived criticism of the Soviet government, forcing director David Lean to begin filming on location in Spain-chosen in large part as a result of his positive experiences filming "Lawrence of Arabia" there several years prior, as well as the promise of snow. The film was shot over ten months, in Soria and Aragon, and at the Aldeadavila Dam, with a large-scale Moscow set built outside of Madrid, as documented throughout the archive. An unseasonably warm winter in Spain obligated production to head to Finland and Canada in the final months of shooting, in order to obtain a sufficiently wintry backdrop for landscape scenes. Shot on location throughout Spain, Finland, and Canada. 10 x 8 inches. Very Good plus, lightly worn at the corners.…

Two vintage borderless reference photographs of director Sergio Leone on the set of the 1971 film, one showing Leone with actor James Coburn, the other showing Leone with Coburn and actor Rod Stieger. Cinemagence stamps on the versos. A Mexican outlaw and a former Irish Republican revolutionary band together in Mexico in the early twentieth century, inadvertently becoming heroes of the Mexican Revolution. The final Western directed by Sergio Leone, and the second film in his loose "Once Upon a Time" trilogy, following "Once Upon a Time in the West" (1968) and preceding "Once Upon a Time in America" (1984). Shot on location in Ireland and Spain. 10 x 8 inches, one with wide bottom margins. Near Fine. Cox, 10,000 Ways to Die. Pitts 1171.…

Vintage reference photograph taken on the set of the 1954 film, showing actor Marlon Brando giving his parents a tour of the famed "roof" set from the film, accompanied by producer S.P. Eagle. Printed mimeo snipe affixed to the verso, along with the stamp of Columbia Pictures. Based on screenwriter Budd Schulberg's 1955 novel "Waterfront." A dockworker and would-be prizefighter witnesses a murder at the hands of the local mob boss' men, and is forced to stand up to his corrupt union leaders. Nominated for twelve Academy Awards, winning eight, including Best Picture, Best Director, and Best Screenplay. Shot on location in Hoboken, New Jersey and New York City. 10 x 8 inches. Near Fine. National Film Registry. Criterion Collection 647. Ebert I. Grant US. Scorsese, A Personal Journey through American Movies. Selby US. Spicer US.…

Two vintage borderless reference photographs of author-playwright Kurt Vonnegut, actors Susannah York and Rod Steiger, and director Mark Robson on the set of the 1971 film. The first is a candid photo of Vonnegut and York, and the second is a photo showing York, Steiger, and Robson at work on the set, the first two in costume. Based on Kurt Vonnegut's 1952 play. An open homage to Homer's "Odyssey," wherein a big game hunter returns home after eight years away only to discover he has been declared legally dead, his wife has two suitors, and his twelve year-old son is the only one who believes he will return. Each photo 10 x 8 inches. Near Fine.…

Collection of 22 vintage photographs from the 1965 film, including 21 studio still photographs and one reference photograph. Notable in the set is a photograph showing a scene with Robert Morse and Jayne Mansfield, ultimately cut from the film before final release. Based on Evelyn Waugh's 1948 novel, a dark satire taking aim at Hollywood, Western malaise, and the American funeral industry, written by Waugh after a visit to Los Angeles in 1947. The sister film to "Dr. Strangelove," and in the eyes of many, just as much a masterpiece of exquisitely wrought black humor. Set and shot on location in Hollywood. 8 x 10 inches. Several with pinholes at the corners from staples, else generally Near Fine.…

Original British quad poster for the 1957 British film noir A low budget British film noir that brought Rod Steiger across the ocean in order to put his formidable character acting skills into what became a critically praised film. Shot in Spain (but represented as Mexico), "Across the Bridge" expands on Graham Greene's short story, bringing more specifics to the author's intentionally empirical outline. Steiger plays a crooked businessman on the run who steals a man's passport in order to hide out in Mexico, only to discover that the passport belongs to a wanted political assassin. 30 x 40 inches. Near Fine. Phillips US. Spicer US. …

