robin poynor (23 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Near Fine. Dust Jacket Included. 1995. Africa, Art. University Press of Florida, 221 p., very good to near fine cloth and dust jacket in original shrink wrap 7/23.

Paperback. Zustand: Fair. 2nd. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Hardcover book with dustjacket, large format, spine of the dustjacket and edge of the pages slightly discolored, else in (very) good condition. Text in English. Please see description or ask for photos.

paperback. Zustand: Poor. 2nd. CREASED and worn Covers with small tear at bottom left corner. Some water stain along top edge. Tape reinforced spine. Multiple used book stickers on rear. Reading copy AS IS. POOR CONDITION.

hardcover. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hardback. Zustand: Very Good. Zustand des Schutzumschlags: Very Good-. Please note that this is a heavy item and may incur extra shipping costs for international orders. ; Dust jacket is bright, lightly shelf-marked, spine sunned, unclipped; boards are clean, gilt titling, small split between upper spine and front board, upper corners bumped; binding is tight; pages are unmarked with black and white and colour illustrations. ; 8.75 x 1.5 x 11.25 inches; 544 pages.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. First Edition. Signed by author on title page, inscibed by Budd Harris Bishop on Foreward page, DJ lightly rubbed, otherwise very clean, tight and bright. Signed by Author(s).

Staple-bound Wrappers. Zustand: Fine Condition. Slim volume, 48 pages with 50 black and white illustrations. Foreword by Gary R. Libby. Illustrated wraps. Bibliography.

Soft cover. Zustand: New. 462 pages : illustrations (colour) ; 26 cm.

Soft cover. Zustand: Good. Zustand des Schutzumschlags: Very Good. 1st Edition. 536pp hardback, black boards gilt in wrapper, well illustrated in bw and colour, one leaf folded/creased production fault), light marl tp title page.

Zustand: New. Editor(s): Carlson, Amanda B.; Poynor, Robin. Series: A Florida Quincentennial Book. Num Pages: 528 pages. BIC Classification: 1H; 1KBBFL; JFC; JFSL3. Category: (G) General (US: Trade). Dimension: 254 x 178 x 33. Weight in Grams: 1542. . 2015. Paperback. . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 462 pages. 10.00x7.00x1.50 inches. In Stock.

Zustand des Schutzumschlags: mit Schutzumschlag. Erste Ausgabe. 18 x 26 cm. Erste Auflage, 221 S. Goldgeprägte rote Olwd, Ou. Sprache: Englisch, Zahlreiche Abbildungen. tadellos. Hinweis: Versandkosten müssen bei Auslandsversand evtl. angehoben werden.

Zustand: New. An introduction to the notable collection of West African art from the Samuel P. Harn Museum of Art. It specifically addresses the role of the art object as a link between the spiritual and the temporal worlds. Objects examined include a bowl from Cameroon and a fertility figure from Ghana. Num Pages: 240 pages, 17 colour illustrations, 76 b&w photographs, 3 maps, notes, bibliography, index. BIC Classification: 1HFD; ABA; AC; JFC; WTHM. Category: (G) General (US: Trade); (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 254 x 178 x 24. Weight in Grams: 953. . 1995. hardcover. . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 237 pages. 10.25x7.25x0.50 inches. In Stock.

Zustand: New. &Uumlber den AutorAmanda B. Carlson, assistant professor of art history at the University of Hartford, USA, is the author of Converging Territories. Robin Poynor, professor of art history at the University of Florida, U.

Gebunden. Zustand: New. An introduction to the notable collection of West African art from the Samuel P. Harn Museum of Art. It specifically addresses the role of the art object as a link between the spiritual and the temporal worlds. Objects examined include a bowl from Cameroon .

Taschenbuch. Zustand: Neu. Neuware - Over the course of centuries, recent immigrants from numerous countries in contemporary Africa have influenced the Sunshine State's history and culture. Through a critical evaluation of the influences and effects of the numerous African and African-influenced cultures that have been a part of the state's history, this collection of essays and art explores how Florida both shapes and is shaped by the multiple African diasporas that move through it. Africa in Florida challenges the way American history and southern studies have characterized African contributions to the development of the United States by showing how Africans, both free and enslaved, asserted themselves as explorers, farmers, slave owners, artists, and more.

