robert ramsden (7 Ergebnisse)

Zustand: New. In.

Zustand: New. KlappentextrnrnSpace capabilities amply demonstrated their utility in Desert Storm. Despite significant contributions to operations, however, the Air Force recognized it could do a better job of integrating space in support of the regional comba.

Taschenbuch. Zustand: Neu. Neuware - Space capabilities amply demonstrated their utility in Desert Storm. Despite significant contributions to operations, however, the Air Force recognized it could do a better job of integrating space in support of the regional combatant commander. The Air Force had been aware of the need for better support to regional combatant commanders well before Desert Storm, but the positive exposure of that conflict provided the impetus for change. One of the initiatives following desert Storm was to assign space personnel to the combatant commands, specifically to the Air Operations Centers (AOCs), to provide requisite expertise and fuller integration of space support. There was very little guidance beyond that, however. Nonetheless, space personnel became actively engaged in the AOCs and contributed to the many operations since - to include Allied Force, Enduring Freedom, and Iraqi Freedom. Much practical guidance can be discerned from their experiences.

48 pp.; 20.8 x 15 cm.; glue bound; black-and-white; edition size 1000; unsigned and unnumbered; offset-printed Exhibition catalogue / artist's book published in conjunction with show "Collaborations," held September 14 - October 15, 1983. "Collaborations," was a counterpart exhibition to "ABHASA : Image - Bearing Light," held concurrently at the Fisher Gallery, University of Southern California, Los Angeles. Introduction by Robert L. Smith. Preface by Dan Wasil. Transcript of part of a seminar, "A Cultural Drama: The Artist's Studio," held at the Ikon Gallery, Birmingham with Fred Orton, Michael Baldwin, Mel Ramsden, Charles Harrison, Antonia Payne, and others. Design by Art & Language. Very Good. Sunning, rubbing, and light scratching of covers with mild edge wear. Contents clean and unmarked.

3 vol. : vol. 1: 144 pp. ; vol. 2: 163 pp. ; vol. 3: 186+ pp.; 3 vol. : vol. 1: 27 x 20 cm. ; vol. 2: 26.5 x 21 cm. ; vol. 3: 27.5 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; All three published issues of the periodical The Fox, one of the most important publications of 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. Those who are interested, curious, or have something to add (be it pro or con) to the editorial thrust . the revaluation of ideology . of the first issue are encouraged, even urged, to contribute to following issues. All other correspondences are welcome." -- preface to Volume One. Issue 1, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, and Preston Heller. Contents include: "A Declaration of Dependence," by Sarah Charlesworth; "For Thomas Hobbes," by Michael Baldwin and Philip Pilkington; " The Artist as Anthropologist," by Joseph Kosuth; " Are You Not Doing What You're Doing While You're Doing What You Are," by Andrew Menard; "A Note on Art in Yugoslavia," by Zoran Popovic and Jasna Tijardovic; "Pricing Works of Art," by Ian Burn; "To Art (Reg. Intrans. V.)," by Adrian Piper; "On Practice," by Mel Ramsden; "Historical Discourse," by Michael Corris; "Education Bankrupts," by David Rushton and Paul Wood; "Counterfeit Interview," by Preston Heller; "Optimistic Handbook," by Lynn Lemaster; "Looking Back, Going On," by Terry Atkinson; "Perimeters of Protest," by Mel Ramsden; "Buying Cultural Dependency: A Note on the Crazed Thinking Behind Several Australian Collections," by Ian Burn; "A Forum on Artforum," by Karl Beveridge; and "Thinking About Tim Clark and Linda Nochlin," by Ian Burn. Issue 2, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "Book Review: John Berger's 'Ways of Seeing,'" by Eunice Lipton; "Review: Jeremy Gilbert-Rolfe's As-Silly-As-You-Can-Get"; "Brice Marden's Painting,'" by Mel Ramsden; "Review: Fighting Modern Masters," by Terry Smith; "Dear Fox." by Lizzie Borden; "Memo For the Fox," by Sarah Charlesworth; "Review: 'Cityarts Workshop: People's Art in New York City,'" by Mel Ramsden; "Conversation Pieces," by Mark Klienberg; "A Proposal For Pricing Works of Art," by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Andrew Menard; "Review: Ian Wilson's Discussion at the John Weber Gallery," by Michael Corris; "Review: 'Art-Language' Volume 3 Number 2," by Ian Burn; "Bruce Kurtz: A Conversation with Robert Smithson"; "Stefan Morawski: Concerning an Attack by Sandra Harrison"; "Letters from Jean Toche, Robert Horvitz, Paul Kagawa, Annson Kenney, and others"; "Direct Speech," by David Rushton and Paul Wood; "1975," by Joseph Kosuth; "Doing Art History," by Terry Smith; "Media Madness," by Andrew Menard and Ron White; "Looking Back, Going On - Part 2," by Terry Atkinson; "Don Judd," by Karl Beveridge and Ian Burn; "Yet Another Palace Revolt in the Banana Republic?" by Michael Corris; "On Samuel Beckett's 'Waiting for Godot,'" by Trevor Pateman. Issue 3, published in 1976, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "The Lumpen-Headache," by Peter Benchley; "Review: Not on the Development of Contradiction," by Kathryn Bigelow; "For Artists Meeting," by Sarah Charlesworth; "Review: Under the Rug," by Martha Rosler; "Review: Framing & Being Framed - Or, Are We Going to Let Barbara Rose Get Away with 'Dialectics' this Year?" by Mel Ramsden; "Having-Your-Heart-In-The-Right-Place is Not Making History," by Art & Language UK; "Worst of All Allies," by Art & Language UK; " The Edge of the Edge," Ca.

