Robert porfirio (17 Ergebnisse)

No Binding. Zustand: Very Good. ORIGINAL Article, disbound from journal; no covers; in very good condition. Journal.

Paperback. Zustand: Good.

softcover. Zustand: Fine copy. 1st. 8vo, 239 pp. Profusely illustrated (illustrator).

Soft Cover. Zustand: Very Good. 23 maylight cover wear.

Hardback. Zustand: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Paperback. Zustand: Brand New. illustrated edition. 244 pages. 9.25x6.00x0.75 inches. In Stock.

Paperback. Zustand: Brand New. 248 pages. 9.00x6.00x0.75 inches. In Stock.

paperback. Zustand: Good.

hardcover. Zustand: Acceptable. Ex-library book, usual marking. Clean copy in good condition. With Dust Cover. Broken spine. Quick dispatch from UK seller.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 393 pp. Over-sized and/or over weight book; may require extra postage. Please note that large and/or heavy items may incur an additional shipping charge. A great, almost spotlessly clean copy and dust jacket! Solidly and tightly bound, essentially and nearly flawless copy and dust jacket with minimal internal and external wear and use. Copy with crisp pages, clean text, and light shelf wear. Smooth covers. Dust jacket shows minimal wear around edges.…

Hardback. Zustand: Good.

54 pp.; 27.8 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Spring 1975 issue of Art-Rite focused on Painting, edited by Walter Robinson and Edit deAk. Contents include: "Conventional Wisdom"; "Untitled Statement," by Jeremy Gilbert-Rolfe; "Painting Matters," by Lucio Pozzi; "On Jumping," by David Reed; "On Intermediate Cases," by David Reed; "Random Notes on Painting From A Critic's Daybook," by Robert Pincus-Witten; "The Whitney Biennial," by Anthony Mascatello; "A Pained Expression," by Dennis Kardon; "About Painting," by Lawrence Alloway; "Photographic Realism," by The Staff; "Lilly Brody"; "John Mendelsohn"; "Nancy Spero"; "Julian Schnabel"; "Evriah Bader"; "Peter Grass"; "Niel Jenney:" "Painters (Group One)"; "Bruce Boice (with Irving Sandler)"; "Painters (Group Two)" "Conversation with Brice Marden." Cover: Robert Ryman. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Fair. 9 mm. long "1.00" written in blue ink on recto. Tearing along spine wrapping around to covers including 1.2 cm., 1 cm., 2.1 cm. and others. 1.2 cm. loss to top edge of spine. Bumping and chipping across top edge of recto and verso. 1.4 cm. loss to verso at spine. 5.3 cm. soiling to right side edge of first page. Contents otherwise clean and unmarked. …

54 pp.; 27.8 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Spring 1975 issue of Art-Rite focused on Painting, edited by Walter Robinson and Edit deAk. Contents include: "Conventional Wisdom"; "Untitled Statement," by Jeremy Gilbert-Rolfe; "Painting Matters," by Lucio Pozzi; "On Jumping," by David Reed; "On Intermediate Cases," by David Reed; "Random Notes on Painting From A Critic's Daybook," by Robert Pincus-Witten; "The Whitney Biennial," by Anthony Mascatello; "A Pained Expression," by Dennis Kardon; "About Painting," by Lawrence Alloway; "Photographic Realism," by The Staff; "Lilly Brody"; "John Mendelsohn"; "Nancy Spero"; "Julian Schnabel"; "Evriah Bader"; "Peter Grass"; "Niel Jenney:" "Painters (Group One)"; "Bruce Boice (with Irving Sandler)"; "Painters (Group Two)" "Conversation with Brice Marden." Cover: Robert Ryman. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Fair / Good. 15.3 cm. and 3.6 cm. tears to spine. 2.2 cm. tear to recto, bumping of top edge of recto, and 1.2 cm. dog-ear to bottom right corner of recto. Chipping and tearing across top edge of verso. Yellowing of covers and pages. 2 mm. tear to page 3 and 1.3 cm. tear to pages 51-54. Contents clean and unmarked. …

Cologne Könemann 2000 Bound, cloth with original dustjacket, 248pp., 26.5x29cm., richly illustr. in b/w., in very good condition (dustjacket with light traces of use). ISBN 9783829043601. 'The Noir Style' is regarded as one of the most influential and richly illustrated books on classic American film noir. Alain Silver and James Ursini explore the visual style, themes and historical development of the genre through hundreds of film stills, original posters, production photographs and promotional images. The authors demonstrate how light and shadow, expressionist camerawork, urban settings and morally ambiguous characters combined to form one of the most recognisable film styles in cinematic history. In addition to the iconic films of the 1940s and 1950s, the book also explores the artistic influences of German Expressionism and the lasting impact of film noir on modern cinema. Alain Silver is an American film producer, film historian and author of numerous standard works on film noir. James Ursini is a screenwriter, lecturer and film historian who collaborated with Silver for many years on publications about the history of American cinema. Their joint books are regarded internationally as authoritative reference works on film noir and classic Hollywood cinema.…

Köln Könemann 2000 Bound, cloth with original dustjacket, 248pp., 26.5x29cm., richly illustr. in b/w., in very good condition (dustjacket with some traces of use, otherwise very good). ISBN 9783829046084. 'Der Film Noir' is regarded as one of the most influential and richly illustrated books on classic American film noir. Alain Silver and James Ursini explore the visual style, themes and historical development of the genre through hundreds of film stills, original posters, production photographs and promotional images. The authors demonstrate how light and shadow, expressionist camerawork, urban settings and morally ambiguous characters combined to form one of the most recognisable film styles in cinematic history. In addition to the iconic films of the 1940s and 1950s, the book also explores the artistic influences of German Expressionism and the lasting impact of film noir on modern cinema. Alain Silver is an American film producer, film historian and author of numerous standard works on film noir. James Ursini is a screenwriter, lecturer and film historian who collaborated with Silver for many years on publications about the history of American cinema. Their joint books are regarded internationally as authoritative reference works on film noir and classic Hollywood cinema.…

[2] pp.; 13.3 x 17.8 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Double sided postcard published in conjunction with show held May 1 - 29, 1977. Includes works by Nicholas Africano, Milet Andrejevic, Jake Berthot, Pinchas Cohen Gan, Leonard Contino, Brad Davis, Helen DeMott, Porfirio di Donna, Carol Engelson, Heidi Glück, Denise Green, Edith Gwathmey, Jan Hafstrom, Mary Heilmann, Stuart Hitch, Neil Jenney, Bill Jensen, Jane Koplowitz, Harriet Korman, Lois Lane, Don Leicht, Marilyn Lenkowsky, Sylvia Mangold, Robert Moskowitz, Judith Murry, Blinky Palermo, Harvey Quaytman, Edda Renouf, Judith Rifka, Michael Robbins, Susan Rothenberg, Doug Sanderson, Ted Stamm, Pat Steir, Gary Stephan, Susanna Tanger, Ellie Thompson, Peter Tkacheffa, John Torreano, Carolynn Umlauf, and Terry Winters. Fine. Unsent copy, clean and unmarked.…

Secker & Warburg, London - 1980 - Grand in-8, cartonnage sous jaquette illustrée de l'éditeur - 393 pages - Reproductions photographiques en N&B in et hors texte - Ouvrage en anglais Bon état - Jaquette quelque peu défraichie (plis, frottement) - Déchirures sur le bord supérieur de la jaquette avec petit renfort au scotch.…