Two vintage borderless reference photographs of director Sergio Leone on the set of the 1971 film, one showing Leone with actor James Coburn, the other showing Leone with Coburn and actor Rod Stieger. A Mexican outlaw and a former Irish Republican revolutionary band together in Mexico in the early twentieth century, inadvertently becoming heroes of the Mexican Revolution. The final Western directed by Sergio Leone, and the second film in his loose "Once Upon a Time" trilogy, following "Once Upon a Time in the West" (1968) and preceding "Once Upon a Time in America" (1984). Shot on location in Ireland and Spain. 10 x 8 inches, with wide bottom margins. Near Fine. Cox, 10,000 Ways to Die. Grant, Any Gun Can Play. Pitts 1171.…

Vintage reference photograph of Marlon Brando and Elia Kazan on the set of the 1954 film. Budd Schulberg based his 1955 novel "Waterfront" on the screenplay. Terry Malloy (Brando), who dreams of being a prize fighter while tending his pigeons and running errands for the corrupt boss of the local union Johnny (Lee J. Cobb), witnesses a murder at the hands of Johnny's men. When he meets the victim's sister Edie (Eva Marie Saint), he confesses he feels culpable for the murder, and Edie introduces him to Father Barry (Karl Malden), who tries to persuade him to implicate the dock racketeers. Winner of eight Academy Awards including Best Picture, Best Director, Best Screenplay, Best Cinematography, Best Actor, and Best Supporting Actress, nominated for another four. Shot on location in Hoboken, New Jersey and New York City. 8 x 10 inches. Very Good plus, with light edgewear and three very small closed tears in margins, repaired by two small pieces of cello tape. National Film Registry. Criterion Collection 647. Ebert I. Grant US. Scorsese, A Personal Journey through American Movies. Selby US. Spicer US.…

Vintage reference photograph from the 1969 film, showing actor Rod Steiger getting fake tattoos drawn on by make-up artists in preparation for shooting. Layout annotations on the verso in manuscript ink. Based on Ray Bradbury's 1951 short story collection, centered on a wandering ex-carnival member whose body is fully tattooed. His tattoos are allegedly created by a time-traveling woman, and each tells a unique story. 10 x 8 inches. About Near Fine. Lentz US.…

Archive of 14 original reference photographs taken on the set of the 1965 film, and two original contact sheets with 24 images of cast and crew members at what appears to be a wrap party. Several photographs with manuscript ink annotations to the verso identifying figures in the images. One photograph date-stamped APR 27 1964, inscribed on the recto by uncredited location manager Howard "Dutch" Horton to production supervisor John Palmer, and another photograph inscribed to Palmer from an unknown crew member in manuscript ink annotation to the verso. From the collection of John Palmer. Included with the collection is a brief typescript note signed from publicist Phil Gersdorf to Palmer, gifting Palmer the contact sheets. Based on Boris Pasternak's controversial, Nobel Prize-winning 1957 novel, following a married physician whose life is irreversibly changed by the Russian Revolution and resulting Civil War. Nominated for ten Academy Awards, winning five, including Best Screenplay and Best Cinematography. Pasternak's novel was widely banned in the Soviet Union due to its perceived criticism of the Soviet government, forcing director David Lean to begin filming on location in Spain-chosen in large part as a result of his positive experiences filming "Lawrence of Arabia" there several years prior, as well as the promise of snow. The film was shot over ten months, in Soria and Aragon, and at the Aldeadavila Dam, with a large-scale Moscow set built outside of Madrid, as documented throughout the archive. An unseasonably warm winter in Spain obligated production to head to Finland and Canada in the final months of shooting, in order to obtain a sufficiently wintry backdrop for landscape scenes. The archive includes eleven photographs of cast and crew members between takes on the Moscow set, several shots featuring Palmer and director David Lean during a parade scene, with crowds of extras in Soviet militia garb in the background. The Moscow photographs in particular highlight the intricate set and costume design elements which went into constructing the mock city, including several striking images of parade participants holding huge portraits of Soviet officials. An unusual addition to the collection is a photograph of Palmer in conversation with noted Austrian-American director Fred Zinnemann, who collaborated with actor Omar Sharif in "Behold a Pale Horse" earlier in 1964. Shot on location throughout Spain, Finland, and Canada. Photographs and contact sheets varying sizes. All materials generally Very Good plus, several photographs with moderate toning.…