robert l pincus (27 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good+. Zustand des Schutzumschlags: Very Good+. 12.10 X 10.10 X 0.80 inches.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Softbound. Zustand: Very Good. First paperback edition. Oblong quarto, glossy paper covers, xviii, 122 pp., b/w and color photos, chronology, notes, bibliography, index. With a brochure for the exhibit "Kienholz: A Retrospective. June 30 - November 3, 1996, The Museum of Contemporary Art, Los Angeles," laid-in as well as a newspaper clipping of review article of that exhibit by Suzanne Muchnic also laid-in.

Hardcover. Zustand: As New. No Jacket. A clean copy in excellent condition, appears unread. Still in original packaging. Secure packaging for safe delivery.

Softcover. Zustand: Fine. Color and black & white photographs throughout, many full page. ; 10.4 X 9.9 X 0.5 inches; 135 pages.

softcover. Zustand: Fine copy. Profusely illustrated (illustrator). 1st. Square 4to, 122 pp.

First Edition. First edition. Softcover. 57 pages. Features text by Robert L. Pincus. Includes numerous color and some black and white illustrations. A clean near fine copy in wrappers.

Soft cover. Zustand: Fine. 1st Edition. Color Plates. Illustrated Exhibition Catalog. Fine, No Marks.

Astrid PrestonÆs work is testament to the idea that landscapes do not exist in nature, but only in the mindÆs eye. While her images employ elements of place, they are also reconstructions that manifest personal perspectives or conceptual themes. On Reflections, the title of PrestonÆs new group of paintings, refers to her subject matter, but also suggests her cerebral processing and interpretation of nature.The ponds at Descanso Gardens in Southern California and MonetÆs garden at Giverny, France, serve as inspiration to her meditations. In fact, these gardens and the idea of gardens in general are aesthetic re-creations, idyllic ideals, the PlatoÆs Cave of nature. Within the artifice of a garden, Preston has chosen to focus on reflections, not the trees and plants themselves, but shimmering mirror images of them - the other side of the mirror; the reality that we construct in our minds. , English, Year2015, Illust. B/W0, Illust. Color51, ISBN 9780692369180, Code 6594. Softbound, In Pristine Condition, Bios. Cat. of exh. Pages 50, Size 10öx 8ö.

388 pp.; 15.5 x 21 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Anthology of critical texts on Robert Ryman written from 1967 on, edited by Vittorio Colaizzi and Karsten Schubert. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. "This volume is an indispensable anthology of critical texts on a central figure of Minimalism, Conceptual Art and more specifically, Monochrome Painting. Alongside contemporaries such as Carl Andre and Donald Judd, Robert Ryman''s radical painting has fundamentally shifted the definitions and boundaries of art. Spanning four decades, this book charts the gradual evolution of consensus about the meaning of his painting. The most significant essays and exhibition reviews have been collated into one volume, including texts written by some of the most influential art historians and critics. . Some essays appear here in English for the first time. With an introductory essay by Vittorio Colaizzi." -- publisher''s statement. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. NEW. Fine. New, as issued, in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.

First paperback editon.1994. 122 pages. Illustrated in colour and black and white. Paperback. Some edge-wear to rear. Very good. We are specialists in Artists Monographs, Catalogues and Illustrated items. All items are as described and dispatched within 24 hours in a secure package. We are professional booksellers with over 37 years experience, you may order with confidence. Other titles by this artist maybe in stock, please ask for our list or link.

Quarto, xiv+122 pages, original boards in dustwrapper, name on flyleaf, a very good copy. First edition.

[8] pp.; 18.5 x 18.4 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Accordion fold exhibition brochure published in conjunction with show held [May 20 - August 26], 2017. Essay by Robert L. Pincus. Includes exhibition checklist. Very Good / Fine. Minor scuffing of covers, otherwise Fine, contents clean and unmarked.

192 pp.; 21 x 13.5 cm.; sewn bound; black-and-white; edition size 750; unsigned and numbered; offset-printed Critical study on the influence of Duchamp upon the West Coast art world. Introduction by Bonnie Clearwater, texts by Naomi Sawelson-Gorse, Dickram Tashjian, Walter Hopps, Robert L. Pincus, and John Campbell. Edited by Bonnie Clearwater. Includes bibliography and chronology. Printed in black-and-white. Very Good. Light wear to dust jacket including areas of indentation. Cloth covers and contents are clean and unmarked. Copy number 352/750.

