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  • 60 songs, 1940-1960 : arranged for voice, piano, guitar Home library series, v. 3] [Again -- Anniversary song -- At last -- Autumn serenade -- Black and white -- Blue velvet -- Canadian sunset -- Cara Mia -- Chattanooga choo choo -- Ciao, ciao, bambina -- Cry me a river -- Daddy -- Dearly beloved -- Don't get around much anymore -- Dream -- Ebb tide -- Elmer's tune -- Ev'ry day of my life -- Forever and ever -- Happiness is a thing called Joe -- Hawaiian sunset -- How about you? -- I fall in love too easily -- I got it bad and that ain't good -- I need you now -- I understand -- I wanna be around -- I want my mama -- I, Yi, Yi, Yi (I like you very much) -- If I give my heart to you -- I left my heart in San Francisco -- It's a most unusual]

    Sigman, Carl, Matt Malneck, Robert Maxwell, Harry Warren, Mack Gordon, Edith Lindeman, Carl Stutz, Buddy Kaye, Ted Mossman, Bob Troup,, Hy Zaret, Alex North, Vernon Duke, John Touche, Ted Fetter, Wayne Shanklin, Arthur Hamilton, Pee Wee King, Redd Stewart, Chilton Price, Johnny Mercer, Sadie Vimmerstedt, Alfred Newman, Johnny Cowell, Earl Robinson, Bob Russell, Duke Ellington, George Cory, Douglass Cross, Peter Tschaikowsky, John Digges, Mitchell Parish, Domenico Moduono, Jaraca, Vincent Paica, Al Stillman, Mabel Wayne, Kim Gannon, Burton Lane, Ralph Freed, Edmund Goulding, Johnny Watson, Vaughn Monroe, Pauline Pope, Bernie Wayne, Norman Span, Al Jacobs, Beasley Smith, Haven Gillespie, Franz Winkler, Malia Rosa, Claire Rothrock, Milt Yakus

    Verlag: Big 3 Music Corp., New York, 1976, 1976

    • Softcover

    Anbieter: Joseph Valles - Books, Stockbridge, GA, USAJoseph Valles - Books

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    Soft cover. Zustand: Fine. 1 score (144 pages) ; 31 cm ; Interlinear words in English OCLC 14164530 ; textured orange-red and gold stiff paper wrappers ; featured songs include: Again -- Anniversary song -- At last -- Autumn serenade -- Black and white -- Blue velvet -- Canadian sunset -- Cara Mia -- Chattanooga choo choo -- Ciao, ciao, bambina -- Cry me a river -- Daddy -- Dearly beloved -- Don't get around much anymore -- Dream -- Ebb tide -- Elmer's tune -- Ev'ry day of my life -- Forever and ever -- Happiness is a thing called Joe -- Hawaiian sunset -- How about you? -- I fall in love too easily -- I got it bad and that ain't good -- I need you now -- I understand -- I wanna be around -- I want my mama -- I, Yi, Yi, Yi (I like you very much) -- If I give my heart to you -- I left my heart in San Francisco -- It's a most unusual day -- Let me love you to-night -- Little things mean a lot -- Love is where you find it -- Mam'selle -- Matilda -- Melody of love -- Moments to remember -- My heart cries for you -- No greater love -- Old Cape Cod -- Racing with the moon -- Rum and Coca-Cola -- Seems like old times -- Shangri-la -- Softly, as I leave you -- Taking a chance on love -- That lucky old sun -- Through a long and sleepless night -- Till the end of time -- Unchained melody -- Volare -- Walk hand in hand -- The wayward wind -- The woodpecker song -- Yellow bird -- You belong to me ; FINE. Book.