Buch. Zustand: Neu. Neuware - With dramatic colour and black-and-white photographs of 93 pieces of art, ''Spirit Eyes, Human Hands'' introduces the notable collection of West African art from the Samuel P. Harn Museum of Art. In the traditional view of many Africans, the spiritual and temporal worlds depend upon each other for companionship and material well-being. As the inhabitants of either realm cross and recross their world boundaries, art objects function as intimate links between the two domains, allowing both spirit and human to see and to manipulate each other. This work specifically addresses the role of the art object - a bowl from Cameroon, a mask from Burkina Faso or Sierra Leone, an ancestral altar from Nigeria, a fertility figure from Ghana - as a medium through which each world gains entrance into the other. Poynor's essay presents each work in its geographic and cultural context. Line drawings and abundant field photographs enhance the text and support the idea that objects assist communication between two worlds.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 462 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Soft cover. Zustand: Very Good. Photo illustrated wraps with inked titles. Wraps show some bumping to foot edge, smudging and edgewear. Corners are lightly scuffed. See photos. Spine has title in beige and is bright, with firm ends. Binding is secure. Illustrations are bright and clear. Inside pages are free of writing and intentional marks. Text block edges have some marks to fore and foot edges. Please see photos.** PS2025.1022** 458 pages. 8.5 X 11 inches** A Very Good copy of this scholarly compilation of studies on Kongo culture and history and its place in the African diaspora. Interior is crisp and bright, with a little wear to the wraps, which show some handling and marks to the edges.** This volume allows leading scholars of Kongo history, anthropology, linguistics, archaeology, and art to examine the history of Kongo peoples from the fifteenth century through today. These essays probe the historical interactions between the Kongolese and the Atlantic world, Kongo presence and influence in the United States, and Kongo inspired artistic expression in contemporary art." (back cover)** "Postage for oversized and international shipping will be calculated by size and weight. AbeBooks shipping quotes are ESTIMATES only. Seller Inventory #010347"**.

Soft cover. Zustand: Good. 2013 , 458 pp Edited by Susan Cooksey, Robin Poynor, and Hein Vanhee With editorial assistance by Carlee S. Forbes University Press of Florida Soft Cover Used Part I. Kongo in Africa 1. The Culture of Mbanza Kongo Linda Heywood and John Thornton Focus 1. King Pedro VII of Kongo r.1923 55 2. By the Sword and the Cross . Power and Faith in the Arts of the Christians Kongo Cécile Fromont Focus 2. The Capuchin s Didactic Documents 3. Rock Art as a Source for the History of the Kongo Kingdom Geoffroy Heimlich Focus 3. The Kongo Cross across Centuries 4. Kongo, North America and the Slave Trade Jelmer Vos Focus 4. Images of the Middle Passage 5. The Kongo Kingdom and European Diplomacy Linda Heywood and John Thornton Focus 5. Portraits of Kongo Diplomats Catalogue section 1. Kongo Kingdom Art 6. Kongo in the Age of Empire Hein Vanhee and Jelmer Vos Focus 6. Antonio, Mambouc of Nzobe in the 1890s 7. Transatlantic Souvenirs . A Dialogue of Slavery and Memory in Kongo Inspired Relief Sculpture Nichole N. Bridges Focus 7. Depicting the Slave Trade Catalogue section 2. Trade and Chiefs in the Nineteenth Century 8. Renewal and Reinterpretation in Kongo Religion John M. Janzen 9. On Nsambi Pluriarcs Rémy Jadinon Focus 8. Praetorius Displays Kongo Instruments, 1619 Catalogue section 3. Rites of Passage Musical Instruments 10. Meaning and Aesthetics in Kongo Art Wyatt MacGaffey Focus 9. The Master of Kasadi 11. A Touch of Exoticism European Fashion in Kongo Julien Volper Focus 10. The Land of the Dead Catalogue section 4. Protection and Healing Commemorating the Dead Traditional Forms and individual creativity Part II. Kongo in the Americas 12. Kongo and the Archaeology of Early African America Christopher C. Fennell Focus 11. Crossing the South West Central African Spirit Practices in Annapolis, Maryland Kathryn H. Deeley, Stefan F. Woehlke, Mark P. Leone and Matthew Cochran Catalogue section 5. Kongo in Early America 14. Africanisms in American English Critical Notes on Sources and Methodology Jacky Maniacky 15. Kongo Cuisine and the Middle Passage in Terms of Peanuts Birgit Ricquier 16. Africa Is What You Make It Kongo in African American Folk Arts Jason Young Focus 12. Kongo Ideas and Aesthetics in African American Ceramics 17. The Kongo Connection Central African Baskets and Their American Kin Dale Rosengarten Focus 13. Continuing the Legacy of Lowcountry Coiled Baskets 18. Kongo Music and Dance at New Orleans' Congo Square Freddi Williams Evans Focus 14. Remembering Congo Square 19. Nineteenth Century Americans Shed Light on Kongo Mathilde Leduc Grimaldi Focus 15. Kongo in the Engravings of Pieter van der Aa 20. Seeing Kongo A Lens on African American Landscapes Grey Gundaker Focus 16. Kongo Afterlife in Florida 21. From Tidewater to Tampa Yard Activation in the Kongo Atlantic Tradition Kellim Brown Catalogue section 6. Kongo Resonance in African American Cultures Part III. Kongo in Contemporary Art 22. Kongo Inspiration in Contemporary World Art Susan Cooksey and Robin Poynor Focus 17. Memory in the Afro Atlantic 23. Kongo Squared The Art of Renée Stout Michael D. Harris 24. Minkisi and Dikenga in the Art of Radcliffe Bailey Multiplied Exponentially Carol Thompson 25. Kongo Resonance in the Paintings of Edouard Duval Carrié Donald Cosentino 26. José Bedia . Crossing the Waters Judith Bettelheim Catalogue section 7. Kongo Inspiration in Contemporary Art. Bibliothèque Alain Guisson.