Pincus, Robert L. On A Scale That Competes With The World: The Art Of EDWARD And NANCY REDDIN KIENHOLZ. 122 pp., 16 color and 46 b&w plates and illustrations. Square 4to, wraps. Berkeley, University of California Press, 1990.

Berkeley, etc., University of California Press, (1994); 26,5x25,5 cm. Pb. 122 pp., illustrated (partly in colour), chronology, notes, bibliography, index. Fine copy. ISBN 0 520 08446 2.

Zustand: Sehr gut. Sehr schönes, innen wie außen sauberes Exemplar. 122 S., Abb. Englisch 1300g 4° Leineneinband mit Schutzumschlag.

72 pp.; 27.8 x 21.7 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1982 issue of Journal, edited by Michael Delgado. Contents include: "On Pictures and Meaning," by John Brumfield; "On Number Time and Emotion," by John Whitney; "Defining the Avant-Garge," by Richard Hertz; "Art with a Capital "A" and Television Executives," by Michael Delgado; "The Art Economist," by Ken Friedman; "Bauhaus Brochure," by unattributed artists; "The Open Road of Risk: George Herms, Wallace Berman, the Beats, and West Coast Visionary Poetics," by Robert L. Pincus; "The Figurative Style of the Early Sixties: Brice, Lebrun, Warshaw," by Michael Kohn; "The Psychobiological Imperative," by Marilyn Ekdahl Ravicz; "Artist Pages," by Roger Herman, Jacobus Bos, and "My Parents in German," by Jim Morris "Colson's Corner," by unattributed artists. Cover art "Molecule Men" by Jonathan Borofsky. Very Good. Light dust soiling of covers and 1.4 cm. crease/bumping to bottom of publication. 3 mm. tear to top edge of spine. Contents clean and unmarked.