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    Paperback. Zustand: Very Good + / Near Fine. 1st Edition. FORM MAGAZINE. Complete set: Issues 1-10. (Summer) 1966- (October )1969.The most significant British magazine of the 60s concentrating on pure abstraction and through this art theory, architecture, avant-garde magazines et al. Interest in FORM itself has grown in recent years: while studying for his Ph.D. the Portuguese architect Joaquim Moreno made a particular study of the magazine, contending that it is essentially a magazine about little magazines of the avant-garde. Moreno was part of the research group that produced 'Clip Stamp Fold' (M + M books, Princeton, 2011), which features interviews with Bann and Steadman. Issues often include a Great Little Magazines section. Each issue is about 9.5 inches square, illustrated, with 32pp (apart from one issue with 36pp). Number 1: Contents includes Film as Pure form by Theo Van Doesburg (first translation of 1929 essay), The Activity of Structuralism by Roland Barthes, Experimental Aesthetics by Carlyn Cumming, essay on Fernand Leger, Great Little Magazines No.1 : Secession with work by William Carlos Williams, Hans Arp Yvor Winters / Number 2: Contents includes Le Parc and The Group Problem by Frank Popper; A Little Night Music by Charles Tomlinson; Articles by Gillo Dorfles; Poem by Charles Tomlinson; William Carlos Williams on Emanuel Romano. Great Little Magazines No.2: Blues with work by Gertrude Stein, Sidney Hunt, Parker Tyler, Kenneth Rexroth, Charles Henri Ford./ Number 3: Contents includes Poems by Ian Hamilton Finlay, Ernst Jandl, Paul de Vree, Kenneth Robinson. Articles on and by Charles Biederman and 'The Electrical -Mechanical Spectacle' by El Lissitzky. Great Little Magazines No 3: 'G' with work by Kurt Schwitters, Theo van Doesburg, Mies van der Rohe, Miklos Bandi./ Number 4: Contents includes: Brighton Concrete Poetry Exhibition , notes, map & full review (exhibition organised by Form's editors), Black Mountain College, Albers 'Graphic Tectonics', 'What is Kentetism' ? Two essays by Charles Biederman, Poems by Anselm Hollo. Review of Mecano magazine in Great Little Magazines No.4 (therefore discussion of Van Doesburg) - which includes translation of Van Doesburg text. / Number 5: Contains Hans Jaffes - De Stijl and Architecture, features on Bernard Lassus and Raul Hausmann, and in the Black Mountain Series John A. Rice, George Zabriskie and designs for college buildings by Walter Gropius and Marcel Breuer. Great Little Magazines No.5 'RAY' with work by Sidney Hunt, I. K. Bonset ( Theo Van Doesburg) and Kurt Schwitters./ Number 6: The contents include essays on Russian unofficial art, and on the work of Laszlo Moholy Nagy; John Evarts and Jean Charlot writing on Black Mountain; and poems by David Chaloner. Great Little Magazines No.6 'De Stijl' (Part 1). / Number 7: March / 1968. Contents include Kinetic Art in Czechoslovakia, Cinema and Semiology, by Peter Wollen, new American Photography, Abraham Moles on Vasarely. Airfields by Simon Cutts. Great Little Magazines No.6 'De Stijl' (author index part 2). / Number 8: The contents include Russian Exhibitions 1904 to 1922, Xanti Schawinskys - Spectodrama, and a feature on Pierre Albert-Birot with Barbara Wrights translations from - Grabinoulor. Great Little Magazines No.7 'SIC' with work by Apollinaire, Tristan Tzara, Pierre Albert-Birot. / Number 9: Contents includes articles by Hans Richter, Joost Baljeu, H. H. Stuckenschmidt. 'Notes on Theatre at Black Mountain College (1948-1952)' by Mark Hedden. 'Theo van Doesburg is of Today' by Maurice Agis and Peter Jones. Great Little Magazines section No 8: 'Kulchur' with work by Robert Indiana./ Number 10: The Aesthetic of Ian Hamilton Finlay by Simon Cutts. Art in Crisis by Charles Biederman, Structuralism & Literary Criticism by Gerard Genette. Great Little Magazines : LEF by Richard Sherwood & articles from LEF by Brik, Arvatov, Mayokovsky. Together with printed letter from the editor, Philip Steadman, sent to contributors when the magazine finished & flier for Form subs.

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    1p. circular letter. Signed in print by Robinson. Addressed in holograph on verso to the Master of the Scipio Lodge in Aurora New York, Natchez postmark. 4to. An ephemeral circular letter soliciting subscriptions to among the rarest early American maps: Robinson's Map of Mexico, Louisiana and the Missouri Territory (Philadelphia: 1819). Robinson had served as a physician on Zebulon Pike's expedition to the southwest and his large-format wall map included the routes of both that expedition and the explorations of Lewis and Clark. It was the first map to delinate the boundary between Louisiana and Texas as per the Adams-Onis Treaty, and according the Prospectus, contained "the latest and best information from the discoveries and possessions of the American, Spanish, Russian, British and French travellers and navigators, and representing the claims of their respective governments in the North western coast of America." The map is very rare, known only in ten copies, with the last example appearing on the market being the Thomas W. Streeter copy, selling in 2018 for $350,000. This circular letter was sent by Robinson with a conjoined Prospectus. The Prospectus, not present here, gave a description of the map, terms for purchase ($15) and space for subscribers to sign their names and record their addresses. Once completed by the subscriber, the Prospectus was detached from the circular letter and returned to the publisher. Both McMurtrie and Shaw & Shoemaker give the circular letter and prospectus separate listings in their respective bibliographies. Mississippi Imprints 119; Shaw & Shoemaker 45563 Usual folds, tears from opening, large void at bottom without loss to text. Without the conjoined Prospectus (see below) 1p. circular letter. Signed in print by Robinson. Addressed in holograph on verso to the Master of the Scipio Lodge in Aurora New York, Natchez postmark. 4to. Signed.