48 pp.; 21 x 15.3 cm.; staple bound; black-and-white; edition size 800; unsigned and unnumbered; offset-printed Exhibition catalogue for show of artists' books held September 20 - October 14, 1972. Text by Germano Celant. Exhibition checklist organized chronologically by Celant and Linda Morris. Show included books by Dick Higgins, Claes Oldenburg, Dieter Rot [aka Dieter Roth], Ben, Daniel Spoerri, George Brecht, Yoko Ono, Claus Bremer, John Cage, La Monte Young, Jackson MacLow, Nam June Paik, Emmett Williams, Walter de Maria, Malka Safro, Simone Forti, Richard Maxfield, Christian Wolff, Stanley Brouwn, Piero Manzoni, Edward Ruscha, Robert Filliou, Ray Johnson, Allan Kaprow, Alison Knowles, Joseph Kosuth, Eduardo Paolozzi, Gianfranco Baruchello, Mel Bochner, Terry Atkinson, Michael Baldwin, Ay-o, Oyvind Fahlstrom, John Giorno, Jerome Rothenberg, Wolf Vostell, Robert Watts, Philip Corner, Juan Hidalgo, Mel Ramsden, Carl Andre, Robert Barry, Sol LeWitt, Robert Morris, Lawrence Weiner, Ian Burn, Merce Cunningham, Terry Riley, Ben Vautier, Stephen Kaltenbach, Walter Marchetti, N.E. Thing Co. LTD., Giulio Paolini, Bernard Venet, Franz Erhard Walther, Andy Warhol, Vito Acconci, Stig Brogger, José Luis de Castillejo, Roger Cutforth, Hanne Darboven, Jan Dibbets, Dan Graham, James Lee Byars, Maloney, Bruce Nauman, Michelangelo Pisteletto, Emilio Prini, Allen Ruppersberg, Richard Tuttle, Harold Hurrell, Bernd & Hilla Becher, Christo, Dennis Oppenheim, Mark Boyle, Daniel Buren, Donald Burgy, Gerald Ferguson, Dorothy Iannone, Bejamin Patterson, Gilbert & George, Kathe Gregory, Marilyn Landis, Russell F. Lewis, David Crane, Scott R. Kahn, Lawrence Alloway, Gerard Hemsworth, David Lamelas, Mario Merz, Tom Phillips, Peter Roehr, Klaus Staeck, Art & Language, Derek Boshier, Marcel Broodthaers, Alessandro Carlini, James Collins, Giancarlo Croce, Giorgio Fabbris, Giorgio Spiller, Sandro Greco, Hamish Fulton, Bob Law, Richard Long, Philip Pilkington, David Rushton, Kevin Lole, Peter Smith, Giuseppe Penone, John Stezaker, Athena Tacha, Gérard Titus-Carmel, Vincenzo Agnetti, Giovanni Anselmo, John Baldessari, John Blake, Victor Burgin, Ger van Elk, Richard Hamilton, and Bruce McClean Reference : No. 3 and No. 135 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 15, 74. Very Good. Very light wear to covers. Name of previous owner in ink on first inside page, and small ink dash next to the names of Alison Knowles, Hanne Darboven, and Athena Tacha in the checklist. Otherwise Fine.

108 pp.; 21.5 x 13.5 cm.; sewn bound; black-and-white; edition size 250; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show of texts and text-based works written and sent by the artists to the Museum Dhondt-Dhaenens, Deurle, Belgium, where they were exhibited from July 11 - August 12, 1973. Curated by Fernand Spillemaeckers, Galerie MTL. Artists include Carl Andre, John Baldessari, Robert Barry, Marcel Broodthaers, Victor Burgin, Ian Burn and Mel Ramsden, Cadere, Dan Graham, Douglas Huebler, Joseph Kosuth, Sol LeWitt, Robert Ryman, Joost A. Romeu, Lawrence Weiner, and Ian Wilson. Text in English, French, and Flemish as written by the artists. Good / Very Good. Covers very lightly soiled. Yellowing of page edges. Contents clean and unmarked.