72 pp.; 27.8 x 21.7 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1982 issue of Journal, edited by Michael Delgado. Contents include: "On Pictures and Meaning," by John Brumfield; "On Number Time and Emotion," by John Whitney; "Defining the Avant-Garge," by Richard Hertz; "Art with a Capital "A" and Television Executives," by Michael Delgado; "The Art Economist," by Ken Friedman; "Bauhaus Brochure," by unattributed artists; "The Open Road of Risk: George Herms, Wallace Berman, the Beats, and West Coast Visionary Poetics," by Robert L. Pincus; "The Figurative Style of the Early Sixties: Brice, Lebrun, Warshaw," by Michael Kohn; "The Psychobiological Imperative," by Marilyn Ekdahl Ravicz; "Artist Pages," by Roger Herman, Jacobus Bos, and "My Parents in German," by Jim Morris "Colson's Corner," by unattributed artists. Cover art "Molecule Men" by Jonathan Borofsky. Good / Very Good. 2 mm. yellow stain to recto with dust soiling of covers. Additional light soiling across verso. Bumping of corners. Contents clean and unmarked.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Books: Eric L. Santner on Giorgio Agamben's 'The Kingdom and the Glory,'" by Eric L. Santner; "Film: P. Adams Sitney on Jerome Hiler's 'Words of Mercury,'" by P. Adams Sitney; "Film: J. Hoberman on Jafar Panahi's 'This Is Not a Film,'" by J. Hoberman; "Film: James Quandt on Pablo Larraín's 'Post Mortem,'" by James Quandt: "On Site: David Velasco on the Crystal Bridges Museum of American Art," by David Velasco; "Design: "Seth Siegelaub on Collecting Textiles," by Seth Siegelaub, introduction by Lauren O'Neill-Butler; "Media: Brian Droitcour on Artie Vierkant," by Brian Droitcour; "Top Ten," by Loretta Fahrenholz; "First Position: The Early Performance Work of Sturtevant," by Bruce Hainley; "Perfect Fit: John Chamberlain Remembered," by Lynne Cooke and Larry Bell; "Pandora's Black Box: Algorithms of Taste," by Michael Sanchez; "L'Homme Machine: The Art of Konrad Klapheck," by Dieter Roelstraete; "1000 Words: Boris Charmatz," by Catherine Wood; " "Close-Up: Restored to Power. Tony Pipolo on Abel Gance's 'Napoléon,'" by Tony Pipolo; "Openings: Rey Akdogan," by Alex Kitnick. Reviews by Anna Lovatt, Sarah K. Rich, Martha Buskirk, David Rimanelli, David Frankel, Robert Pincus-Witten, Frances Richard, Suzanne Hudson, Barry Schwabsky, Johanna Burton, Lauren O'Neill-Butler, Donald Kuspit, Joshua Decter, Michael Wilson, Lloyd Wise, Brian Sholis, Emily Hall, Agnieszka Gratza, Daniel Marcus, Jennifer King, Michelle Grabner, Nick Stillman, Franklin Melendez, Natilee Harren, Phyllis Tuchman, Rachel Withers, Sherman Sam, Lillian Davies, Guitemie Maldonado, Astrid Mania, Jens Asthoff, John Beeson, Noemi Smolik, Quinn Latimer, Marco Tagliafierro, Marco Meneguzzo, Hans den Hartog Jager, Jos Van den Bergh, Brigitte Huck, Markéta Stará, Marek Bartelik, Filipa Oliveira, and Daniel Quiles. Cover: Sturtevant.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Books: Eric L. Santner on Giorgio Agamben's 'The Kingdom and the Glory,'" by Eric L. Santner; "Film: P. Adams Sitney on Jerome Hiler's 'Words of Mercury,'" by P. Adams Sitney; "Film: J. Hoberman on Jafar Panahi's 'This Is Not a Film,'" by J. Hoberman; "Film: James Quandt on Pablo Larraín's 'Post Mortem,'" by James Quandt: "On Site: David Velasco on the Crystal Bridges Museum of American Art," by David Velasco; "Design: "Seth Siegelaub on Collecting Textiles," by Seth Siegelaub, introduction by Lauren O'Neill-Butler; "Media: Brian Droitcour on Artie Vierkant," by Brian Droitcour; "Top Ten," by Loretta Fahrenholz; "First Position: The Early Performance Work of Sturtevant," by Bruce Hainley; "Perfect Fit: John Chamberlain Remembered," by Lynne Cooke and Larry Bell; "Pandora's Black Box: Algorithms of Taste," by Michael Sanchez; "L'Homme Machine: The Art of Konrad Klapheck," by Dieter Roelstraete; "1000 Words: Boris Charmatz," by Catherine Wood; " "Close-Up: Restored to Power. Tony Pipolo on Abel Gance's 'Napoléon,'" by Tony Pipolo; "Openings: Rey Akdogan," by Alex Kitnick. Reviews by Anna Lovatt, Sarah K. Rich, Martha Buskirk, David Rimanelli, David Frankel, Robert Pincus-Witten, Frances Richard, Suzanne Hudson, Barry Schwabsky, Johanna Burton, Lauren O'Neill-Butler, Donald Kuspit, Joshua Decter, Michael Wilson, Lloyd Wise, Brian Sholis, Emily Hall, Agnieszka Gratza, Daniel Marcus, Jennifer King, Michelle Grabner, Nick Stillman, Franklin Melendez, Natilee Harren, Phyllis Tuchman, Rachel Withers, Sherman Sam, Lillian Davies, Guitemie Maldonado, Astrid Mania, Jens Asthoff, John Beeson, Noemi Smolik, Quinn Latimer, Marco Tagliafierro, Marco Meneguzzo, Hans den Hartog Jager, Jos Van den Bergh, Brigitte Huck, Markéta Stará, Marek Bartelik, Filipa Oliveira, and Daniel Quiles. Cover: Sturtevant.