Robert leider (14 Ergebnisse)

Paperback. Zustand: Very Good. 24th. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: Good. 36th Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Zustand: Good. 29th Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. 31st Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDCover little creased else very good.

Zustand: Very Good. Very Good condition. 21st edition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Paperback. Zustand: Fair. 19th. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way. Markings in workbook.

Paperback. Zustand: Fair. 36. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

94 pp.; 27 x 26.5 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; September 1971 Special Film Issue of Artforum, edited by Philip Leider. Contents include: "Foreword in Three Letters," by Peter Gidal, Annette Michelson, Jonas Mekas; "For a Metahistory of Film: Commonplace Notes and Hypothese," by Hollis Frampton; "'True Patriot Love': The Films of Joyce Wieland," by Regina Cornwell; "'Zorns Lemma'," by Wanda Bershen; "'Tom, Tom, the Piper's Son"; by Lois Mendelson and Bill Simon, "A Cinematic Atopia," by Robert Smithson; "Paul Sharits: Illusion and Object," by Regina Cornwell; "Passage," by Michael Snow; "Statements," by Richard Serra; "Paul Revere," by Joan Jonas and Richard Serra; "The Films of Man Ray and Moholy-Nagy," by Barbara Rose; "The Calisthenics of Vision: Open Instructions on the Films of George Landow," by Paul Arthur; "On Negative Space," by Max Kozloff and "'The Chelsea Girls,'" by Stephen Koch. Cover: Ken Jacobs. Good. 8 mm. loss to bottom right corner of recto with bumping of bottom right corner of publication. Additional rubbing of cover edges; 2 cm. yellow staining to verso. 3.5 cm. of yellow soiling to bottom edge of first page, contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

First Edition. First edition. Softcover. 94 pages. The highlight of this issue is an article that features five photographs by Diane Arbus internally and an additional image by her on the front cover. Articles include: Melvin Charney's "On the Liberation of Architecture," Marcia Tucker's "Recent Paintings by Joan Synder," "An Interview with Robert Ryman" by Phyllis Tuchman. Robert Pincus-Witten writing on Christopher Wilmarth, John Elderfield writing "On Constructivism," and Selma G. Lanes' "The Art of Maurice Sendak." A very good copy in stapled wrappers with some creasing to the corners, small chip to the top of the front cover, some other light wear and from the library of the Visual Studies Workshop with their stamp to the front free endpaper. Still, a solid copy of this terrific issue.…

48 pp.; 27 x 26.6 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Philip Leider. Essays "Two California Houses: Irving Gill's Dodge House," by Yoram Kahana and "The Sterling Holloway House," by Paul S. Hoag; "Greek Art at Santa Barbara" by Mario A. Del Chiaro; "John McLaughlin, Hard Edge and American Painting" by John Coplans; "An Early Sketchbook of Egon Schiele," by Herschel B. Chipp; "If You Have Anything Lying Around.," by Felix Landau "Robert Mallary: An Interview," and "The Evolution of a Harold Paris Wall," by Joseph Pugliese. Reviews by Virginia Allen, Fidel A Danieli, Mary Ewalt, Jorgen Hansen, Arthur Millier, Curt Oplinger, John Reuschel, Barbara Smith, Harriette von Breton, Clair Wolfe, and Don Factor. Cover: John McLaughlin, "#12 - 1963," oil on canvas. Very Good. Light rubbing of covers and bumping of corners. Contents clean and unmarked.…