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    No Binding. Zustand: Very Good. Engraved map on twelve sheets joined as six and mounted on linen (each ca. 35 x 22 1/2 in.; 889 x 569 mm, and totaling ca. 70 x 67 1/2 in.), engraved by H. Anderson, contemporary outline handcoloring and light varnishing, large engraved allegorical vignette by Anderson above title depicting Robinson bowing before two female figures holding shields bearing the federal eagles of Mexico and the United States, respectively, while a winged female hovers in the background; lengthy engraved dedication below the title ("To Maj. Gen. Thomas Hinds, Brigr. Gen. John Wood, Col. Coles Mead, Edward Turner Esqr. Jonathon Thompson Esqr. Vela Metcalfe Esqr. & James Metcalfe M.D. This Map is Respectfully inscribed as a testimony of their Patronage, in Promoting the Publication by the Author"); eight statistical and other informational tables engraved lower left, including latitude and longitude, populations of various provinces, size and locations of Indian peoples, and mountain heights. The six sheets uniformly handsomely framed and glazed with UVIII Plexiglass. A very little bit of minor chipping at margins and sheet edges, occasional browning or minor soiling, some scattered craqulure from varnish. PROVENANCE: The Library of Congress (small stamp below the imprint, "Map Division Library of Congress"; likely a copyright deposit copy) - Thomas W. Streeter (penciled note in margin above vignette, "By exchange with the Library of Congress for the surveys by George Washington Dec. 1939"; see also Streeter's article "The Rollins Collection of Western Americana," in Princeton University Library Chronicle, Vol. IX (June 1948): 203, where he describes his attempts to secure Rollins's copy of the Robinson map before "a search of about a dozen years was rewarded by my finding a procurable duplicate of the map in a great institutional library") - Yale University FIRST ISSUE OF A SEMINAL MAP OF THE AMERICAN SOUTHWEST: THE FIRST MAP TO DELINEATE THE BORDER OF TEXAS AND LOUISIANA AS ESTABLISHED BY THE CRUCIAL ADAMS-ONÍS TREATY OF 1819. ONE OF ONLY ABOUT TEN COPIES TO SURVIVE, THIS IS EVIDENTLY ONE OF THREE COPIES DEPOSITED BY ROBINSON IN THE LIBRARY OF CONGRESS IN ORDER TO SECURE COPYRIGHT. John Hamilton Robinson was the naturalist and medical officer (and possibly a spy) on Zebulon Pike's expedition to the southwest, later venturing several times to Mexico and serving in her army. On the map itself Robinson explains his cartographic sources: "The Information on which the Author feels himself justified in the publication of this Map, is from his own knowledge of the Country in his several voyages thither and also the several Manuscript Maps which are now in his possession, drawn by order of the Captain General of the Internal Provinces and Viceroy of Mexico." In a legend along the Pacific Coast he gives a specific credit: "This portion of the coast was laid down from the map made by Don Juan Pedro Walker by order of the Captain General of the Internal Provinces in 1810." Robinson also likely relied on William Clark's map of the Lewis and Clark expedition as well. In the parlance of the day, Robinson was a "filibuster"-a combination of adventurer and mercenary-fully committed to the sometimes competing goals of Mexican independence from Spain and the expansion westward of the United States. He conceived of his map in helping both of those endeavors by highlighting the vast territory claimed-or at least coveted- by both the United States and Spain. Robinson published a prospectus for the map claiming that it would "contain the latest and best information from the discoveries and possessions of the American, Spanish, Russian, British and French travellers and navigators, and representing the claims of their respective governments in the North western coast of America." Robinson's map shows the routes of Pike, Lewis and Clark, Dominique, and Font; cities and towns, villages and missions, Indian nations; silver mines; and forts among other features. He has als. Map.