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Ronny Cohen on Janis Provisor Ronny Cohen on Richard Stankiewicz Glenn O Brien on Jan Müller Glenn O Brien on Daryl Trivieri Jeanne Silverthorne on Louise Lawler Jeanne Silverthorne on Agnes Martin Ed Hill and Suzanne Bloom on The Nicaragua Media Project Donald Kuspit on Gene Davis Donald Kuspit on Walt Kuhn Donald Kuspit on The Success of Failure Thomas McEvilley on Carolee Schneemann Thomas McEvilley on Pat Steir John Howell on Arnold Mesches John Howell on Time and Space Limited Barbara Kruger on Difference: On Representation and Sexuality Patricia C. Phillips on Susan Smith Patricia C. Phillips on Donna Byars Patricia C. Phillips on Susana Torre, Allan Wexler Charles Hagan on Chuck Close Charles Hagan on Paper Tiger Television.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "Rebecca Horn: Dancing on the Egg," by Germano Celant; "Modern Art from a Japanese Viewpoint," by Shigeo Chiba; "Modern-Postism," by Glenn O'Brien; "Stubborn Ideas and LeWitty Walls," by Lisa Liebmann; "Jim Starrett, Pacifist Painter," by Donald Kuspit; "A Project by Dorothea Rockburne"; "Robert Wilson: It's About Time," by Franco Quadri; "Gone With the Wind," by Greil Marcus. Reviews by Glenn O'Brien, Donald Kuspit, Thomas McEvilley, John Yau, Ida Panicelli, Charles Hagen, Barbara Kruger, Jeanne Silverthorne, Kate Linker, Patricia C. Phillips, John Howell, Judith Russi Kirshner, Eleanor Heartney, Suzaan Boettger, Robert L. Pincus, Jeff Kelley, Ken Baker, Annelie Pohlen, Ingrid Rein, Denys Zacharopoulos, and Stuart Morgan. Cover: Rebecca Horn.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. BILL WOODROW: MATERIAL TRUTHS Mark Francis IN THE HEART OF THE TINMAN: AN ESSAY ON JOHN CHAMBERLAIN Duncan Smith A PROJECT FOR ARTFORUM by Pontus Hultén and Jean Tinguely FREEING DANCE FROM THE WEB: ON COLLABORATION, TRISHA BROWN'S SET AND RESET AND LUCINDA CHILDS' AVAILABLE LIGHT Thomas McEvilley TWO SIDES OF THE BRAIN: MOLISSA FENLEY S HEMISPHERES RoseLee Goldberg UP ROCKING, LOCKING, OLD STYLE, 1990 MOVES Michael Holman SELECTED FUNK LESSONS: A PROJECT FOR ARTFORUM by Adrian Piper A USE FOR BEAUTY Kenneth Baker EXECUTIONER S SONG Greil Marcus FORUM Kate Linker COLUMNS FEATURES REVIEWS NEW YORK Donald Kuspit on Dorothea Tanning Donald Kuspit on Follies Donald Kuspit on Chris Burden Lisa Liebmann on Troels Wörsel Jeanne Silverthorne on Michael David Jeanne Silverthorne on Rosemarie Castro Jeanne Silverthorne on Mary Beth Edelson Jeanne Silverthorne on Kazuko Jean Fisher on Richard Prince Jean Fisher on Francis Picabia Jean Fisher on Joseph Nechvatal Thomas Lawson on New Expressions Thomas Lawson on Kiely Jenkins Ronny Cohen on Ron Nagle Ronny Cohen on Donald Lipski Charles Hagen on Lee Friedlander Charles Hagen on Hamish Fulton Richard Armstrong on Ira Richer Richard Armstrong on George Schneeman Thomas McEvilley on Underdog Barbara Kruger on Sharon Greytak John Howell on The Way Of How BOSTON Nancy Stapen on Magdalena Abakanowicz HOUSTON Ed Hill and Suzanne Bloom on American Still Life 1945 1983 CHICAGO Michael Bonesteel on Ed Paschke LOS ANGELES Robert L. Pincus on Jeffrey Vallance SAN FRANCISCO Suzaan Boettger on Clay Jensen STOCKHOLM Lars Nittve on Ibid AMSTERDAM Gerald Van Der Kaap on Winfred Evers BONN AND STUTTGART Annelie Pohlen on Klaus Mettig COLOGNE Annelie Pohlen on Ina Barfuss Annelie Pohlen on Werner Buttner Annelie Pohlen on Thomas Virnich PARIS Gerard-Georges Lemaire on Sandro Chia SAN SEBASTIAN Michael Tarantino on The San Sebastian International Video Festival MADRID Aurora Garcia on Sigfrido Martín Begué ROME Pier Luigi Tazzi on Michelangelo Antonioni.