robert randolf coleman (6 Ergebnisse)

1984, Art, The Medieval Institute, Indiana, 213 p., good ex-library boards.

Trade Paperback. Zustand: Like New. First Edition. First Edition, First Printing. Published by University of Notre Dame, 1984. Quarto. Pictorial wraps. Book is very good; with no writing or names. Spine straight, binding tight and pages crisp. Covers have light shelf wear and light toning to spine. 215 pages. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell!

Zustand: Very Good. Very Good condition. (Renaissance, Drawing, Exhibitions) A copy that may have a few cosmetic defects. May also contain a few markings such as an owner's name, short gifter's inscription or light stamp.

Zustand: Fine. 261 pp., softcover, new. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Zustand: Very Good. Medieval Institute, University of Notre Dame 11/19/84 Binding: Unknown 215 pages; 1 p. index of artists; 9 p. bibliography; from the Preface: "This exhibition of eighty-nine Renaissance drawings is but a sampling of the some 12,000 drawings in the Biblioteca Ambrosiana in Milan, photographs of which make up the Mary Davis Collection in the Medieval Institute at The University of Notre Dame. Catalog by Robert Randolf Coleman, with contributions by Giulio Bora, Diane DeGrazia, Bert W. Meijer, and Alessandro Nova. Introduction by Robert R. Coleman and Louis Jourdan.

Zustand: Good. 4to. 215 pp. Very Good+. Soft Cover. Illustrated paper wraps. Pages fine. B&W plates throughout.From the Collection of the Art Historian Peter Selz.